Posted in: Disc Reviews by Brent Lorentson on December 8th, 2023
“Now, I am become Death, the destroyer of worlds.”
It is hard to ignore the hype around the film Oppenheimer. Any time a Christopher Nolan film has come out, it has become a pretty big deal for cinema fans, whether it was for his The Dark Knight trilogy, Interstellar, Inception, or Tenet, his films carry the same kind of respect alongside the names of Stanley Kubrick and James Cameron, and his films can be just as divisive. But the anticipation for the release of Oppenheimer feels like a different beast entirely. The release coming out the same day as Barbie has created such a stir on the internet that the term Barbenheimer has become a part of the zeitgeist of modern day. Then another aspect is how the film was literally shot on 70mm film, which is unheard of in today’s digital-hungry climate, and the film is being released in certain theaters on 70mm prints that reportedly weigh around 600lbs. And now with critics finally getting to see the film, I can’t scroll through my news feed without seeing headlines that tout the film as not just being the most important film of the century, but the best film of the century as well. So what’s my take on all this hype, and is it worth it? Is Oppenheimer the film that will save cinema?
Posted in: Disc Reviews by Michael Durr on December 5th, 2023
Most people, when asked to provide the best Korean film in modern times, would probably answer Oldboy or Parasite. Others might respond Memories of Murder or Train to Busan. Maybe A Tale of Two Sisters or The Wailing. I, on the other hand, always respond with the same title, The Man from Nowhere, which to this point in the US has only been released on Blu-ray from Well Go. That Blu-ray was also the victim of a bunch of discs from Well Go that came away with a quick dose of rot, infecting my copy as well as many others. For the last couple of years, I've been working with a bootleg, which I'm not exactly proud of, but felt necessary because I loved this film so much. However, that changed, as Well Go has released a 4Kcopy of this sensational film (and also of The Wailing, which I will get to later in the week). I thankfully received it a little bit earlier than expected and took it for a spin. Let's see how it does.
Kim Chi-Gon (played by Kim Tae-hoon) lights a cigarette and calls his squad into position. The crew of police detectives and squad members wake up and talk about their plan. They have been at this stakeout for two months and can't afford to mess this up.
Posted in: Disc Reviews by Michael Durr on November 7th, 2023
Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series. I honestly haven't been this vested in a two part series since Batman's Long Halloween. That one had the added sting that we had to wait a full year until we got the complete 4K version. At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go. However, as I alluded to in the first review, there was certainly room for improvement. We shall see if the creators can correct those issues now that the series shifts into the Justice League's world. Let's take a look.
Last time on Justice League X RWBY, the Justice League and RWBY teams had fought off Kilg%re and his army of superhuman Grimm. It was actually revealed that Remnant was nothing more than a simulation to eradicate the two teams, and it nearly succeeded on that front. A portal was then opened up, which returned Justice League back to Earth and RWBY back to the real Remnant. However, just because both teams are returning back to their home doesn't mean that everything is fixed the way it should be.
Posted in: Disc Reviews by Michael Durr on November 7th, 2023
Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series. I honestly haven't been this vested in a two part series since Batman's Long Halloween. That one had the added sting that we had to wait a full year until we got the complete 4K version. At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go. However, as I alluded to in the first review, there was certainly room for improvement. We shall see if the creators can correct those issues now that the series shifts into the Justice League's world. Let's take a look.
Last time on Justice League X RWBY, the Justice League and RWBY teams had fought off Kilg%re and his army of superhuman Grimm. It was actually revealed that Remnant was nothing more than a simulation to eradicate the two teams, and it nearly succeeded on that front. A portal was then opened up, which returned Justice League back to Earth and RWBY back to the real Remnant. However, just because both teams are returning back to their home doesn't mean that everything is fixed the way it should be.
Posted in: Disc Reviews by Michael Durr on October 16th, 2023
In 1995, I remember very vividly going to see Mortal Kombat on the big screen during my summer off from college (when very often I had nothing else to do). I was instantly wowed by all of the characters that I had played with in the first two video games and seeing them brought to screen. The music was absolutely fantastic (and still one of the best soundtracks I have ever heard). However, what I have carried with me most from that experience is my utter love of one character. Johnny Cage. Fast forward nearly thirty years, and we finally have a film where he is the main character and no longer some sort of side gag by all those involved. Let's go to the Cage Match! Join me, won't you?
We start off with a jazz tune in the subway played by Santa Claus. A thief decides to steal from Santa Claus. How dare that guy! The criminal then runs to the closest subway car with nobody willing to stand in his way since he has a gun. Nervous, he gets to the top of subway car to get away from everyone else. But someone is following this cutpurse, and that looks to be a mime?! The mime attacks the thief, who soon demands that the performer say something, anything. But all the mime says is "Mime the Gap." Shortly after that, we hear "CUT!" It would appear that was the wrong line in the script.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2023
"I met him fifteen years ago. I was told there was nothing left. No reason, no conscience, no understanding, even the most rudimentary sense of life or death, good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face and the blackest eyes ... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply ... evil."
Blumhouse and David Gordon Green recently finished a sequel/reboot of John Carpenter's Halloween with mixed results. He got Jamie Lee Curtis to return for all three films in the trilogy. Most of the various sequels and reboots did not include the original film's star, but Green was not the first one to get her to return to the role of Laurie Strode. To celebrate the 20th anniversary of the first film, Curtis returned to the role in the somewhat neglected. It was the seventh overall film in the franchise, and like the recent trilogy, it erased all of the various sequels and claimed to be a continuation of the original film. It produced a respectable $55 million on a $17 million budget and was the next final film in the series before Rob Zombie did his own reboot of the franchise that lasted for two films and finally led up to the David Gordon Green attempt to revisit and pretty much conclude the franchise with three more films. Curtis returned for Halloween Resurrections, which was a kind of meta/reality show take on the material, but Rob Zombie took it back to the beginning. Is that really the end of Michael Myers and company? I doubt it. There's still bank to be made from the franchise, and after a respectable few years, someone else will tackle the tale. Where they will start from is anyone's guess, but they could do worse than look at Halloween H2O: Twenty Years Later as a jumping-off point. I doubt anything like that is going to happen, but the franchise could certainly do worse,... and it has.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2023
"My Mamma told me to pick the right one."
