Posted in: Disc Reviews by J C on June 19th, 2012
"Nikolai Petrovich Rachenko...our warrior elite...a very powerful and valuable tool...if he can be controlled."
It's no secret that they just don't make action movies like they used to. (Sylvester Stallone just shot a brawny arm into the air in protest. I see you, Sly!) These days the odds of seeing a pretty boy like Matt Damon and a perennial tough guy like Bruce Willis headlining an action flick are just about even. You're just as likely to see Dwayne "The Rock" Johnson in family fare like Journey 2: The Mysterious Island as you are in an manly romp like Fast Five. Heck, the Arnold Schwarzenegger role in the upcoming Total Recall remake is being played by...Colin Farrell.
Posted in: Disc Reviews by M. W. Phillips on May 24th, 2012
“His name is Samson. He’s big with his cat, with mama and with his stick. Black Samson… he’s mean and clean and rules the scene.”
In the 70s and 80s, filthy little theaters littered New York’s 42nd Street, sandwiched between adult bookstores, porn theaters, and peepshows. These dens of celluloid sin hosted an endless loop of “B” movies affectionately known as grindhouse films. They ran exploitation films, drive-in double features, and European softcore of every subgenre, ranging from Blaxploitation to Sexploitation, from Euro-crime to Sci-Fi and Horror. Some theaters projected these movies 24 hours a day, seven days a week! 42nd Street Forever collects nearly ninety (approximately three hours and forty-five minutes) of sensational vintage trailers from these grindhouse classics.
Posted in: Disc Reviews by Gino Sassani on May 16th, 2012
"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Every day new discoveries are unlocking the mysterious, the mind-blowing, the deadly secrets of a place we call The Universe."
The History series has lasted for six seasons to date. The show uses modern space photography, computer-generated images, and demonstrations along with respected scientists to explore the various aspects of our universe. While more time is spent in our own back yard exploring our solar system, the series does take us to the outer reaches of space, going back about 13 billion years. That's as far as we're able to see. The show is narrated by Erik Thompson. Of course, there is plenty of narration by the scientists.
Posted in: Disc Reviews by J C on April 2nd, 2012
They came back to tie the game five different times. They were down by two runs in the bottom of the ninth and facing a closer who had been a perfect 6 for 6 in save situations during that postseason. They were down to the last strike of their entire season two different times. I guess what I'm trying to say is, at a certain point, it became obvious — painfully obvious, if you happen to be a fan of the Texas Rangers — that there was no effing way the St. Louis Cardinals were losing Game 6 of the 2011 World Series.
Personally, I didn't have a horse in the race when I originally watched this game live on October 27, 2011. (I'm a Yankees fan. Before you boo me, you should know I was born in 1982, which is the exact year they stopped making the playoffs for 13 straight seasons, the longest drought since the franchise became the Yankees. So they've been lousy for a really good chunk of my life, including during some of my most formative years as a sports fan. You may commence booing me.) The fact that I couldn't have cared less who won, but I also didn't dare go to sleep until it was over — and I suspect I was far from the only one — tells you how objectively thrilling this game was.
Posted in: Disc Reviews by J C on March 31st, 2012
I think most of us can agree that being buried alive would be a horrible way to go. Several movies — Kill Bill: Vol. 2, The Vanishing (not the soft American remake) and, of course, Buried — have exploited that terror to varying degrees of success. Though the action in A Lonely Place to Die centers around a girl found buried in the Scottish Highlands, the camera frequently pulls way back to show us the desolate beauty (and danger) of the mountainous setting. I really wish director Julian Gilbey had kept the action on those mountains.
A group of climbers, led by Melissa George (The Amityville Horror, TV's Alias), discover an Eastern European girl named Anna buried in an underground chamber. Anna is unable to explain what happened because she can't speak English, but the group correctly surmises that the girl was kidnapped and being kept alive by the breathing pipe sticking out of the ground. Eventually, the group has to deal with the vicious pair of kidnappers, as well as the mercenaries hired by the girl's war criminal father to get her back.
