Posted in: Disc Reviews by David Annandale on July 16th, 2007
Synopsis
Dustin Hoffman plays Max Dembo, a burglar out on parole after serving six years. He initially makes a committed effort to reintegrate into society, getting a nowhere job in a can factory and dating placement agent Theresa Russell. But when parole officer M. Emmet Walsh unfairly targets him, Hoffman gives it up and returns to a life of crime, his violent and self-destructive urges making a bad situation that much worse.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2007
It was the final hours of the Civil War, and incompetent Captain Parmenter (Ken Berry) gave off a sneeze and sent his men in the wrong direction. By sheer luck the enemy was there and forced to retreat, making Parmenter a hero of sorts. His reward was to be placed in command of the frontier outpost Fort Courage. And that’s the set-up for F Troop. In the first season this story was told in the opening credits, but these were cut short for season two and beyond. Westerns have not traditionally been good fodder for co...edy. F Troop is the exception. But what made F Troop funny had little to do with the setting. What gave F Troop is long standing following was the cast of characters and the actors who brilliantly portrayed them. Ken Berry had a natural wit about him that brought him long success even after F Troop. He is most likely better known today for his stint in Mama’s Family. He was originally a dancer, which gave him an uncommon grace in the physical comedy that was so much a mainstay of F Troop. When you think of Forrest Tucker, you don’t necessarily think of comedy. With his run on Gunsmoke, Tucker was best known for his tough guy roles. His intimidating stature made him a natural, and he appeared on such favorites as Wagon Train and Daniel Boone. Still, to many fans he will always be the rough and tumble Sergeant O’Rourke on F Troop. His boisterous voice was instantly recognizable to the show’s legion of fans. The trio of stars is completed with Larry Storch as the naïve Corporal Agarn. The natural chemistry between these three accounted for the vast majority of the show’s success. Let’s face it the writing here was 1940’s vaudeville slapstick translated for television audiences 20 years later.
F Troop has had its fair share of controversy over the years. Fortunately the 1960’s public was not so sensitive to stereotypes, or the show might never have been made. Much has been made of the show’s portrayal of the American Indians, of course today more politically correctly referred to as Native Americans. The characters were bumbling savages with the combined intellect of an insect. One might take offense if not that the American soldiers stationed at Fort Courage were portrayed in exactly the same way. This was never anything more than mindless comedy intended to elicit a laugh or two or thirty. That it did.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2007
Mission Impossible didn’t really enter into its by now famous format until this, the second season. The IMF team was run by Daniel Briggs, played by Steven Hill. Hill was never really happy and left after the first season, citing a refusal to work on the Sabbath as his reason for leaving. While Hill was never bad in the role, his departure was our gain. Peter Graves immediately stepped up as the iconic Mr. Phelps, and Mission Impossible as we know it was born. I should add a word of caution and say this is really ...othing like the films which have become big budget vehicles for Tom Cruise over the last decade or so. This was not an explosive f/x or stunt driven show. The team managed their impossible missions with cunning and guile. The team was necessarily eclectic in nature. It featured Martin Landau in his signature role of Rollin Hand. Hand was very much akin to Martin Ross and his role in The Wild Wild West. He was a master of disguise. He could imitate almost anyone in very short order. Barney Collier was the gadget man, played by Greg Morris. Cinnamon Carter was the model and the team’s chief seductress and was played by Landau’s real life wife Barbara Bain. Finally, the muscle was supplied by Willy Armitage, played by brute Peter Lupus. Together they took on missions that the government could not be officially a part of. They were always admonished that should they be caught “the secretary would disavow any knowledge” of them. Usually they were sent somewhere to put some evil mastermind out of business. Their tactics ranged from scams to outright theft. Sometimes they were a rescue team while other times they would infiltrate a group of bad guys. There were certainly cold war elements to the whole thing.The openning segment of each episode was television history. A hidden tape recorder would give Phelps his assignment with the warning that the recording would self-destruct in 5 seconds. The tape and usually the recorder as well went up in a puff of smoke leading to the famous fuse and theme. Before we knew it we were off to save the world one week at a time.
Video
Posted in: Disc Reviews by David Annandale on June 27th, 2007
Synopsis
There isn’t a lot that connects these films, other than the fact that they are all budget-conscious SF and were released in 1958. All are joys for fans of the genre, however.
