Posted in: Disc Reviews by Archive Authors on January 12th, 2011
Paranormal Activity 2 is both a prequel and a sequel to the first film, Paranormal Activity. Paranormal Activity followed Katie Featherston and her boyfriend Micah Sloat. For some unknown reason, a demon was terrorizing the couple. By the end of the film (October 8, 2006), Katie was possessed by the demon. She kills Micah and then mysteriously disappears. When Paranormal Activity first came out, I had no interest in seeing it. My friends talked about the film, and said it was ‘jumpy’ especially the scene when Katie is pulled out of bed. However, I always thought the film was about aliens, not demons! Flash-forward to late October 2010; I decided to watch a marathon of horror films to celebrate the Halloween holiday. Paranormal Activity was on the list of must-see films, partly because I wanted to be able to say that I had seen it! It was simple, realistic, but left me wanting more.
Two weeks later, Paranormal Activity 2 was released into theaters on Halloween. I am going to keep this review spoiler-free. I want you (our readers) to experience Paranormal Activity 2 spoiler-free, because if you know what is coming, the film will be less interesting. This horror film is not like the majority of others released on DVD in recent years. There are no trails of blood, decapitated heads on spikes, or people sewn together to make a human centipede. Paranormal Activity 2 relies on its shock value to get people into the theaters and to buy the DVD. Believe me when I say, Paranormal Activity 2 has more than enough shock value to satisfy anyone looking for an adrenaline rush.
Posted in: Disc Reviews by Michael Durr on January 11th, 2011
Most of you watched in horror as we went through our first round of the trilogy of terror. Round 2 in this Romantic terror-thon is coming right up. In this chapter, we explore two godparents who get thrown together after a baby devours her parents whole. Scared yet? No. How about the parents were thrown into Hell to act as Oprah’s personal foot massagers and the couple of Katherine Heigl and Josh Duhamel have to pick up the pieces? There we go. Let’s explore this mess shall we?
It is the year 2007. I was starting a new relationship. AHHHHHHHHHH. Oh wait, that’s not supposed to be scary but apparently it was for Holly Berenson (played by Katherine Heigl) and Eric Messer (played by Josh Duhamel). They go on a first date and everything goes horribly wrong. This leads to a disastrous ending where the actual date doesn’t even get started. Why did they even try to go out on the date? Well it had something to do with their best friends.
Posted in: Disc Reviews by Michael Durr on January 11th, 2011
For those who have made it through my prior two reviews of terror by romantic comedy, I salute you. You are certainly stronger and far more resilient than one could ever imagine. But, we always save the best (worst) for last. It is an unspeakable tale of big Hollywood stars, revenge and a great overdose of Disney movie magic. Come in, if you dare and witness the debacle that can only be known as You Again.
We travel back to 2002. Marni Olsen (played by Kristen Bell) is making her part of the video for a high school time capsule. She talks about how she is always picked on and abused by the other children. This leads to an impromptu scene where her arch-nemesis Joanna (played by Odette Yustman) and her friends throw her out of the school. All of this is accomplished while playing We are the Champions and making the loser hand gesture at poor Marni.
Posted in: Disc Reviews by Archive Authors on January 11th, 2011
I always hated Moonstruck, but do not get me wrong, this is a positive review. See, it seemed like, back in my childhood, every time I wanted HBO or Showtime to play The Goonies, they were always in the middle of yet another airing of this Academy Award-winning romance. It was a boring movie about love with that lady Cher, who needed to stick to the radio, and stay off my movie screens. My, how a little age and maturity can alter perceptions. As a seven-year old boy, I just did not have the sensibility for this film. And while many would argue I have not grown up much in the years following, I gauge all such detractors wrong by the simple fact I now enjoy her shining moment thoroughly. I mean, there has to be some growth there. Right?
Moonstruck is a modern film, which uses the model of classical Italian comedies as its primary structure. In fact, some elements are directly lifted from the divine comedies of yore, but Norman Jewison, along with a top-notch script, and a terrific cast, lend a freshness not seen in the romantic by-products of today, which make the film more homage than rip-off. For one, the story centers on a 37-year old widow (Cher) not your common leading lady role whose superstitions dictate her happiness. She agrees to marry an older man, whom she admittedly does not love, just to bring some structure and stability to her life. Then she meets her fiance and his estranged younger brother, and a spark ignites that turns her world upside down in a good way. The eccentricities of her Italian-American family are mined to perfection with both warmth and humor. The film explores how cruel the closest people can be to one another without wrapping viewers up in any negativity. I can finally see what the critics were raving about – a good, solid film.
Posted in: Disc Reviews by Gino Sassani on January 11th, 2011
"Did you ever notice how you let a Mexican into your home just because he's got gardening tools? I mean, no questions asked. You just let him right in. He could have, you know, a chainsaw or a machete."
