Posted in: Disc Reviews by David Annandale on February 28th, 2006
Synopsis
Dana Andrews was never an actor who radiated warmth, and here he is perfectly cast as a hardboiled con artist on the lookout for number one. He arrives in a small town and falls hard for sultry waitress Linda Darnell. She is holding out for marriage, but marriage with financial stability, which Andrew can’t offer. So he sets about seducing Alice Faye with the idea of fleecing her of her fortune.
Posted in: Disc Reviews by David Annandale on February 28th, 2006
Synopsis
Valentina Cortesa plays a survivor of the Belsen concentration camp. She has lost everything in the war. Her best friend in the camp is a woman whose infant child is being looked after in the USA, and when this woman dies shortly before liberation, Cortesa decides to adopt her identity, since no one alive would remember what she looks like. Once in the States, she meets and falls in love with Richard Basehart, the guardian of her “son.” Moving into their home in San Francisco, she sense host...lity on the part of the nanny (Fay Baker). She soon begins to fear for her life, and grows terrified of her husband.
Posted in: Disc Reviews by David Annandale on February 14th, 2006
Synopsis
Fred Astaire plays wealthy businessman and inveterate bachelor. On trip to France, his car goes into a ditch. Seeking help in a nearby orphanage, he catches sight of the vivacious Leslie Caron. Captivated by her joie de vivre, he arranges for her to receive a full scholarship and education in the states, and watches from the safety of anonymity as she flourishes. But then, whoops, he begins to fall in love with her.
Posted in: Disc Reviews by David Annandale on February 13th, 2006
Synopsis
Jane Fonda plays Lilliam Hellman. She is living in a beach house with Dashiel Hammett (Jason Robards), struggling with a play (The Children’s Hour, though the film is ridiculously coy about mentioning its title). She is also worried about her childhood friend Julia (Vanessa Redgrave), who is caught up in the struggle with the rising tide of fascism in 1930s Europe. Hellman loses contact with Julia, but on a trip to Europe in the wake of her play’s success, she is contacted by friends ...f Julia’s, asking her to take on the risky job of transporting bribes to Hitler’s Berlin.
Posted in: Disc Reviews by Archive Authors on February 3rd, 2006
Harry Belafonte stars as an ambitious young politician, who refuses to fear the white majority that holds a foothold over his island home, in Island in the Sun. Along the way, he strikes up a romance with Joan Fontaine. Incidentally, we are supposed to believe Ms. Fontaine’s character is younger than Belafonte’s, despite the fact that she looks ten years older. Dorothy Dandridge also stars as a pharmacy clerk, who falls in love with the white aide to the island’s governor. If this seems like it’s all over the ...lace, that’s because it is. While the film was ahead of its time in factors such as race relations (with the two interracial romances above to speak of), it took a huge leap back when it came to the old standbys of narrative logic and a well-developed plot. But while I clearly did not enjoy this film, I will admit it has its values when viewed in the proper context.
The role of Island in the Sun as a classic is largely dependent on its subject matter and the time period in which it was released. A drama tackling interracial love in 1957 was hardly something that would go unnoticed, or be easily forgotten. However, when dissected by today’s audiences, the film proves to be pretty lightweight. For one, affection between interracial couples was limited to only the occasional embrace. In no way could the couples share an on-screen kiss, even if it were simply a peck on the cheek. Secondly, the story wanders about with no real plot to speak of. It’s as if the filmmakers had some ideas of what they wanted and forged ahead without the security of a well-constructed script – truly disappointing for a motion picture considered so groundbreaking. You can tell this film had Oscar aspirations. It simply didn’t realize how important a story was to achieve such lofty goals. Of course, today such omissions would not disqualify it, so long as it had an Academy-friendly agenda to support. However, there were higher standards in those days, and producer Darryl Zanuck relied on his message – and an admittedly incredible cast – to do all the work for him. The results are mediocre at best.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
Disney continues to pull its disappearing acts on DVD with their limited time offers, this time using the new Toy Story 2 2-disc release as the proverbial carrot in front of the mule. While such marketing tactics may be a little annoying to those of us that don’t like to be told when we can or can’t see a movie, there should be no greater incentive to pick this up if you haven’t yet claimed a copy of the film. Toy Story 2 cemented Pixar’s name in quality animation and continued to prove the little studi... that could, could continue to knock one after the other out of the park.
