DTS HD 5.1 MA (English)

Most anime fans, particularly those in the west, would probably consider Cowboy Bebop one of the greatest series of all time.  Before it got bastardized in a clueless live-action remake, it was a wonderful story of a bounty hunter crew down on their luck who never made any money but always had one hell of an adventure.  Set to some wonderful jazz numbers.  So naturally, when I heard about a new anime movie about an once powerful god who is now down on his luck as a penniless bounty hunter, my curiosity was certainly piqued.  Let's check out New Gods: Yang Jian.

"Him is he who bays and slavers forever outside time and space, who shambled down out of the stars when Earth was new and spawned abominations in the seas and blights upon the land. Woe to man when He comes again. To gaze upon his form is to invite madness. That is why in order to serve Him I chose to make some adjustments. Him, The Lurker is on the threshold, and behold, He is coming..."

The latest release from the Warner Brothers animation team in the world of DC Comics is Batman: Doom That Came To Gotham. This series of animated films is no longer part of any shared universe as the many that came before might have been. At least for now these animated adventures are standalone stories, often with their own atmosphere and universe. That's certainly true of Batman: Doom That Came To Gotham. This is likely the most uniquely-styled entry in the series of animated feature films.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

Since the relaunch of Star Trek on television via the Paramount + streaming service, I must admit to being a little underwhelmed. It's truly bad when Alex Kurtzman makes me pine for the days of Rick Berman. There have been some pretty good moments in the various new Trek shows. Picard has shown promise and has improved with a third season that looks very exciting. Lower Decks is just too campy for my tastes, and Discovery has so many ups and downs I feel like I'm on a rollercoaster. So along comes Strange New Worlds, and this is the Star Trek I've been waiting for these last decades.

“You got everything money can buy, except what it can’t. It’s pride. Pride is what got you here. Losing is what brung you back. But people like you, they need to be tested. They need a challenge.”

There have been a ton of boxing films. They’ve been popular going back to the silent era. Most of them have many of the same themes. But there was always something about Rocky that stood out above all of the rest. That “something” can’t really be described or defined. As the Supreme Court once said about the definition of obscenity: “I can’t define it, but I know it when I see it.” That’s all you can say about Rocky. Some might call it heart. That’s about as good a word for it as anything else. Rocky himself would call it “stuff in the basement”. It almost demeans it to put a word on it at all. Whatever you call it, you don’t necessarily see it in Rocky … you feel it. Now the first 4 films are out together on UHD Blu-ray in 4K.

"Inspired by the global threats of the Second World War, the U.S. Navy welcomes a surge of aspiring aviators ready to fight in what they called The Big Show. But now it's 1950, and after five years of peace, a true conflict is growing at the North and South Korean border. This is a story from America's forgotten war."

One of the best things about this job is that we get to see some of the up-and-coming talents as they evolve into superstars. I was lucky enough this week to get a double dose of one of the most dynamic young stars out there. Of course I'm talking about Jonathan Majors, who plays US Navy aviator and hero Jesse Brown.

“We deal in lead, friend.” 

In the fall of 1956, Anthony Quinn watched a special screening of Akira Kurosawa’s The Seven Samurai and had an epiphany: this Japanese masterpiece, inspired by the great American westerns of John Ford, would, itself, make a great American western. Quinn acquired the rights and contacted his then close friend Yul Brynner and pitched the idea of him playing the bad guy and Brynner the good guy. Brynner screened Kurosawa’s film and called in producer Walter Mirisch, who in turn contacted director John Sturges (Bad Day at Black Rock, Gunfight at the OK Corral, The Great Escape). Sturges loved the concept and immediately set about acquiring the rights, ultimately forcing Quinn out of the picture. Quinn sued, but lost.

This may come to a surprise for some, but there was a time that comic book movies just weren’t taken seriously. We had Richard Donner and his Superman The Movie film, and then there was Tim Burton’s take on Batman.  Every other movie that was based on a comic book property was treated as cheesy camp fodder that no one took seriously. Wes Craven’s attempt at adapting Swamp Thing was slightly impressive for the time, but in retrospect I’m just not really a fan of the film despite how much I like the DC character. As for the sequel, The Return of Swamp Thing, I know I’m in the minority when I say how much I enjoy this camp classic.  The first Swamp Thing I felt took itself too seriously and was lacking in the fun practical FX department, but to be fair, it also had a low budget and felt the need to be an origin story. Helming the sequel is one of the B-movie workhorses of the industry, Jim Wynorski, who is responsible for the 80s kill-bot classic Chopping Mall. It’s time to return to the bog and deep dive into the camp classic from 1989, The Return of Swamp Thing.

"We've come here to pay our respects to Great Aunt Nellie. She brought us up properly and taught us loyalty. Now I want you to remember that during these next few days. I also want you to remember that if you don't come back with the goods, Nellie here will turn in her grave, and, likely as not, jump right out of it and kick your teeth in."

Ian Kennedy-Martin was a television writer for the BBC in the late 1950's and early 1960's. When London adopted one of the world's first computerized traffic light systems, it gave him an idea for a series or television movie. The idea was pretty simple. A group of crooks would hack into that system and use a traffic snarl to get away with a big bank job. The problem was that the idea was too large a production for the BBC staff to pull off. So he sold the idea to his brother, Troy Kennedy-Martin

Over the past decade we’ve seen a resurgence in reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain. When I first heard about the series, I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre.  Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened. Without George Romero being around, I just wasn’t even sure I’d want to see a show that could possibly just water down everything that was great about the films and simply turn out to be a cheap imitation.  The first two seasons of the series I enjoyed, and they offered plenty of promise for things to come. How do Greg Nicotero and his creative team deliver on their third season endeavor?

I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them