DTS HD 2.0 Master Audio (English)

Imagine a time when Joel and Ethan Coen weren't household names. The two have become something of Hollywood legends with films like No Country For Old Men and the superior remake of True Grit. But every legend has to have a beginning, and the story of the Coen Brothers goes back to 1984 and a quirky little film called Blood Simple. The film had only a limited release and pulled in a mere couple of million bucks in its initial release. Even the cast with the notable exception of M Emmett Walsh was pretty much unknown at the time. The movie came and went without very much fanfare. It would be about three years later with Raising Arizona that the Coen Brothers would finally arrive in our collective consciousness where they have continued to have a strong impact through the present day.

Blood Simple is not a great film by any standards. The pace is quite slow, and it fails to fully realize the film noir nature that it so strongly emulates. In truth, it deserves to be overshadowed by the many Coen Brothers films that have come since. That doesn't mean it's a particularly bad film either. MGM has released the bare-bones Blu-ray more for an eye toward the historical value that the movie offers. It was not directed by both of the brothers. In those days they still functioned less as a whole. Only Joel is credited with directing the film, but if you believe that then I have some prime swamp property here in Florida I'd love for you to take a look at. They collaborated on the script and the film is a wonderful peek at their developing style. Already many of the trademark Coen Brothers style points are clearly on display. It all started here from the intense close-ups of trivial objects to the odd angles and rather dark lighting. It's all on display in a movie that no fan of the duo should not see at least once.

Hockey is one of my favorite sports. Unfortunately, figure skating is not. This actually paints an interesting parallel. How can two sports that both share skating on the ice cause love on one side and distaste in the other? It most likely stems from upbringing and society's mainstream views on the two subjects. But what would happen if a hockey player came to the world of figure skating, would I feel different about the sport? Perhaps, but I would be more interested to see a film about it. Enter: The Cutting Edge.

The alarm sounds, Doug Dorsey (played by D.B. Sweeney) wakes up in a panic along side a girl with a heavy foreign accent named Lita or Rita or perhaps Anita (it is actually Gita, played by Nahanni Johnstone). Doug is #9 on the American Olympic Hockey team and is to be the next big thing in the NHL. However, at this point he is four hours late and must get dressed and off to the finals with the West Germans.

"The die was cast. If I just said City Hall the story would end here. But I didn't, and Betsy and I took our fateful trip to Vegas."

Everyone remembers the 1993 provocative film Indecent Proposal with Robert Redford as the rich playboy who offers Woody Harrelson a million bucks to spend a night with his wife, played by Demi Moore. The movie created quite a stir, and more than a little water cooler conversation about what you might do in that situation. What most people overlook, however, is that same kind of situation appeared a year earlier with a more romantic-comedy take in Andrew Bergman's Honeymoon in Vegas. It wasn't one of Bergman's best and certainly not one of his most remembered films. Who can’t argue that The Freshman, The In-Laws (writer), and even Fletch (writer) were better movies? But you can't escape the fact that Bergman was the first to offer up the conundrum that faced Moore and Harrelson a year later. But you probably don't remember Honeymoon In Vegas. Not many folks do if the box office numbers are any indication. Now you have a second chance with this latest wave of catalog titles from MGM now out on Blu-ray.

“Zippedy Doo-Dah. Zippedy Yay. My, oh my, I got a wonderful slave.”

I’ve never really been a big fan of director Gary Marshall’s films. I prefer his work as a producer of classic sitcoms, like The Odd Couple and Happy Days. Marshall’s most popular film, Pretty Woman, plays off the Cinderella cliché a little too much for my taste, with a man ultimately finding and saving a woman by redefining her. Three years before Pretty Woman, Marshall explored these same themes in Overboard, but instead of slick fantasy salvation at the hands of a wealthy Richard Gere, the redemption comes from a misogynistic and cruel Kurt Russell.

When it comes to westerns, I certainly have a love hate relationship. For most westerns, especially anything with Clint Eastwood or spaghetti in the description, I have an extreme loathing and it is honestly hard for me to sit through. But then there is Tombstone which I think is one of the best movies of all time. This summer, I am even excited to go see Cowboys & Aliens. Maybe I just need a western that is out of the ordinary. However, I received Posse to review and by the looks of the cover, this might be a very conventional western or perhaps not.

An old black man (I don't normally get into race, but it is important here) (played by Woody Strode) spins us a story about black cowboys. He tells us to forget about the past and truth. One out of every three cowboys was black. He then goes into a few more facts before telling the tale of Jesse Lee and his posse. It all started long ago during the Spanish-American War, more specifically in Cuba around the year 1898.

Bands tend to change members about as often as I change my disposable razor. Heck, in some cases perhaps more often. (I really need to get a new razor) Whether it is a lead singer or perhaps a drummer, in some cases nobody is safe when people start arguing (ask Michael Anthony of Van Halen). But for this review, I was presented with a band that had changed members quite a few times. In fact, only one of the original members remains and he is the drummer. Meet Deep Purple.

