Posted in: Disc Reviews by Michael Durr on October 31st, 2010
For most people in high school, Romeo and Juliet by William Shakespeare is required reading. Sometimes more than once. Somehow, whenever it came time to read aloud in class, I always ended up with the part of Romeo. It certainly wasn’t for my striking good looks but apparently for my charming voice. As a result, I remember most of Romeo’s part to this very day. But would I be able to enjoy a fairly recent adaptation of Romeo and Juliet directed by Baz Luhrmann? We shall see.
Somewhere in Verona Beach there are two families who struggling for power, the Montagues and the Capulets. The blood feud has continued for years between Ted Montague (played by Brian Dennehy) and Fulgencio Capulet (played by Paul Sorvino). But everybody from their wives, Caroline Montague and Gloria Capulet (played by Christina Pickles and Diane Venora respectively) to their families have felt the impact.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2010
Anyone who is looking for a direct sequel to the 2008 sleeper hit with Kiefer Sutherland or even a connection to the original Asian ghost film might tend to be disappointed in the direct-to-video Mirrors 2. This is absolutely one of those films where the name is used merely because of its franchise value, and the film's associations are mostly just a few familiar names. Add the same basic idea of a haunted mirror at the center of it all, and you pretty much have all of the connections this movie makes to either of the original projects. With that said, there is a bit more to like about Mirrors 2 than you might suspect on the surface.
This time it's Nick Stahl who plays a down-on-his-luck security guard at another branch of the Mayflower Department Store. He is Max, who has been dealing with a great deal of guilt of late. His fiancée was killed in an auto accident by a drunk driver. But Max was driving and wasn't paying attention to the road. He was playing a game of "find the ring" with his girlfriend when the tragedy occurred. As it turns out, Max's father (Katt) is the owner of the Mayflower Department Store, which is about to reopen its doors in New Orleans. The previous night watchman cut himself quite severely and quit his job, apparently going crazy during a night shift. Of course, we saw what really happened. It was an image in the main mirror that caused his injuries. The grand opening has been plagued with mishaps. Eleanor Reigns (Honore) has been missing for several weeks. Max discovers her spirit in the store mirror on his first night on the job. He also sees a vision of the store's executive buyer, Jenna (Romano) lose her head, literally. Later that night, he discovers that the woman really was decapitated by a shower door. He begins to see other prophetic images and decides something is seriously wrong here.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2010
A Joss Whedon universe is always a strange and fantastical place to visit. It doesn’t matter if it’s populated by vampires and demons or space cowboys. If Whedon’s name appears anywhere on the credits, you know you’re going to be in for one hell of a ride. It’s been a little while since Whedon’s been back in the saddle. His most recent series, Firefly, was fraught with problems with the network. It was very badly handled, and the show died an undeserved swift death after just a few episodes. Whedon appeared somewhat bitter after all of that and disappeared from the television radar for a few years. They say you can’t keep a good man down, and now Whedon is back with his latest mythology-heavy series, Dollhouse.
For a lot of fans, it looked like Dollhouse was heading down the same black hole that Firefly flew into. There were numerous delays in getting started, not the least of which was the writers’ strike just days after the series was given the green light. Whedon had his cast and crew already in place, but it seemed they were all dressed up with no place to go. Once the strike ended, they quickly punched out the pilot episode from the series. Unfortunately, the new pilot had some issues. Whedon and the network hadn’t exactly been on the same page, and as quickly as it had been made, the pilot was scrapped. Fans were getting restless. It was just this kind of pilot debacle that started so many of Firefly’s problems. Fortunately, a second go went quite smoothly, and the show was off the ground. Ratings were not exactly the atmospheric numbers FOX was expecting from a Joss Whedon series. There was already talk by the middle of the first 12-episode run that the series was in danger. Then there was a problem with the number 12. Apparently FOX and Whedon had another one of their, by now, classic misunderstandings. The network was expecting not 12 but 13 episodes. The result was a pretty unconventional final episode that just might have saved the series as it turned out. Finally, the show finished production with no word on renewal. The show was considered on the bubble, with most predictions leaning toward its cancellation. It seems that the curse was going to make Dollhouse just another of its many victims. But then something unexpected happened, and the marginal show was renewed. But that was to be a short-lived reprieve. The series is gone now and these final 13 episodes are all that you'll have left to remember it.
Posted in: Disc Reviews by Gino Sassani on October 26th, 2010
"The flamingo is said to be the inspiration for the crimson-winged Phoenix, the ancient symbol of transformation and rebirth. At the end of its life, the Phoenix is consumed by fire. It is then reborn from the ashes."
In one of the more specific full-length documentary features that I've seen in a long time comes Disney Nature's The Crimson Wing. Here the focus is on one species of bird. This is your all-flamingos all-the-time station. Have you ever thought to yourself, "You know, I just can't get enough flamingos"? Look no farther.
Posted in: Disc Reviews by Gino Sassani on October 26th, 2010
"A boy comes running up, and he asks: 'what exactly is the ocean?' 'What is the sea?' You could hit him with a lot of statistics and Latin names. But the answer isn't something you'll find in a book. To really know what the ocean is, you have to see it for yourself. You have to hear it. And taste it. You have to feel its power. To really know the ocean, you have to live it."
