Posted in: Disc Reviews by Gino Sassani on November 11th, 2009
“The future is bright at Monsters Incorporated. We power your car. We warm your home. We light your city. Carefuly matching every child to their ideal monster to produce superior scream. Refined into clean, dependable energy. Every time you turn something on, Monsters Incorporated is there. We know the challenge. The window of innocence is shrinking. Human kids are harder to scare. Of course, Monsters Incorporated is prepared for the future. With the top scarers, the best refineries, and research into new energy technologies. We’re working for a better tomorrow, today. We’re Monster’s Incorporated. We scare because we care.”
When you do this job you get asked the same question a lot.You get it from friends, family and people who just met you. They all ask the same thing. “What is your favorite movie of all time?” That’s a hard question, and it’s one that changes from time to time. But if you’re talking animated films, my answer’s been the same for several years now. It’s Monsters, Inc. You hear me gush about Pixar films all of the time here, but with all of their advances on technology, this is still the best film they’ve put out. And that’s saying something.
Posted in: Disc Reviews by Gino Sassani on November 6th, 2009
This new version of The Taking Of Pelham 123 falls under the category of unnecessary remakes, reimaginings, reboots, or retellings. That’s not to say that it’s a bad movie. In fact, it’s a pretty good movie. I guess my big problem is that this latest trend to redo so many things that have come before suggests a lack of originality in today’s artists. I don’t believe there is a lack of creativity in this generation. I do, however, think there is a laziness that pervades almost every aspect of our society, and this endless chain of copies is a symptom of that disease. Don’t get me wrong here. I’m not one of these critics who believes that films and television shows can’t or should not occasionally be redone. There’s a lot to be said for reintroducing current generations to the ideas of the past in new and exciting ways. I just think it shouldn’t be the most common form of expression in Hollywood, but lately it is just that. Lecture over.
The story first appeared as a novel by John Godey. It was made into a film many of us consider a classic in 1974. The leads in that effort were the unlikely pair of Walter Matthau and Robert Shaw. In this film they are replaced by Denzel Washington and John Travolta. Both are exceptional actors and deserve credit for delivering solid performances here. In both films the overall plot was the same.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
“For the Egyptians, life was eternal. They searched the globe for ingredients to preserve their bodies and their immortality. With knowledge gained from centuries of practice, their priests have created the finnest mummies the world has ever known.”
Ever since Howard Carter first entered the tomb of the legendary King Tut, most of the world has had an incredible fascination with the mummies of ancient Egypt. Hollywood has done its best over the ages to create fear by making monsters of these preserved corpses. Universal and Boris Karloff started the ball rolling, and the recent Brandon Frasier films have added a funny/scary bent using the very latest in computer generated magic. From bandages to living sandstorms, we have been exposed to some fantastical mummies. Now IMAX brings us a look at what these wrapped ancients were really all about. Looking beyond the creatures of our nightmares this release captures the mystery of a long lost civilization in Mummies: Secrets Of The Pharaohs. There’s no talk of curses and monsters here. The real curse of these tombs is the litany of looters that have raped these places in the thousands of years since they were buried. Their greed has not only robbed the dead, but future generations from appreciating and learning from what they left behind.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
It sure seems like Pixar has a lock on the computer animated film industry these days. Their films appear to always hit just the right amount of adult and children content to win with both audiences. We may not all be laughing at the same jokes, but we do laugh. When we’re not laughing, we appear to be captivated by endearing characters that immediately feel like we’ve known them our whole lives. We are instantly concerned about the things that happen to them. All of this happens without a single live entertainer on the screen to guide us into these emotions. That’s because Pixar also happens to be the most state of the art studio out there churning out these kinds of films. The technological prowess is amazing. Perhaps the best compliment one can pay to a Pixar film is that all of these things, and much more, are true … and we never really notice it at all. We buy into whatever world they are offering without question and never realizing that we’ve done it. That’s not just good filmmaking. That’s magic. There’s a lot of heart in these zeros and ones.
Of course, magic is business as usual at Walt Disney Studios. Magic was Uncle Walt’s stock and trade, and so isn’t it just natural that Pixar would eventually find their home as part of the Disney family? For a while it seemed the two were about to part ways. At that time Disney was merely the animation studio’s distribution partner. A rift had developed when Disney was about to assert their contractual rights to make sequels from the Pixar properties they distributed, most particularly at the time, Toy Story. So, Pixar announced they were looking for a new partner in protest. A few deals were talked about, but in the end it could have been written as a Pixar film before it was over. Finding family is a common theme in the Pixar films. Eventually Disney and Pixar found each other again, this time cementing the deal when the Mouse House bought the animation pioneers. And all the while the continuing stream of classics hasn’t missed a beat. Okay. Let’s just forget about that Rat film.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2009
This time it’s a quad of whitewater rafters looking for some high adrenalin action. It doesn’t take long before they’re introduced to our favorite clan of cannibals and their arrows. This one doesn’t waste any time with a setup. You know what that title represents, and the filmmakers decide to give you what you want with no delay. Okay. Actually the raft trip IS the setup here. As the rafters escape into the woods, we just know they’re going to run into those snares and traps. And there you won’t be disappointed. This time a guy gets sectioned into three parts. As Kimberly Caldwell was beside herself in two sections for the second film, I can’t wait to see the setup by the time they get to entries 7 or 8.