Deep Purple was formed in the late 1960’s. The original lineup included Jon Lord, Ritchie Blackmore, Nick Simper, Rod Evans, and Ian Paice. The band was originally called Roundabout but after their first tour quickly changed their name to Deep Purple after Blackmore grandmother’s favorite song. They broke thru the rock world after and released three albums numbers that would do quite well in the US as well as abroad in the UK.

"As the American Civil War ended, another war was just beginning. The Mexican people were struggling to rid themselves of their foreign emperor - Maximilian. Into this fight rode a handful of Americans, ex-soldiers, adventurers, criminals, all bent on gain. They drifted south in small groups. And some came alone."

Ben Trane (Cooper) was one of those who came alone. He was a southern officer fresh from the defeat of the Confederacy. He's come to Mexico to hire out for the Emperor in fighting the rebellion. Along the way he meets Joe Erin (Lancaster). After a series of unfortunate incidents, he meets up with Joe's gang. Joe figures there's more money to be made by bringing some numbers. The two soon prove themselves to the Mexican government and are hired to escort Countess Marie Duvarre (Darcel) and a wagon filled with gold to the port town of Vera Cruz. There the Countess is expected to go back to Europe and use the money to bring back more soldiers and weapons. Along the way the two men plot with the Countess to steal the money. But the Marquis Henri (Romero) is on to the plan and has laid a trap. The journey is filled with double-crosses and betrayals that will lead to conflict between the two men as their loyalties begin to widen.

There is hardly any differentiation between the Jackass series and its films, aside from a few more celebrity cameos and bigger budget stunts as the years have gone by. A testament to this is the “.5” editions of each film, which are literally cobbled together using rejected sketches and stunts from the original release. Unlike when such films as X-Men or Spiderman put out a DVD called 1.5 or some such, this is not simply an expanded version of the original release, but a whole new film. Saying that the Jackass series has X amount of seasons on TV or X amount of movies is relatively useless because that would suggested there is a more defined time line in their history, and we'd have to exclude the copy-cats and offshoots such as Viva La Bam and Wildboyz in the canon. These boys have been filming for over a decade and whenever they get 3 hours worth of usable footage, they put out two movies (one to theatres, one straight-to video), that's the basic gist of it.

There is honestly not that can be criticized because, at this point, audiences know exactly what they're in for when it comes to Jackass. Mind you, those that are fans will notice that the stunts have become tamer. In some backwards way, some of the older stunts had either a way of being entertaining for being clever or cute in perfectly harmless ways, or even slightly educational when it came to becoming human guinea pigs for tazers, rubber bullets or other devices that are being used to harm humans on purpose. The stars of Jackass have become just that: “stars.” They have invested many injuries and humiliations to get to where they are today, and are not as willing to take chances these days. There was an interesting bit about paranoia and just how miserable being on a Jackass set can be because pranks can happen at any point. Perhaps some of the stars' hesitation comes from being exhausted of being victimized whenever they turn their backs or attempt to nap.

"There was a time in baseball when there were only eight teams in each major league. They played an orderly balanced schedule visiting each city four times. A trip out West meant St. Louis or Chicago. There was a comfortable rhythm to the season... That time is gone now."

I might be from the last generation who understands exactly what that means. Some of the best memories of my life were of the lazy afternoons I spent with my grandfather at Veterans Memorial Stadium in Philadelphia. Over the course of a decade or so we must have attended a hundred games. Mike Schmidt became my idol, outside of my grandfather, of course, who made it all possible. In those days players didn't get into a ton of legal troubles. It would have shocked my young life to hear that one of my Philly players had been arrested for beating his wife or carrying a gun into a nightclub. Players didn't argue about contracts, at least not publicly. It was the 1970's, perhaps the end of that era when baseball really was a game. I treasure those memories. My grandfather is gone now, but he gave me something that will always be a part of who I am. And while this HBO series deals with the years before 1970, I can relate to those earlier generations who felt the same way about their sport and their heroes. Obviously, my grandfather was a part of those generations. And now HBO brings to high-definition Blu-ray a safe place to store those memories.

"In the world's highest mountains are roads only the best can survive. It's a whole new challenge for the top ice road truckers. They're taking on the world's deadliest roads to prove there's no route they can't conquer, and no load they can't haul..."

The Ice Road Truckers are back, but it's not the haul roads of Canada or Alaska they'll be facing this time. They've been taken to India where they'll haul cargo across the Himalayan mountains in trucks of wooden cabins and a third the horsepower they're used to. And, the worse danger isn't even the sheer cliffs or unpredictable landslides. It's the other cars. If you think they drive like maniacs where you live, you haven't seen anything yet. One of the drivers will get into two accidents before he even gets to the mountain.