The last year has been a hot year for the illegal immigration debate, between the Arizona law and the various politicians to the vigilante groups that volunteer to arm up and patrol the borders. As the debate rages on and the violence increases, it was only a matter of time before someone exploited it all for your entertainment pleasure. Who better than Robert Rodriquez and his usual cast of suspects?
Posted in: Disc Reviews by Gino Sassani on January 11th, 2011
The Graves:
When you first look at the title for this entry in After Dark’s 4th annual 8 Films To Die For, you probably have summoned up images of a dank and foreboding cemetery where unspeakable horrors rise from their resting places to torment the, albeit temporarily, living. This is definitely a little bit of a case of false advertising and the misleading use of a title. These Graves are sisters, Megan (Grant) and Abby (Murray), to be exact. They’re the kind of sisters who do everything together. You know the type. They almost speak in a secret language and appear to be soul mates. But Megan is a bit more outgoing and has gotten herself a job in New York, far away from the sisters’ home in Arizona. Abby is a bit more introverted and is having a hard time dealing with the inevitable loss of her sister. So the two decide to have one more blast together. It’s time for a road trip to visit the world’s largest thermometer. Oh boy. Any horror fan worth his remote knows that the girls are likely not going to make it to see the big thermometer, and they’d be correct. They get sidetracked in a small town called Unity where they are encouraged to visit the abandoned gold mine called Skull City Mine.
Posted in: Disc Reviews by David Annandale on January 11th, 2011
Paul Rudd is desperate for a promotion. Moving from the drudgery of the sixth floor to the executive seventh will, he feels, cement his financial status and convince his girlfriend (Stephanie Szostak) to marry him. Opportunity knocks, but also has a price: he must find an idiot to bring to boss Bruce Greenwood’s dinner party, where these unfortunates will be ridiculed. Rudd doesn’t like the idea, but then he (literally) runs into Steve Carrell, a man of such transcendent idiocy that Rudd can’t resist the siren call he represents. But before they can make it to the dinner, Carrell’s well-meaning stupidity threatens to completely derail Rudd’s life.
This is a remake of 1998’s The Dinner Game (Le diner des cons). Francis Veber’s farce clocked in at 80 minutes. Jay Roach’s bloated retread is half again as long, and only half as funny. The Paul Rudd character in the original, played by Thierry Lhermitte, was a superior, cruel SOB who deserved to have his life taken apart. Furthermore, the characters never actually make it to the dinner of the title. The remake, of course, finds it necessary to stick literally to its title, and gives us the dinner, thus inviting us to engage in precisely the form of cruel laughter it pretends to condemn. It also tries to make Rudd sympathetic, and having his character be a nice guy runs counter to the very premise of the film. End result: a film that tries much too hard to be funny, laboriously working every last predictable gag until those horses are fit for nothing more than the glue factory. There are some amusing moments, but this is, by and large, a gigantic, time-consuming waste of the talent involved.
Posted in: Disc Reviews by Michael Durr on January 10th, 2011
My dislike of romantic comedies has been well documented on this site time and time again. At times, I even try to enlist the help of my loving wife who doesn’t really care for them either but is willing to lend a hand. Unfortunately, my next three reviews will all involve the curse of the romantic comedy. So let’s take a look inside and see if we can last through this trilogy of terror.
Lane Daniels (played by Hilary Duff) is a fashion journalist in New York City in search of a guy. Scared yet? I mean it is Hilary Duff. I heard she once bit the head of an eyeliner pencil off and swallowed it whole. Lane’s best friend, Joanna (played by Amanda Walsh) tries to help but the main problem is that Lane has this insane checklist.
Posted in: Disc Reviews by Archive Authors on January 10th, 2011
Countless documentaries and dramas chronicle the life of John Lennon. They make each film unique from all the others by taking different approaches, use different archival materials, or new first-hand interviews. LENNON NYC explores a time in Lennon’s life that is rarely exposed. It focuses on Lennon’s life in New York City from 1971 to his death in 1980.
In 1971, after the breakup of The Beatles, John Lennon and wife Yoko Ono moved to New York City. The nine years Lennon spent in the city was a time for him to focus on family. While he did create some of the most acclaimed songs and albums of his career, Lennon wanted to be a proper father to his young son, Sean. A strong icon in the count-culture movement, Lennon was very active in anti-war protests and other political causes.
Posted in: Disc Reviews by Archive Authors on January 5th, 2011
Written by Dave Younger
Twelve (2010, Rated R, 93 min.) stars Chace Crawford (Gossip Girl) as White Mike, drug dealer to the stars of the Upper East Side’s prep schools. They’re young, rich, white, beautiful, and vapid: texting and whining are their main activities. That and scoring drugs. And then there’s Molly (Emma Roberts, Julia’s daughter (niece. Thanks Robert) who’s quite effective as the one good person here. Although they’ve been friends forever, she doesn’t know White Mike is a drug dealer. He can’t tell her for fear of losing her friendship and, because she reminds him of his mother (who passed away recently), it would be like telling your mom you’re a dealer.
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