Posted in: Disc Reviews by Michael Durr on May 28th, 2021
On December 15th, 1967 the Silver Bridge which connected Point Pleasant, West Virginia to Gallipolis, Ohio collapsed under the stress of rush hour traffic and killed forty six people. Later on, it was determined that the collapse was due to a small defect only .1 inches in a single eyebar in one of the suspension chains along with poor maintenance. However, sightings of the Mothman during that time period had citizens attribute this disaster to a far more sinister cause. That led to a book in 1975 by John Keel. Twenty seven years later, the film The Mothman Prophecies would be released based on these events. Let's take a look at the Imprint #39 release arriving on blu-ray.
John Klein (played by Richard Gere) is a reporter for the Washington Post. Despite urging from his office, he won't be attending the Christmas party. Instead he has a date with his wife, Mary (played by Debra Messing). He makes the call to his wife who is busy taking a shower and leaves a message. It appears that the happy couple is on their way to buying a house together.
Posted in: Disc Reviews by Michael Durr on March 14th, 2021
Road films are something of a passion when it comes to movies for me. It could be a movie on a ten-lane highway guaranteed to have multiple car crashes, a two-lane cross country expedition, or a one-lane dirt road going into darkness where the passengers might never return. Nothing gets me going more than films like The Hitcher, Road Games, Two-Lane Blacktop, or The Duel. It is the idea of not knowing exactly where the next turn is going to take you or what lies beyond the next hill. Characters, environments, situations all can change once you get to the next town or cross another state line. Today's road film is the 1997 thriller, Breakdown, with Kurt Russell and J.T. Walsh, where we explore what a man must do in order to find his missing wife. As one might guess, it is one of my favorites, as it delivers one nail-biting scene after another. Let's take a look.
A hot Utah desert, a long winding road, and a moving (possibly speeding) red Jeep. Jeff Taylor (played by Kurt Russell) and his wife, Amy (played by Kathleen Quinlan) are taking a trip from Boston to San Diego where Jeff has a new job waiting for him. The road seems monotonous as the driver reaches behind him to grab something. All of the sudden, an old dirty Ford F-150 truck pulls out in front of him and nearly causes an accident, but Jeff is able to swerve away from the accident just in time.
Posted in: Disc Reviews by J C on September 13th, 2018
“It was the 'hate the performer' festival.”
With more than 600,000 people in attendance, the Isle of Wight Festival in 1970 became the largest musical event of its time. In terms of sheer numbers, it was even bigger than Woodstock a year earlier. But instead of celebrating peace and love, the hippies who attended Isle of Wight were put off by performers who showed up in ostentatious vehicles. They were determined to aggressively protest the commercialization of music, which led to fences being torn down and artists subsequently dropping out of the festival lineup. Joni Mitchell: Both Sides Now — Live at The Isle of Wight Festival 1970 documents how one of the quietest, most unassuming artists in the lineup made some everlasting noise.
Posted in: Disc Reviews by J C on August 20th, 2018
“We take a look back at the films that helped shape, change, and innovate the world of documentary.”
Between the rise of streaming services like Netflix and the growing number of nonfiction films making noise at the box office, documentaries have never been hotter…or more accessible. At the very least, they certainly don’t feel like the cinematic equivalent of eating your vegetables anymore. As a result, this feels the perfect time for Mill Creek to release the first two seasons of IFC’s obsessively hilarious comedy series Documentary Now!
Posted in: Disc Reviews by J C on August 8th, 2018
“My knee shall bow to none but to the king.”
In 1996, Aussie filmmaker Baz Luhrmann unleashed a star-studded, outrageously modernized version of “Romeo and Juliet” that retained William Shakespeare's original language while replacing the story's swords with gleeful gunplay. But five years earlier, Derek Jarman — an English director who left his mark on both stage and screen — beat Luhrmann to the Elizabethan punch with an even more provocative update of “Edward II,” a play written by Shakespeare contemporary Christopher Marlowe.
Posted in: Disc Reviews by Michael Durr on September 1st, 2017
Everybody has their own group of favorite comics. I got plenty of classics that I always love to watch like Robin Williams, Richard Pryor, George Carlin, and so forth. But we all have that one comic that we do not readily talk about in open groups or even with family. However late at night, maybe a drink in, and when nobody is looking (at least your wife anyway) we turn on and laugh our posterior off with. For me, that’s Bobcat Goldthwait. The movie is of course, Shakes the Clown.