And live it you will with Disney Nature's latest entry into their award-winning series of natural documentaries. Walt Disney Studios is no stranger to the world of nature. While the brand is more quickly identified for its animation and other family fare, the tradition of nature specials goes back to the very roots of the company itself. For decades Disney provided some of the most exotic television documentaries on its many outlets that included The Wonderful World Of Disney. The studio was one of the first to take experienced camera crews and equipment out into some of the most remote places on Earth. And, while Disney had appeared to fall behind in the field for some decades, that all turned around with their groundbreaking Earth series. Suddenly Disney Nature was back in the forefront of frontier footage. The tradition is honored here with one of the latest entries in the family: Oceans.
Posted in: Disc Reviews by Michael Durr on October 20th, 2010
The album, Holy Diver was released on May 25th, 1983. It was Dio’s best work featuring two singles that would hit the American top 40. It would actually take a full year for the album to hit Gold and almost 6 years to reach Platinum status. However, Dio remains popular today and is still listened to around the world. With that said, it is my pleasure to bring you the last recorded concert of one Ronnie James Dio as he plays the Astoria Theatre in London, England.
October 22nd, 2005. It is the final stop of an 11 date British Tour and Dio has hit the Astoria Theatre in London along Charing Cross Road. However, despite the band playing there a multitude of times, this one was a little different. Earlier in the year, Rock Candy Records had re-released the epic Holy Diver and the band had to figure out a way to best promote the re-release. They came up with the idea of playing the entire album, front to back in order.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2010
"Born with a steering wheel in his hand and lead in his foot, he is the Nightrider, cruising at the speed of fright! This is the Nightrider, and we ain't never coming back. I'm a fuel-injected suicide machine..."
Long before Mel Gibson's troubles involved real-life police officers and a bad case of "foot-in-mouth disease” that has made him his own worst enemy, Mel had more dramatic enemies to deal with. The unknown Australian actor was only 22 years old when he starred in the Outback production that would put both Mel Gibson and his native Australia on the filmmaking map. The movie was originally a very low-budget film. It was made in an attempt to show the world that America wasn't the only place you could make a non-stop action film. When American audiences got their first glimpse of the unique post-apocalyptic showcase, they still didn't get a real dose of Mel Gibson. All of the Australian actors, including Gibson, had been dubbed to lose the accents. If you saw Mad Max in the cinema in 1979 or 1980, you heard someone else's voice coming out of Mel's mouth. Too bad he didn't have that option a few years back when he was stopped for a DUI and proceeded to offer up a rendition of History of the World according to Mel, only it wasn't Mel Brooks. The anti-Jewish rant and belligerence has thrust the once-superstar into a decade where he hasn't had a real starring role.
Posted in: Disc Reviews by Archive Authors on October 19th, 2010
Two friends – Marie and Alexia– head out to the country home of the latter’s parents. In the middle of the night, a killer breaks in, slaughters the family, and makes Alexia his prisoner. Marie is locked in a battle to save her friend and not become a victim herself.
Of such simple storylines are horror classics made. Leave it to the French, who, after all, invented the horror movie, to pump such gloriously bloody life back into the cinema of atrocity. After an early bit of extreme nastiness in the opening minutes of the film, the movie gets down to serious terror and atrocity barely a quarter of an hour in, and from that point on never lets up. The murders are extremely gory and among the most brutal of recent memory. The suspense will leave viewers clawing their flesh until they bleed. The resolution won’t satisfy everyone, but on balance, it worked for me. We have recently been deluged with so many films that either remake or ape the hardcore masterpieces of the 1970s, but here, at last, is the true inheritor of the mantle of The Texas Chainsaw Massacre and Last House on the Left. It doesn’t try to recreate their vibe. It simply applies their lesson: assault the audience without pity. This is one brutalized audience member who is profoundly grateful. Forget Saw. It’s The Brady Bunch next to this.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2010
"I never wanted a war. I just wanted people to know what happened here. 98 men, women, children ... my husband. And yet no one believed. They rebuilt the town. Life went on. But I was already dead inside. I never wanted a war."
In October 2007 30 Days Of Night was unleashed at the box office to less than stellar numbers. In fact, the film took in only $39 million off of a $30 million budget. That's not usually a good sign for any potential franchise. But the film was received very well by the folks who did like it. I was one of those people. I found myself defending the film to a lot of others who were obviously not so impressed with the take on the vampire legend. The film was about a mythical town in Northern Alaska that experiences 30 days of nightfall each winter. The residents either leave or they dig in for the duration of the month-long darkness. As it turns out, the setup was the perfect situation for vampires, who could feast on the remaining citizens without fear of a rising sun putting a wet blanket on their free-for-all picnic. The film followed a few survivors as they fought back against the creatures of the night. It was based on a cult-favorite graphic novel. It all seemed like a pretty solid idea. But it wasn't the location and month-of-darkness scenario that seemed to turn many horror fans away from the movie. What caused that unfortunate movement was the same thing that I found to be the film's strength.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2010
Regan MacNeil (Linda Blair) is going through more than the usual puberty traumas. She pees on the carpet, curses a blue streak, causes objects to fly around the room, and speaks in the voice of Mercedes McCambridge. Her mother Chris (Ellen Burstyn) takes her to every medical professional under the sun, to no avail. With her daughter's life in the balance, she turns to Father Karras (Jason Miller), asking him to perform an exorcism. But not only is he skeptical, he has his own problems, not least of which is losing his faith. Meanwhile, Regan's symptoms of possession grow steadily worse...
The most successful horror film of all time (and, adjusting for inflation, still the ninth most successful film ever made) works as well as it does for a number of reasons. The performances, especially from Burstyn and Miller, are grounded and very convincing. The visual effects still hold up, but the sound design is as powerful as it ever was. It's also a smart, adult horror film, such that even if one disagrees with its philosophical and ideological stance, it remains no less compelling, no less interesting.
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