In 1982, Cheers first broke on the network sitcom circuit. It was a small Boston bar owned by a has-been baseball player living on the glory years he didn't really have. It was the bar where everyone knows your name. Behind the bar there was Woody. Woody was pretty much a kid who looked up to the owner in an almost hero-like way. He was naive and was easily and often taken for a rube. But he was kind, and no matter how out of it he might be, there wasn't an evil bone in that character's body. It was all an act. Of course, it was a television show where Woody was played by Woody Harrelson. For crying out loud, even their first names were the same. It wasn't hard for us to believe the two Woodys were one and the same. I know I did. It was an act, sure, but I didn't know it was that good an act. We all found out just how good of an actor Woody Harrelson was when he stripped away kind, innocent Woody the bartender and took on the vicious role of Mickey Knox in in Oliver Stone's brutal film Natural Born Killers. Later we found out that the actor's father was a convicted hitman for the mob and was busted trying to take out a judge. Today Harrelson has proven his awesome range over and over again in dozens of impressive performances. But in 1994, I wasn't prepared for Natural Born Killers or Mickey Knox, and so it's a film that has remained seared in my brain since that day.
Posted in: Disc Reviews by Brent Lorentson on September 28th, 2023
Coming up on its 40th anniversary, Staying Alive continues to be one of the most bizarre sequels to be made by a major studio, starring John Travolta and co-written and directed by Sylvester Stallone. The film was intended to be a sequel to the massively popular Saturday Night Fever, but when Staying Alive came out, disco was pretty much dead, and really there isn’t much that connects the films but for the character Tony Manero (John Travolta) and that there is dancing in the film. When the movie came out it was a financial success, but it was pretty well hated by critics of the time to the point that even one of the film’s stars, Finola Hughes, was awarded a Razzie for her performance. Apparently the film has a loyal cult following, but now after 40 years I’m here to give this film a fair shake and decide for myself: is it as bad as people say, or is it a gem from the 80s that will make us all nostalgic for when there were several movies with the cast in leotards, headbands, and over-the-top dance numbers?
It’s been a few years since Tony Manero (John Travolta) was dancing through the disco tournament, and now he is a dance instructor who is trying to make it to the next level of his dancing career to be a part of a Broadway stage production. The biggest change I feel we’ve seen in Tony is that he’s managed to become more arrogant and has coasted by on his good looks and dancing, though he’s pretty far from living the dream. He has a causal relationship with Jackie (Cynthia Rhodes), who is also a dance instructor, and the pair struggle together with auditions for various productions. For the viewers it is easy for us to want Tony to settle down with Jackie. She’s good for him, and in many ways too good for him, but Tony just always has his eyes on something bigger. He expects greatness for himself and will settle for nothing less. His opportunity comes along with the Broadway production of “Satan’s Alley”, where he lands a part and falls for the lead in the performance, Laura (Finola Hughes). She’s out of his league and is only using him for a good time, but Tony is blissfully ignorant, and this only creates drama for the production.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2023
“Don’t expect too many mistakes from this man. After all, he does seem rather more interesting than just another reader researcher. For example; has he gone into business for himself? Was he turned around? Does someone operate him? Is he homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he’s still in flight? Still, he may be innocent. But why didn’t he come in gently?”
Sydney Pollack might have been channeling the essence of Alfred Hitchcock when he directed 3 Days Of The Condor. It’s hard not to see the similarities to some of Hitch’s work. But he might also have been having a bit of precognition at the same time. The later novels and films about Jason Bourne bear a striking resemblance to this 1975 thriller. Whatever connection Pollack might have been making, he managed to direct a film that was timeless while being very much a product of its time. We are reminded of that long-gone era of the 1970’s with generous shots of the just-built World Trade Center towers. Ads and shots of Eastern Airlines planes bring back some memories. These images securely place the action in a specific time. Still, it works maybe even more today than it did in 1975.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2023
"This is The Batman we're talkin' about here."
In 1992 Batman: The Animated Series hit television sets all over the country. It was perhaps the biggest comeback for the Dark Knight since Adam West went camp with the cowl in the 1960's. Yes, the Tim Burton film and its sequels went a long way to bringing the bat back into the popular culture, but the series is what took the fans by storm. Kevin Conroy became, for many, the definitive Batman when he was hired to voice the series, and Mark Hamill finally got out of the shadow of Luke Skywalker with his voice rendition of the Joker. The show was a hit, and around the early years it was decided to do a direct-to-video movie called Batman: Mask Of The Phantasm. Somewhere in the production Warner Brothers had a change of heart. They decided to roll the dice on a theatrical release of the animated feature, likely assuming the series fans would flock to their multiplexes in droves. That didn't happen, and the film lost money even on a modest budget. But in video release it did become a hit. The studio didn't understand that the generation that loved the show would appreciate it more in that setting. It also doesn't help that the mid-production change meant changes to aspect ratios and other animation work that had already begun production. The end might have been a mess at the box office, but it's a solid film that now enjoys a modest upgrade to UHD/4K. The results are admittedly mixed.
