Posted in: Disc Reviews by Michael Durr on May 24th, 2011
The story of Romeo and Juliet is a story that is retold at least once every generation. It can be retold using a different time period or with alien races or perhaps even in a thirty second commercial. It is a fairly easy story and parts can be tweaked given the audience and intention. So begins the story of Gnomeo and Juliet. Take one part animation, one part garden gnomes and a dose of laughter that could be just what the classic play needs. Or it could become a tragedy of the highest order.
There are two elderly people who share a large house. One is Mrs. Montague and the other is Mr. Capulet. They can not stand each other. In such, part of their daily routine is to look after their separate prized garden. One is decorated in blue (Montague) while the other is decorated in red(Capulet). However, they both share one thing in their design. They both like to use garden gnomes. When Mrs. Montague and Mr. Capulet go away however, the gnomes magically come to life. So starts our story.
Posted in: Disc Reviews by Michael Durr on May 16th, 2011
Recently, I saw the brand new live-action film of Thor in 3d on a giant IMAX screen with some close friends (watch for the Hawkeye cameo!). All of us thought the movie was pretty good (though we really didn’t see the point of 3d, big shock). As to be expected, I knew (and hoped) an animated feature of Thor with his big hammer was right around the corner. However, when I received said feature, Thor was right on it, but he was holding a sword? This requires some further analysis.
We open the film to somewhere in Asgard, Thor is fighting a bunch of warriors, armed with swords. The shot suddenly pans up to an appreciative crowd. This would be what one would call a spectator sport. Thor goes back to playing for the crowd and even loses his sword in the process. But one of the combatants lets him pick back up his sword and continue the fight. This is also the time when Sif, a female who is handy with any weapon, shakes her head and walks out of the arena.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2011
If you are old enough to have seen the original Tron back in 1982, you know how much things have changed in the digital world since then. The block graphics of the film and subsequent game might have been state-of-the-art at the time, but it looks like something very primitive to the younger generation. Like all good science fiction, many of the incredible elements of the film have become quite commonplace. The idea that a person can be scanned by a laser and transported into a virtual world might still be out of reach, but it turns out that using lasers to scan objects is exactly how we get three-dimensional images of real-world items into the virtual world. When Flynn is communicating with his program, the program is represented by an image of Flynn himself. Today we'd call Clu an avatar, and it's become quite common for people to socialize in environments like Second Life, where their avatar representatives engage in the same kinds of activities we do in the real world.
Tron wasn't quite the huge box office film you might have expected. It did pull in about $5 million on its opening weekend, which was pretty respectable in 1982. The film ended its box office run with just under $40 million from a $17 million budget. That's not where Tron found its biggest success. The film became more popular as the years went by and some of the content was getting more and more like reality. The game became a classic and is still found in the occasional arcade. That was another trend started by the film. It was one of the first films to spawn a video game, something almost every big-budget genre film does as a matter of course today. The movie was a milestone in computer-generated images combined with animation. It took nearly 30 years, but it really isn't a surprise that Tron has finally gotten a sequel. It's been a commanding presence for years at ComicCon. It's the little big movie that wouldn't die.
Posted in: Disc Reviews by Gino Sassani on March 8th, 2011
"Good morning, young Prince."
The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest. From his first attempts to stand on his wobbly legs to his discovery of the things that surround him in this brand new world, Bambi takes us on an emotional journey through the circle of life.
Posted in: Disc Reviews by David Annandale on February 21st, 2011
It's funny how the zeitgeist works, in that it is hardly unusual for two films with very similar high concepts to hit the screens at close to the same time. Dante's Peak and Volcano. Deep Impact and Armageddon. Hell, The Towering Inferno came about as a result of Fox and Warner cooperating in order to avoid making identical films. And this year, two animated features with super-villains as their protagonists: Despicable Me and our current subject: Megamind.
His childhood consistently ruined by the budding Metro Man (Brad Pitt), Megamind (Will Ferrell) becomes the super-villain he feels he was destined to be. But when his latest scheme actually succeeds in destroying Metro Man, he finds life curiously empty, and so sets about creating a new super-hero: Tighten (Jonah Hill). But Tighten, it turns out, is more villain than hero, while Megamind, thanks in no small part to a budding relationship with reporter Roxanne Ritchie (Tina Fey), moves ever closer to hero territory.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"Hello. I want to play a game."
Posted in: Disc Reviews by Gino Sassani on January 20th, 2011
"Dear Screenwriter,
"Here’s your writing prompt: You are to write a feature-length screenplay with only one on-screen character. This character is to remain in only one location for the entire duration of the film, and that one location must be a 2' x 7' wooden box. You cannot use flashbacks, cut-aways, or any other narrative device that would take the action outside that box. Sound impossible? It’s not. In fact, all this exactly describes the film BURIED."
Posted in: Disc Reviews by Archive Authors on January 19th, 2011
There’s no doubt that Kevin Costner’s name has been attached to some pretty crappy projects during his career – Waterworld, The Postman, and 3000 Miles to Graceland to name a few – and it’s unfortunate, because the aforementioned dirt loafs have tarnished the fine film that we’re here to discuss, Dances With Wolves. Heck, even I had horrid recollections of the film from viewing it years ago in theaters. However, this review forced me to check the film out again and I actually found myself…enjoying it – and enjoying it immensely. What was going on here? Time has definitely been kind to Dances With Wolves – it has aged like a fine wine. However, it seems that Costner’s later career choices had clouded my memories of the film, and thankfully, I was able to watch it again to find out how wrong I have been. It’s a good thing too, as I might have deprived myself of this film forever had it not been for this review.
For such a “bad” film, it actually racked up during the 1990 Academy Awards ceremony, as Dances With Wolves took home seven Oscars (Director, Adapted Screenplay, Cinematography, Sound, Score, and Editing) and had a worldwide gross of over $300 million when it was all said and done. (Heck, $300 million is a load in today’s dollars.) For a debut director, who before was only thought of as a marginally decent actor, that’s not a bad way to start a career behind the camera.
Posted in: Disc Reviews by Gino Sassani on December 2nd, 2010
"How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, Fantasia. What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained musicians, which I think is all to the good."
Just three years after Walt Disney introduced the world to the animated feature in 1937, Uncle Walt was already experimenting with the idea. The man was always fascinated with music as much as he was with animation and the wonderful fairy tales that would become his studio's trademark. It was inevitable that he would come up with the idea of blending music with animation to create something quite unique in the world of entertainment. You have to remember that not only had there only been three years since the first animated feature, but that sound itself in motion pictures was still only a couple of decades old. By 1940 Walt Disney had combined both elements to create something truly magical.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2010
"Man, we'll die with you. Just don't ask us to do it twice."
Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. These were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in is ribcage, have a ton of concrete wall fall on his head and get run over by a truck but still manage to take out the bad guy while muttering some witty little catch phrase that we would all be repeating, because if we can deliver the line just right that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letter to the action movie fans. It's called The Expendables, and it's out right now on high definition Blu-ray from Lionsgate.