We open to a dog enjoying some leftover pizza from the night before. A record is skipping and a young child walks over to it and removes the needle. His next stop is the bathroom as anybody in the male gender will tell you. Unfortunately, he stumbles over our hero, Shakes the Clown (played by Bobcat Goldthwait) who is apparently hanged over from the night before. Shakes soon wakes by the gentle flow of urine on his reeking head.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2017
"Is it loud enough?"
What young 1970’s pup, learning to play a guitar for the first time, didn’t, at one time or another, attempt to imitate Pete Townsend’s windmill power chord strum? I count myself in that group. While I was not a very dedicated Who fan, I had an appreciation for the musicianship. There were still songs like Pinball Wizard and Behind Blue Eyes that I would embrace as if they were my own anthems in those days. It would be hard to deny that The Who is one of the most successful rock bands in history. Part of the original British Invasion of the 1960’s, there are few such acts that are even still around, let alone able to fill the huge stadiums and halls of Rock’s yesteryears. Their songs have become anthems, and their antics have become legend. The band wrote the soundtrack for an entire generation, and proudly touted the fact in aptly named song, My Generation. Banned from all Holiday Inns at one time for their well publicized trashing of rooms, they weren’t any easier on their own instruments. Smashing their instruments and amps on stage became a staple, for a while, of the whole Who experience. They’ve inspired a legion of superstars, and now after more than 40 years of rocking, they soldier on.
Posted in: Disc Reviews by J C on April 12th, 2017
“At the turn of the century, Sea Island Gullahs, descendants of African Captives, remained isolated from the mainland of South Carolina and Georgia. As a result of their isolation, the Gullah created and maintained a distinct, imaginative, and original African American culture.”
Prior to watching Daughters of the Dust, I was completely unfamiliar with Sea Island Gullahs. To tell their story, the film (intentionally) deviates from the traditional narrative playbook, which doesn’t necessarily make for the most pleasurable movie-watching experience. However, the three key adjectives used in the opening text — “distinct,” “imaginative,” and “original” — absolutely apply here.
Posted in: Disc Reviews by J C on January 4th, 2017
“America is the only industrialized nation with a higher murder rate than countries at civil war.”
2016 might technically be in the rearview mirror, but it feels like last year left an indelible mark on the psyche of the United States. In addition to the most polarizing presidential election in a very long time, last year was marked by the deadliest shooting in U.S. history about an hour away from where I’m currently sitting, along with other highly-publicized instances of gun violence. So it feels like an appropriate time to revisit The Killing of America, a 1981 documentary that was never granted a commercial U.S. release after being deemed too exploitative.
Posted in: Disc Reviews by Gino Sassani on April 18th, 2016
In the late 1960's three musicians came together with an idea. It was a somewhat unconventional idea. Roy Wood and Bev Bevan were part of the band The Move when they met up with Jeff Lynne from The Idle Race. The three hit it off almost instantly. So much so that before long Lynne would also become a member of The Move so that he could work with Wood and Bevan. But that wasn't going to be the ultimate goal. The unconventional idea that the three had involved combining rock and roll with classical music. Of course, other bands had done orchestral arrangements, most notably the Beatles. But their idea was to fuse the concepts more integrally together. The idea was to have live violins and cellos as part of the actual band itself. Lynne would once describe the concept as picking up where the Beatles had left off. Together they invented a new way to rock "n" roll. That invention was the Electric Light Orchestra, or ELO to the fans.
The band started with a bang. The first album, while not a huge commercial success, received more than its share of attention. But band squabbles would almost doom this ambitious project before it got off the ground. Roy Wood left the band to form his own and took some members with him. It looked bleak for the struggling concept. But that might have been the best thing that could have happened. Jeff Lynne would become the controlling force, and the band would go on to enjoy commercial success to go along with those critical appreciations. The band's second album was called No Answer, but it wasn't really intended to carry the title. A secretary with the record company was assigned to contact Jeff Lynne to get the correct album title. He wasn't home. Naturally, the secretary made the notation "no answer". The notation was misinterpreted as the album title, and the mistake would be a permanent entry in the band's discology.