Posted in: Disc Reviews by David Annandale on June 25th, 2007
Synopsis
An undersea earthquake leads to the loss of an undersea lab. There is, however, no sign of the wreckage, and so it is presumed that the lab slid deep into a trench. In the faint hope that there might be survivors, the submersible Neptune descends into the depths, where it encounters all sorts of gigantic sealife.
Posted in: Disc Reviews by David Annandale on June 20th, 2007
Synopsis
An overheated Cold War plot sees a scientist, crucial to American interests, felled by a blood clot. The only way of saving his life consists in shrinking a submarine and specialist crew to microscopic size and injecting them into the his body. They must make their way up the circulatory system to the brain and there destroy the clot. But on top of all the hazards they encounter in the body, there is also a saboteur aboard.
Posted in: Disc Reviews by Archive Authors on June 16th, 2007
I’m kicking myself. Martin Scorcese’s The Color of Money has long been a favourite of mine, but for some reason I never knew it was a sequel to The Hustler, a film 25 years older and three times better.
Starring a young Paul Newman (Road to Perdition) in a role that earned him his second Oscar nomination, The Hustler is about a cocky pool player hustling his way to the top. When “Fast Eddie” Felson (Newman) challenges undefeated straight-pool champ Minnesota Fats (Jackie Gleason,...Requiem for a Heavweight) to a high stakes game, the talented young hustler shows he has the skills to be the best, but self-destructs toward the end of the 25-hour marathon match. Left near-penniless and without the managing partner who helped him get started in the seedy world of pool hustling, Eddie faces an uphill struggle to regain his confidence. Shacking up with smart, attractive and similarly self-destructive Sarah (Piper Laurie, Carrie) proves to be a decent diversion while Eddie wallows in misery, but while he uses her as a crutch, he becomes the cause of her destruction when he agrees to play for Bert Gordon (George C. Scott, Patton), a ruthless, greedy manager, and brings her along when they hit the road.
Posted in: Disc Reviews by Michael Durr on June 10th, 2007
Synopsis
Hello, all you happy people. Growing up, many people of my generation when turning to classic cartoons turned to Bugs Bunny or Mickey Mouse or even Popeye. I wasn't normal (who would have guessed?). I found my cartoon home when I wasn't watching Transformers or He-Man in the old Tex Avery cartoons of yesteryear. My favorite character was Droopy, the little dog with the deadpan wit and a penchant for outsmarting the big bad Wolf or Spike/Butch the bulldog. Tex was fa...ous for throwing one gag at you and then while you are still laughing throw another. He would usually follow that up with a third one for good measure. It was this constant unapologetic slapstick that would become his signature and would be found most consistently in the hands of Droopy.
Posted in: Disc Reviews by David Annandale on June 8th, 2007
There's a heat-wave in January, and dozens of meteorites are falling from the sky. The plane carrying a princess explodes, but the princess has somehow survived, though she has no memory of her former self and believes herself to be Venusian, come to warn humanity of impending calamity. In due course, this calamity arrives as one of the meteorites transforms into King Ghidorah. Earth will be destroyed unless Mothra manages to convince Godzilla and Rodan to stop fighting each other and instead take on King Ghidorah.
This follow-up to Mothra vs Godzilla marks the point at which the series definitively took a deliberate turn for the comic, for good or ill. The slapstick had already been present in King Kong vs Godzilla, but now it would be here to stay. The storylines would also become more and more outlandish. The monster battles here are largely in the countryside, thus cutting costs on the expensive destruction of city miniatures. Whatever one's feelings on the direction the series took from this point on until the late 70's, the wrasslin' is still a lot of fun, both exciting and funny. However, it is far too long in coming. The monsters have far too little screen time, taking backseat to the rather uninteresting (but much cheaper to film) human stories.
Posted in: Disc Reviews by David Annandale on June 8th, 2007
A mysterious new planet is discovered, and an expedition there discovers a civilization under threat from King Ghidorah. The inhabitants of Planet X ask to transport Godzilla and Rodan to their home for help. Earth agrees, and at first it seems that all has gone well, as Godzilla sends Ghidorah packing. But then it turns out that the Xians are actually invaders, and plan to use all three monsters to subjugate Earth.
If you thought Godzilla grabbing at his butt after being zapped by Ghidorah in Ghidorah, ...he Three-Headed Monster was silly, just wait for the infamous victory jig here. So yeah, the juvenile nature of the series is pretty much set in concrete by this point. This is also the first time of many that aliens will plot our conquest and using monsters somehow figures into their dastardly scheme. That said, the plot is livelier and more entertaining than the previous entry’s.