Posted in: Disc Reviews by Brent Lorentson on March 26th, 2012
Released back in 1982, Treasure Train tries to capture the imagination of kids as Disney had for years but with a much smaller budget. Helmed by surrealist artist and director Fernano Arrabal, he crafts a film heavy on the power of a child’s imagination and sense of adventure. To be fair I had to give this movie a second viewing not because I liked it but because it was so weird I had to make sure what I saw was real.
The film opens with a beautiful overhead shot of a train barreling down the tracks. As the credits begin to roll the beautiful footage dissolves from the real train to a model train that is steaming ahead to collide with another train. As the toy falls to the ground a frustrated man scoops up the train only to yell at the children. This scene though on the surface is simple but represents what the film is about. Every child while growing up is excited about the prospect of being older and how great it all must be but the reality is never is as good as it was supposed to be.
Posted in: Disc Reviews by M. W. Phillips on March 26th, 2012
“Ohh. Oh, Fritz? Fritz, get up for God's sake! Get up! They've killed Fritz! They've killed Fritz! Those lousy stinking yellow fairies! Those horrible atrocity-filled vermin! Take that! Take that! They killed Fritz!!!”
Ralph Bakshi is probably best known for his x-rated animated adaptation of R. Crumb’s Fritz the Cat, the first animated film to receive an x-rating from the Motion Picture Association of America and still turn into the most successful independent animated feature of all time. When his second and also x-rated animated feature, Heavy Traffic, a blacker than coal satirical comedy, became a hit (theaters were willing to take a chance on the x-rating due to the success of Fritz), Bakshi became the first person in the animation industry since Walt Disney to have two financially successful movies released consecutively.
Posted in: Disc Reviews by Bob Ross on February 12th, 2012
It followed Annie Hall by two years, once again reshaping the mass market’s notion of serio-comic romance. With its bittersweet plotting and cynical one-liners, Woody Allen’s Manhattan was an even bigger commercial success than its Oscar-winning predecessor. Its current incarnation on Blu-Ray offers the best chance yet to revisit its eccentric brilliance.
With spectacular picture-postcard compositions (shot by the great Gordon Willis), spine-tingling George Gershwin orchestrations, and a plot line that would freak out most parents with teenagers, Manhattan is as unlikely a hit as any Allen work. Indeed, the filmmaker himself was reportedly unhappy with the final product. We have no idea why, and you won’t get any hints on the new disc. As usual with the Wood-man’s videos, there are no extras beyond a theatrical trailer. So the film must speak for itself, and it does so most eloquently.
Posted in: Disc Reviews by Bob Ross on February 10th, 2012
This April will mark 35 years since Woody Allen emerged as a world-class comic filmmaker. Although Annie Hall was his seventh feature (if you include the voice-over spy-spoof What’s Up, Tiger Lily?, which you certainly should), and although Allen already had a sizable group of admirers (including this longtime fan), his 1977 mainstream smash gave him commercial clout and a little something called the Best Picture Academy Award.
What kind of movie wins major awards, earns big box-office, and puts its writer-director-star in position to make a feature a year for the next 35 years? Here’s the catch: You can’t cram this gem into one easy category. Sure, it’s essentially a romantic comedy, and you can call it that without getting huge arguments. But the story of neurotic, selfish comedian Alvy Singer (Allen, of course) and his up-and-down affair with equally neurotic, selfish Midwesterner Annie Hall (Diane Keaton in a bravura, signature performance), is much more than your basic boy-girl three-act love story.
Posted in: Disc Reviews by Gino Sassani on February 8th, 2012
"Gentlemen, I assure you she's the perfect type for the job. She's good at making friends with gentlemen, and we want somebody inside his house who has his confidence."
Say what you will about Alfred Hitchcock, but one thing he never lacked was confidence. Today filmmakers and film fans alike still worship at his altar. His church was the darkened neighborhood cinema, and no one held court better than the man fans affectionately refer to as Hitch. The flicker didn't come from candles as you might expect in such a place of worship. They emanated from the silver screen. He was canonized as the Master of Suspense, but Hitch was more than that, much more. He was actually quite a romantic at heart. Most of his films are romance stories. But Hitch placed these commonplace romances in uncommon environments. His lovers possessed all of the passion you would expect from a romance film, but their lives were usually in danger...and sometimes there were higher causes. Such is the case in Hitch's 1946 spy thriller Notorious.