The real meat, pun intended, of the film begins in a West Virginia prison compound. There’s about to be a high profile prisoner transferred to another facility. Because they fear his “boys” on the outside, they decide to do the transfer a week early with a U.S. Marshall undercover as one of the moved prisoners. You and I already knew that it’s not the mob guys they needed to concern themselves with. It’s no big spoiler to reveal that the bus doesn’t make it to the next stop. The Clan crashes the bus, and before you can say Deliverance, it’s the cons versus the cannibals with a couple of the good guys in the middle. Sounds like a perfect Wrong Turn sandwich, doesn’t it?
Posted in: Disc Reviews by Gino Sassani on October 27th, 2009
“It’s the end of the world. Society is in chaos. Government’s no longer in control. The world has been devastated by a catastrophic disaster, but you’re still alive. Overnight, you’ve been thrown back into the Stone Age. Modern conveniences are a thing of the past. Would you have the guts to survive? Welcome to the Apocalypse. Over the next 5 days contestants will be put to the ultimate test. These 6 contestants have been thrown together in a devastated wasteland with only the clothes on their backs and the will to survive. Rain or shine, in 5 days only one will be alive.”
At least they got the last part right. That’s the premise of the new reality show Ultimate Survivalist. Reality star Kimberly Caldwell is racing to join the cast of the new pilot. She’s complaining to her agent on the cell phone that she’d rather have some better parts. She should know better than to talk and drive. She runs over a pedestrian. As she stops to check on the unfortunate soul, she soon discovers this is no ordinary pedestrian. He’s one of that lovable cannibal clan from the first Wrong Turn film. Before long Kimberly gets her wish. She ends up in two parts, literally. Make that 5 contestants.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2009
I guess they didn’t tell the producer and director of Wrong Turn that an official remake of the Texas Chainsaw Massacre would be gracing the screens in October of 2003. This movie borrows very heavily from the horror classic in terms of the setup, the killers, and the level of gore. Now that being said, this is an above average horror film with excellent makeup and special effects delivered by one of Hollywood’s greatest – Stan Winston, and a good performance by Buffy and Angel regular Eliza Dushku (although it is kind of weird seeing her scream and run away from villains that would be considered lightweights in the Buffy and Angel universe).
The film follows the ill-fated decision by the main characters to drive on a seldom used dirt road to avoid a lengthy delay on the interstate. Once they discover that a barbed wire trap laid in the middle of the deserted road has incapacitated their cars, four of the group of six leave the vehicles to find help. Well, you don’t have to think too hard to guess what happens next – our two remaining young people are the first to encounter the chromosomally challenged inbred hillbilly cannibal killers. Enter the first of many Hollywood horror clichés that are used in this film. The second cliché happens upon the viewer quickly thereafter as our remaining four young people come across the dilapidated home of the aforementioned chromosomally challenged inbred hillbilly cannibal killers. They first investigate the shack only to find a collection of various items that have been left by the previous victims of the inbred family, and upon further searching then find the remains of the victims on plates, in jars, and of course in the refrigerator. As this grisly find is made, the hillbilly three return home for an early lunch, while our heroes scramble to hide and not become dessert. Of course they are discovered as they make their escape (cliché #3) and spend the rest of the movie being chased, culminating in a showdown back at hillbilly central.
Posted in: Disc Reviews by Gino Sassani on October 22nd, 2009
“Yellowstone. Volcanic wonderland. Two million acres in the heart of North America, Yellowstone is deep in the Rocky Mountains, an isolated high plateau defended by rugged peaks; in the middle is the National Park. The park and the surrounding mountains form one of the most important and spectacular wilderness areas on Earth.”
There have been a lot of these nature shows coming to Blu-ray high definition lately. No less than two of them cover the beauty that is Yellowstone National Park. While there is a lot to learn about the natural treasure, more in fact than I suspected, it’s not going to be the facts that will drive you to watching this particular three part feature. It’s the absolutely stunning images that make this all that you could want in a travelogue documentary. You’ll soon find yourself completely mesmerized by images that look almost impossibly brilliant in color and sharpness to be real. If you’ve been to the park, this might serve as the ultimate way to recapture such a personal experience. If, like me, you’ve never witnessed the place with your own eyes, now you have. Everyone knows about Old Faithful, but Yellowstone National Park is about so much more.
Posted in: Disc Reviews by Gino Sassani on October 15th, 2009
If Santa’s making a list, he won’t have to check it twice when it comes to these cheerful little tykes. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Children fit into that mold?
It’s Christmas time in the English countryside. A family has gathered to share some eggnog and Christmas cheer. It’s the typical normal slightly dysfunctional family, and they’re staying in the nice little house in the woods with the children. They definitely drink a lot as the bottle count climbs higher than the bodies after a chainsaw party in Texas. There’s the uncle who wants to get into the pants of his 15 year old niece. Another guy is trying to con his relatives into joining him in a pyramid scheme to smuggle illegal Chinese medicines into the country. But at least the kids are a cheerful bunch. That is, until they appear to contract some kind of a disease that has them spitting up tons of creamy green mucus. Soon the children begin to exhibit aggressive behavior, and before you know it they’re slicin’ and dicin’ their way through the paper mulch snow.
Posted in: Disc Reviews by Gino Sassani on October 14th, 2009
“What is sacrifice? What does it mean to make a real difference?”
What do Al Gore and horror films have in common? To begin with both have been making money trying to scare the crap out of you. The second is that the plot of The Thaw sounds like it could have been penned by Captain Al himself. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Thaw fit into that mold?