Posted in: Disc Reviews by Archive Authors on April 4th, 2006
Synopsis
I have to write an open letter to those who are (deep breath) fans of teen idol used-to-bes Scott Baio and Willie Aames. What the hell is wrong with you people? Did the online petition have THAT many signatures that it had to be recognized and acted upon? Did you really need to have the theme song to Charles in Charge on DVD? I admit, it’s a little bit catchy, but if you watch all 22 episodes in one setting, you need to up your lithium dosage. I know and understand that Universal is catering...to the VH-1 “I Love the ‘80s” crowd by releasing shows like this onto disc, but let’s exercise some sort of restraint, huh?
Posted in: Disc Reviews by Archive Authors on March 29th, 2006
With the original Controversial Classics Collection from Warner Brothers, the studio pulled seven films from their classic film archive that were controversial in their day. Topics included government corruption, racism, troubled youth and the wrongfully accused. Instead of following that set with more classic films based on the same themes, Warner Brothers has done something interesting and varied the focus of their theme. The films this time around, as the title suggests, deal with the role of the news media...in modern society. Instead of including seven different films, they have focused on newly re-mastered, double disc versions of three films from the 70's; Network, All the President's Men and Dog Day Afternoon. Each film is available individually, or as part of this box set.
Network is a film that rates at number 66 on the American Film Institute's Top 100 Films of All Time list. As fate would have it, it is also my least favorite film of the three. Each film in this set takes a different approach to examining the nature of the news media. This film is probably the most on point with the nature of modern news. In Network, the role of the news media is to make money for the broadcast networks. The story, justice and reporting the truth behind the events are all seen as tools to be manipulated to obtain ratings, and ultimately money. This is one of those films that probably seemed like sensationalism at the time, but it is certainly right on point in the new millennium.
Posted in: Disc Reviews by David Annandale on March 21st, 2006
Synopsis
After the mysterious death of his former employer, perpetually shirtless gardener Joe Dallesandro is taken on by the rich and rather twitty Katherine Houghton. He works wonders with her garden, wonders so miraculous, in fact, that the rest of her staff becomes very suspicious. Unfortunately, Houghton is falling more and more deeply under the gardener’s mesmeric spell, and anyone who stands in his way runs into strange botanical fates.
Posted in: Disc Reviews by Gino Sassani on March 14th, 2006
Johnny Cash’s dramatic road to Christianity is no secret to his fans and thanks to the recent biopic, Walk The Line, it’s no secret to the masses. Cash made this film, he explains, to show people why he is so drawn to the Passion of Christ. This is no doubt a sincere effort to bring this expression to life. The film is entirely shot in the Holy Land. The film is enhanced by the wonderful locations. Cash attempted to follow the actual path of Christ. There is no doubt that the care and conviction Cash felt is evide...t on the screen..
Gospel Road is basically the story of Christ’s life. Cash narrates the entire film which gives it more of the flavor of an educational effort. At times it feels like watching an A&E biography. When Cash isn’t speaking he’s singing. It is in the music that this film separates itself from the many Christian biopics out there. Unfortunately there really aren’t many complete songs. Instead he uses musical phrases to reinforce more powerful messages. The bad news is that the cast has a very difficult job. There is no real dialogue from the actors. The only notable exception is June Carter Cash, who plays Mary Magdalene. She has the only real speaking part in the film. While she does a good job I’m not sure it fits the message Cash was trying to convey. It seems strange that that role would be stronger than even Christ himself. The action takes place not on sets but rather out in the wilds of Israel. The style recalls the technique also used to great effect in Jesus Christ Superstar, coincidentally another musical depiction of The Passion..
Posted in: Disc Reviews by David Annandale on March 14th, 2006
Synopsis
In his film debut, Sidney Poitier is a newly minted doctor at a downtown hospital. Two patients arrive in the prison ward, shot in the leg by police. One is Richard Widmark, frothing racist. The other is his brother, who dies under Poitier’s care, not from the wound, but from a terminal brain tumour. Widmark blames Poitier, and sets about inflaming racial hatred in his quest to destroy Poitier.
Posted in: Disc Reviews by Archive Authors on March 9th, 2006
Michael Ontkean and Kate Jackson play a married couple dealing with the ramifications of the husband's newly discovered homosexual behavior. Right off, I'll say these two seem too happy from the beginning to make the sudden turn believable. Also, the ending [SPOILER ALERT, kind of] is too predictable and cliche to be the least little bit effective. The "I'm okay/You're okay" resolution, where everyone moves on and everyone's okay with who they are, and the world is once more a wonderful place, is pure Grade-A drivel ...hat simply got by with it at the time because it was one of the first movies to deal so openly with such a controversial topic.
With that said, the film's flaws really have nothing to do with its handling of the subject matter. Instead, it goes down - in flames - at the hands of two actors, who haven't learned a thing since they nabbed their first roles. Kate Jackson's wife is supposed to be a career woman, but she never stops whining and self-indulging into her own feelings long enough to step off your nerves and convince you she's any more than a cry-baby trophy wife. Harry Hamlin secured his rightful place in Lifetime movie hell with performances such as this one, where he's so convinced he's charming that all he really accomplishes is making the viewer want to punch him right in the mouth. As two-thirds of the triangle (Ontkean is actually quite good as the husband), the film was dead in the water, and nothing Arthur Hiller's direction could do was able to save it.
Posted in: Disc Reviews by David Annandale on February 28th, 2006
Synopsis
Dana Andrews was never an actor who radiated warmth, and here he is perfectly cast as a hardboiled con artist on the lookout for number one. He arrives in a small town and falls hard for sultry waitress Linda Darnell. She is holding out for marriage, but marriage with financial stability, which Andrew can’t offer. So he sets about seducing Alice Faye with the idea of fleecing her of her fortune.
Posted in: Disc Reviews by David Annandale on February 28th, 2006
Synopsis
Valentina Cortesa plays a survivor of the Belsen concentration camp. She has lost everything in the war. Her best friend in the camp is a woman whose infant child is being looked after in the USA, and when this woman dies shortly before liberation, Cortesa decides to adopt her identity, since no one alive would remember what she looks like. Once in the States, she meets and falls in love with Richard Basehart, the guardian of her “son.” Moving into their home in San Francisco, she sense host...lity on the part of the nanny (Fay Baker). She soon begins to fear for her life, and grows terrified of her husband.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2006
My name's trouble... and you got some of it lady.
I admit, I wasn't even a big fan of The A-Team back in the day. I mean, I was a boy, and Mr. T was cool and all, but the show itself never really grabbed my attention. Even at a young age, the whole thing just felt a little too unbelievable. I mean, if these guys are a group of deserters and felons who are wanted by the government, then how is it that everybody knows who they are? Plus, Mr. T isn't exactly inconspicuous wearing 832 gold ...hains around his neck everywhere he goes. Then, of course, there is the fact that they frequently open fire with fully-automatic weapons in public places (and nobody gets hurt). Apparently the government hasn't made finding The A-Team priority one.
Posted in: Disc Reviews by David Annandale on February 16th, 2006
Synopsis
Audrey Hepburn is Holly Golightly, a young woman to her name born. Flighty, hopping from party to party, she waits for her life to match her ideal. Into her apartment moves writer George Peppard, who is certainly not the millionaire our heroine imagines will sweep her off her feet. Peppard himself is a kept man, and his keeper is Patricia Neal. Peppard does have a more realistic view of how life works, in the long run, and that is a lesson that Hepburn must learn before romance can follow it... natural course.