In this outing, Woody’s the one in trouble. A yard-sale robbery has placed him in the hands of the villainous Al from Al’s Toy Barn. Al (voiced by Seinfeld’s Wayne Knight) needs Woody to complete his Woody’s Round-Up collection, and now that he has him, he plans on selling the entire display to a Japanese toy museum. That’s when all the lovable toys from Andy’s toy box come together for one of the greatest rescue missions in Disney animation history. Highlighted by moments of spot-on satire, kid-friendly humor, heart-felt poignancy (as in the teary-eyed memories of Jessie, the Yodeling Cowgirl), and an unforgettable airport finale (with its own share of twists, turns, and thrills), Toy Story 2 equals its predecessor and takes Pixar to the next level of superior entertainment.
Posted in: Disc Reviews by Archive Authors on January 8th, 2006
Synopsis
Lenny Baker is a young Jewish lad (based on writer/director Paul Mazurksy himself) who dreams of being an actor. The time is the early 1950s, and Baker moves from Brooklyn to Greenwhich village to make a name for himself. Every conceivable element of Beat life in the Village is present, and Baker encounters all sorts of characters (including a young Christopher Walken and Jeff Goldblum). He must also deal with complications in his relationship with girlfriend Ellen Greene, and his domineerin... mother (Shelly Winters).
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Synopsis
David Carradine headlines yet another Roger Corman-produced action comedy. Here he’s the good seller of moonshine, up against the bad seller of same, who also happens to be the fater of Carradine’s girlfriend (Kate Jackson). Daddy is in bed with the mob, and is cheerfully selling rotgut on the streets (some of which as been fermenting in a tank with a car battery – blechhh). A battle for supremacy ensues, complete with many boat and car chases and plenty of fisticuffs.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
There was a period in Francis Ford Coppola’s (The Godfather, Apocalypse Now) life where he went through a bit of a phase, where he was making films based on relatively obscure material. And he went through another smaller phase in the early ‘80s where he was making films from source material of author S.E. Hinton (The Outsiders). And Rumble Fish was one of those.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Old Yeller is a hard film to take if you're a child. I thought the same would be true as an adult, so needless to say, revisiting this family classic for the first time through an adult's eyes promised to be a harrowing experience. In fact, for the longest time, I hated Old Yeller and berrated its merits as a film. I realize now after years of maturity and a second visit to the Coates family ranch my belittling of this film masterpiece was a defense mechanism to build up my own sense of machismo. The re...lity is Old Yeller is a darling film with a message, and a powerful one at that. But not one of those same old tired political messages too many films try to infuse in their narratives these days. No, rather than trying to push a specific viewpoint, Old Yeller brings something valuable to the table and teaches us all how to love and cope instead of how to think.
I'm sure there aren't many who haven't themselves been out to the ranch a time or two to visit Katie, Jim, Travis, Arliss, and the Old Yeller dog, but for safety's sake, I will avoid giving away the powerful ending, or any other significant spoilers. The plot centers around the hate-to-love relationship between teenage Travis Coates (played well by Tommy Kirk) and an enormous, lovable stray dog christened Old Yeller. It's against Travis's will the dog comes into his life, but in the end, the dog will find no greater friend than this young man quickly budding into maturity. For about three months, Travis is left as man of the house, while his father heads away on business, and in this critical three-month period, Travis learns what it means to sacrifice of himself for others. Perhaps most critical of all, he discovers one of the most difficult lessons there is with love. No matter what happens, we know by the end of Old Yeller Travis Coates will be just fine... and that the world will be a better place because of him. Travis is truly an inspiring character, but we also learn what Travis becomes could never be possible without the Old Yeller dog.
