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Most people remember the Bee Gees from their disco days and Saturday Night Fever. They sold a lot of records and achieved more fame than at any time in their careers. But the Brothers Gibb had been performing since the 1950's as children. They would headline automobile races and appear on local radio and television shows. They would quickly gain attention for their harmonies and eventually for their own songs. By 1967 they had begun to gain international attention, appearing on the national rock-and-roll shows. The brothers would become known then for their power ballads and love songs. Hits like “Words” and “How Can You Mend A Broken Heart” put their particularly unique voices on the charts around the world. But by the 1970's the sound was already beginning to fade. The Beatles had broken up, and the era of the vocal bands appeared to have died, at least for a time. They saw their stardom plummet almost overnight.

Then came the disco scene and the movie that launched both the Bee Gees and John Travolta into instant superstardom. The album of the film's soundtrack would go on to be the best selling album in history until Michael Jackson's “Thriller” came along. Before anyone knew it the world was in a disco frenzy, and for many of us who grew up in the 1970's, music died for a while.

Classic Albums is a television series that airs on VH1. Each episode is basically a short documentary chronicling the genesis and creation of a, you guessed it, classic album. These stories are told through archival footage, video clips, and interviews with the band members, production people, along with fans and notables in the industry. This episode highlights two seminal albums by Canadian prog-rock legends Rush: 2112 and Moving Pictures.

The first part of the disc covers the early career of the band, going over their initial success and their first few albums. After their concept album Caress of Steel fizzled with critics and fans, Rush was given one last chance by their label, Mercury Records, to create an album that had mass appeal. The band, outraged and defiant, wrote 2112, a treatise on conformity featuring a dystopian world where individuality and music have been smothered out by a fascist religious order. Though the album’s influence and acknowledgement to Ayn Rand’s Anthem was the source of some controversy, its themes of non-conformity and individualism, along with the fact that the music itself had pushed conventional boundaries and was, to put it simply, awesome, ignited fans all over the world. 2112 is described on the disc as the first time the group sounded like Rush. It is the album that defined their sound and truly set up their careers for everything that would come after.

The album, Holy Diver was released on May 25th, 1983. It was Dio’s best work featuring two singles that would hit the American top 40. It would actually take a full year for the album to hit Gold and almost 6 years to reach Platinum status. However, Dio remains popular today and is still listened to around the world. With that said, it is my pleasure to bring you the last recorded concert of one Ronnie James Dio as he plays the Astoria Theatre in London, England.

October 22nd, 2005. It is the final stop of an 11 date British Tour and Dio has hit the Astoria Theatre in London along Charing Cross Road. However, despite the band playing there a multitude of times, this one was a little different. Earlier in the year, Rock Candy Records had re-released the epic Holy Diver and the band had to figure out a way to best promote the re-release. They came up with the idea of playing the entire album, front to back in order.

"There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone."

Black Label Society formed officially in 1998 and released their first album Sonic Brew in late October. At first, the record was only received in Japan but later they found an American label in late spring of the following year. They would go on to produce many albums, tour the world and basically generate rock n roll and mayhem wherever they went. Eagle Vision decided to bring concert footage to Blu-Ray from their European Tour in 2005. It is simply called Doom Troopin Live.

In 2005, Black Label Society produced their sixth studio album entitled Mafia. It was a commercial success and sold over a quarter of a million copies. This would be the only record that the band would release under the label, Artemis Records. As per their usual promotion, they toured to sell the album to their die hard fans. This time they traveled to Europe and did a series of concerts. This disc focuses primarily on the Paris Chapter with a few songs from their infamous stop at the Astoria.

My taste in music is not exactly all over the place. I like rock, hard rock. Sure, I can listen to a country tune or two or dabble in some Mozart but if the bass is bumping and the guitarists are having seizures on the strings, I'm good to go. So when the owner of this site asked if I would do a few music blu-rays as a change of pace, I was worried and excited at the same time. Music in Blu-ray is an amazing experience but if I didn't like the music, not so much. But I was still eager when I opened the first one: Jane's Addiction: Live Voodoo.

It's Halloween. The night of October 31st, 2009. The place is the Voodoo Experience (also called Voodoo fest) in New Orleans. On the previous night, such acts as the Silversun Pickups and Eminem took the stage. The headline act for tonight is Kiss but there is one other band that needs to take the stage. Their name is Jane's Addiction. The band lineup is a little surprising but the sound is simply electric.

G.I. Joe the Movie was originally supposed to be a real box office movie. It was to be the first of three animated motion pictures put out by Hasbro Toys. The other two were based on Transformers and My Little Pony. However, production delays caused the other two to go first. When Transformers and My Little Pony did poorly (gee, never would have guessed that a talking magical pony failed to grab box office sales), it was decided that G.I. Joe would go the direct video route. Years later, it still proved to be arguably the best of the three.

It seems that Cobra Commander and Serpentor just can’t get along. They constantly bicker as to who is in charge of Cobra and would rather accuse each other of incompetence than figure out how to defeat G.I. Joe. It is at that moment that a woman breaks into the Terrordrome. Cobra Commander tries to rally the troops and goes off to find this stranger leaving Serpentor behind. However, the woman still makes it to the Cobra Leader.

In the beginning, many theories suggest that there was a big bang. From that event, it morphed into the planets, moons, stars and life as we know it. However, there is much that is not known in the cosmos and even more to explore. The Universe is entering its fourth season on the History Channel. After forty-four successful episodes, can they come back with twelve more interesting and intricate looks at space: the final frontier?

To explain the show, The Universe takes a subject in each of its twelve 4th season episodes and then usually focuses on an important facet of that which it will spend the bulk of the episode on. They talk to various cosmologists, astronomers, and astrophysicists who offer different ideas of the phenomenon or theories. They use CGI recreations of space and real world situations to simulate the events and bring up some possible conclusions that could result.