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We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold. Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy anymore, although you won't have to look very hard to find some of Bundy in Jay

Most people who actually know me can say that I do love to sing. Much of my singing is relegated to a combination of karaoke and Xbox 360 games (Lips/Rock Band). But a long time ago, I wasn’t very comfortable with my singing. Had I been comfortable, I might have joined my school’s glee club. Fast forward a few years and we have a show about a high school glee club. Its funny how you can miss an experience you have never had.

"God bless fantasy football. There are many things a man can do with his time. And this is better than most of those things."

I'm a big football fan. I watch the Vikings from my high-definition theater here in Tampa, Florida thanks to the wonderful invention of the Sunday Football Ticket. No, this is not an advertisement for DirecTV. In fact, don't get me started on the problems these guys cause me every year. The point is, the Sunday Ticket allows me to watch my favorite football team even if it's not the local losers. I think that was how it was intended to work. But lately fantasy football has literally taken over the sport.

The Plot: The Order, disappointingly, turned out to be not much more than a Heath Ledger vehicle, apparently targeted at Goth teenage girls with vaguely Euro pretensions. Without letting out any spoilers, trust me when I say that you’ll be disappointed if you expect anything like what the trailer portrays. The trailer says implies that the Vatican is “using a killer with supernatural powers to absolute control of an empire” and paints the movie as a fast-paced action/thriller church conspiracy film – which it isn’t. What is it? Part drama, part horror, very “moody,” totally boring.

Jon Favreau's Iron Man was one of the happy events of 2008. It was a superb piece of super-hero entertainment, one that handled lightning-quick shifts in tone (grimness in Afghanistan, hilarity in Malibu) with a deftness that made the very hard work look very easy. It also reassured comic fans and mainstream audiences alike that there were still terrific movies to be made based on Marvel characters, reassurance that was sorely needed in the wake of the dire Spider-Man 3. So, the question with Iron Man 2 is, given the returning director and cast, was that same magic recaptured? The answer is a delighted yes.

Ever wonder what the kids of South Park might be like if they ever made it to adulthood? While I’ve not seen that many episodes of the FX series It’s Always Sunny In Philadelphia, that was the first observation that came to mind. These are the South Park kids all grown up. They’re crude, raunchy, mean, and most importantly, they are as politically incorrect as ever. If you need an example, I can offer one right from this episode. The guys have a Christmas tradition that dates back to their childhood of throwing rocks at moving trains.

“Some people say that fairies are the stuff of fantasy. They think the world is just what you can touch and hear and see, while others say the tales and legends cannot be dismissed. They believe with all their hearts that fairies truly do exist. Through all of time, human beings and fairies never met, till one special summer that we shall not soon forget.”

Tinker Bell has been a Walt Disney icon almost since its inception. The character has gone way beyond her appearance in Peter Pan. In the decades since, she has come to represent the magic of Walt Disney and its many incarnations.

Alan Ball was pretty much an unknown to anyone but a few Hollywood insiders and fans of such television shows as Grace Under Fire and Cybill, where he wrote a mere total 10 episodes combined. When he began to shop the idea for American Beauty, he had originally conceived it as a stage production. Truth be told, he wasn't sure that there was a studio out there that would touch the awkward dark idea. But Dreamworks was still a young company with big ideas. If there was a studio out there that was going to take a flyer on a young talent with an oddball script, it was Dreamworks.

We begin in Vietnam, where the unit of which Jacob Singer (Tim Robbins) is a member comes under attack. Jacob is bayonetted, and as he struggles with his wounds, the film flashes forward to his post-Vietnam life in New York City. He works for the post office, is divorced, is still grieving over the death of his youngest son (Macauley Culkin), and is living with his new girlfriend (Elizabeth Pena). He is also being tormented by visions of demonic figures. And then suddenly this life turns out to be a dream, and he's at home with his wife and all of his kids are alive. Or is that a dream? And what really happened in Vietnam?

Most people are aware that I don’t care for romantic comedies but nothing gets under my skin more than a horrible prison movie. My attempts to forget the movie are usually successful until the next time a similar movie appears in my review pile. Maybe it is the cliché plot, the contrived and stereo-typed characters, or the male on male forced action. How would a movie fare where it simulates the jail experience in a behavioral experiment? I dare to find out.