Posted in: Disc Reviews by David Annandale on June 6th, 2007
Synopsis
Gary Cooper is a writer who hit it big with his first book, but has been mechanically producing more of the same ever since while he and his wife booze it up in New York high society. When his publisher rejects his latest tossed-off effort, Cooper and wife (now dead broke) retreat to his old family home in the country. There he gradually falls in love with the daughter (Anna Sten) of his Polish neighbour. She herself is engaged (unhappily) to another man. The budding relationship is thus fra...ght with many perils.
Posted in: Disc Reviews by Michael Durr on June 3rd, 2007
Synopsis
Groundbreaking is often a word that is simply used too much. People tend to sling it around whenever they find a movie or tv show that is just simply different. However, this is not the case with the groundbreaking show: Cagney & Lacey. It was to show two women in leading roles as police officers solving crimes and getting the bad guys. The show in its first season alone would explore such controversial women's issues as date rape and burnout (which a lot of women du...ing that time experienced when faced with both being employed and a domesticated wife). The cast was centered around Christine Cagney & Mary Beth Lacey (played by Sharon Gless & Tyne Daly respectively) and plays an important part in women's television even today.
Posted in: Disc Reviews by Archive Authors on May 31st, 2007
Synopsis
I’m one of the few who hasn’t experienced the magic of Robert Cormier’s novel “The Chocolate War”, and I was surprised to hear that it was the most banned book for a time (and still might be). When the film came out, not only did I not hear about it, but in 1988 I was in the middle of high school, and I (along with many other people) sure as hell could have used this film back then, not to say that all the John Hughes films weren’t a welcome breath of air into my life.
Posted in: Disc Reviews by David Annandale on May 31st, 2007
Synopsis
After a whirlwind romance leads to a quick marriage, Gary Cooper’s introduction to his new in-laws ends in fiery catastrophe. The marriage annulled, he returns to his small town home and an earlier romance despite the best advice of father-in-law-to-be Frank Morgan, who wants to save his friend from the horrors of marriage. But when a critical number of months later, Cooper receives word that he is to be a father, and that his former wife (Theresa Wright) is planning on giving the baby up fo... adoption, he kidnaps the infant and holes up in a hotel, trying to raise the baby himself.
Posted in: Disc Reviews by David Annandale on May 30th, 2007
Synopsis
Gary Cooper plays the title character, sent by his father on a perilous journey to the Far East to open up trade relations with China. Once in the court of Kublai Khan, he becomes involved in the palace intrigue, falling in love with the emperor’s daughter, and running afoul of evil councillor Basil Rathbone.
Posted in: Disc Reviews by Archive Authors on May 28th, 2007
Prior to Top Gun with Tom Cruise and long before The Guardian with Ashton Kutcher, An Officer and a Gentleman was the film about a hot-headed hotshot military trainee headed for glory or self-destruction.
Starring a youthful Richard Gere (Chicago), An Officer and a Gentleman follows the journey of Zack Mayo, a young man looking to find his place in the world, and to prove he can defy his chaotic, depraved upbringing. His avenue of choice is to become a navy jet pilo..., which means he must first survive officer training under hard-as-nails Gunnery Sergeant Foley (Lou Gosset Jr., Diggstown). Between the tough training and weekend romps with girlfriend Paula (Debra Winger, Shadowlands), a local townie hoping to marry a pilot-to-be and escape her dead-end life, Mayo has a hard time holding on to his selfish, loner persona, and he fights the battle on internal and external levels throughout the film. It takes him a long time to realize he can change, open up to others and actually succeed. It’s a no man is an island story, and while you’re probably familiar with aspects of it from the likes of The Guardian, this film tells it in a more realistic and thus more satisfying way.
Posted in: Disc Reviews by David Annandale on May 25th, 2007
Synopsis
Gary Cooper and seven colleagues are introverted academics working on a new encyclopedia. When Cooper realizes this his slang entry is hopelessly out of date, he bravely ventures outside the ivory tower to learn what the new lingo actually is. The most fluent slang speaker he encounters is nightclub performer Barbara Stanwyck. When her gangster boyfriend (Dana Andrews) is wanted for murder, she hides from the police by moving in on the professors, ostensibly to help them with their project. ...hey all fall for her, of course, especially Cooper, and she beings, despite herself, to see them as something more than useful pawns.
Posted in: Disc Reviews by Gino Sassani on May 23rd, 2007
Thieves Like Us was never one of Robert Altman’s better known films. It did rather poorly at the box office in 1974, and I suspect it will fare little better on DVD. Certainly there is a bit more interest in Altman’s films with his recent passing, but Thieves Like Us is not a great representation of his work. It is a wonderful period piece, but there isn’t anything worthwhile happening inside that marvelously created world. Altman admits there were extreme cuts, over 45 minutes, made to the film. Perhaps that foota...e might have made a huge difference. An extended cut might have been the better way to go here. I suspect with Altman’s death, no one wanted to be the one to change any of his films right now.
The film is based on the Edward Anderson novel of the same title. The book had been filmed with superior results in the 1940’s as They Live By Night. Altman’s film more closely follows the book, and this could be its undoing. There is a reason why even the greatest written works are modified somewhat for the screen. This almost exact telling ends up being quite the bore. It just seems to go nowhere, and very slowly at that. The story follows three bank robbers who manage to escape prison only to return to their criminal ways. Most of the film centers on Bowie (Carradine), one of the robbers who falls in love with Keechie (Duvall). The other two are in and out of the story sparingly. The film is often compared with Bonnie and Clyde, but I don’t see it. First off, Bowie is never joined by Keechie on his criminal adventures. The most significant similarity is the brutality with which Bowie is gunned down in the film’s climax. Unfortunately Altman has developed superb characters and excellent actors to portray them, but he never ends up doing anything with them. Altman addresses the pacing and lack of action in his audio commentary, but he never tells us why. He only mentions at least 50 times that you couldn’t make a film with this pacing today. I think he’d have been better off not to have made one even 30 years ago. His reasoning is audiences today have less patience. That may be true, but the film didn’t exactly set any records even in 1974.
Posted in: Disc Reviews by David Annandale on May 22nd, 2007
Synopsis
Cord (Jeff Cooper) is a martial arts expert in a mythical land who competes for the right to go on a quest to confront a legendary master (Christopher Lee) who protects a mystical book. Cord cheats and is disqualified, but heads out on the quest all the same. Along the way he encounters various threats (all played by David Carradine) and a supernaturally talented blind man (also Carradine), not to mention oddities such as Eli Wallach sitting in a barrel of oil as part of long-term project to...dissolve his penis.
Posted in: Disc Reviews by Archive Authors on May 21st, 2007
Synopsis
To Catch a Thief has a lot going for it. For starters, two of the most marketable faces of their time playing opposite one another, in a film directed by one of the greats of cinematic history. What’s so wrong about that? John Michael Hayes (Peyton Place) adapted David Dodge’s novel, which Alfred Hitchcock (Psycho) directed.
