No Huddle Reviews

I was very much impressed with the quality of this film. Of late the quality of horror films that I’ve reviewed have not been great, and this film helped to restore my faith in the genre. While I am past the era of these types of movies scaring the bejesus out of me, I still admire a creative story that isn’t completely predictable. There are some elements of the film that were somewhat predictable, but overall the premise and story quality kept the project from being stale. The film reminds me of what Terrence Howard said in Four Brothers: “Keep knocking on the Devil’s door long enough and sooner or later someone’s going to answer you.” Great line and sound advice, which this film appears to expand upon. While the film is probably still falls into the B- movie category, the production quality and diligent work of the cast ensures that it falls into the higher spectrum of the B-movie category. The film features Ryan Guzman (television series 9-1-1) as a priest specializing in exorcism for his many followers on social media.
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The Twilight Zone is simply one of those pop culture staples that everyone knows about even if they’ve never seen a single episode. Because of SYFY channel I’ve gotten to see the original show as well as the reboots that would follow. While I’m not as passionate about the anthology series as others, I certainly can appreciate its impact on the not just the sci-fi/horror genre but the history it’s had on television as well. I was curious about this new incarnation of The Twilight Zone, but I was less than enthusiastic about Jordan Peele being involved with the show.  As much as I’m a fan of Key & Peele, his foray into horror and sci-fi has left me more than underwhelmed. Being a fan of anthologies and with a little bit of curiosity, I went into Season 2 of The Twilight Zone with an open mind, and the result is a bit of a mixed bag.
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Well despite being typecasted, Liam Neeson delivers an entertaining film with Honest Thief. The film depicts the story of a prolific bank robber who after falling in love, decides to turn himself in exchange for a reduced sentence. A caveat of this deal is that he must also return the money he stole; all nine million dollars of it. It isn’t hard to figure out where the story goes from here. Naturally, the FBI agents assigned to the case immediately get greedy upon seeing the money and make plans to keep it for themselves. Where the film deviates is when they agents try to kill him, they are caught by their boss and forced to kill him and frame Neeson for the crime. I was prepared for the greed, but not the murder of one of their own, so that provided a decent twist, or it would have had it not been one of the big selling twist featured in all the promotional trailers for the film. Sometimes Hollywood ruins a good twist by providing too much information in the trailer. Rounding out the cast is Kate Walsh, Jai Courtney, Robert Patrick, and one of my favorite actors, Jeffrey Donovan.
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As a directorial debut, I’d rate the film as average. There’s intrigue, but it is light on explanations. The film is also a bit of a slow burn, as I was a quarter through the film before anything of substance began to happen. When it comes to the horror genre, that is a bit long to wait. The film appeared to be focused on trying to get the audience to invest in the characters in the beginning more than moving the plot along. Once things began to happen, the intrigue began to build more, and the story was able to maintain my interest. That said, I’m still confused as to the overall setup for the film. Despite its 88-minute runtime, the film had more of an indie-student-film vibe to it. It has a talented cast that included Liana Liberato (Light as a Feather) and Jake Weber (Dawn of the Dead), but with the exception of Liberato’s character, the cast is a bit one-dimensional. All in all, while intriguing, the film felt a bit underdeveloped.
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If you were hoping to see if this film would get the Nalyce stamp of approval, I must apologize, because this was one that she just flat out did not want to watch. I mean, she didn’t even want to give it a chance. In her defense, I do believe that she has aged out of this type of content. Kids, they grow up so fast. So I’m afraid you will have to rely solely on my commentary about Thomas and the Magic Railroad. In all honesty, I think Nalyce made the right call by opting out of this movie. Not only is she likely no longer in the age bracket for this type of film; the plot is so all over the place that I had trouble following it. While the film does have some familiar faces that include Alec Baldwin and Peter Fonda, there is nothing about the story that really reaches out and grabs you. The location changes so much that after a while I started to feel like a ping pong ball being knocked back and forward. Also, given that the film is a re-release (having originally been released in theaters in 2000), the low quality of the special effects are not likely to captivate a younger audience that has been spoiled with the high-definition quality that they get today. In a nutshell, this is one is probably not worth your time.
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Three-time widower Ben Cartwright (Greene) runs his famous Ponderosa Ranch with the aid of his three grown sons from three different mothers. There’s Little Joe (Landon), Adam (Roberts), and Hoss (Blocker). Set some time in the mid 1800’s, this long-running series followed the family’s many exploits. In the late 1950’s, westerns accounted for six of the top ten programs on TV. Only Gunsmoke had a longer run than Bonanza. From 1959 to 1973, Ben Cartwright and his boys rode across the small screen. Years later in syndication the series re-emerged as Ponderosa, and a handful of TV movies continued the tale into the 90’s.We never have grown tired of the genre that gave us such heroes as John Wayne and Clint Eastwood.
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It’s not uncommon for actors to want to take that leap from being in front of the camera to taking on the mantle of being director.  There are some big names who have made that transition successfully. Ben Affleck, Mel Gibson, George Clooney, Peter Berg, and Clint Eastwood are some of the bigger names that I can name off the top of my head. For The Vanished, Peter Facinelli is adding his name to that list. So how does he fare in this low-budget psychological thriller?  While I wouldn’t put him in the same league as those previously mentioned, Facinelli does show some promise, but the film’s greatest weakness is its script, which Facinelli also is credited for writing.  This is one of those instances where I just wonder if someone else took a pass at the script how much the film could have improved, because this was a frustrating film to sit through.
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Anyone wondering what exactly happened to Jesse Pinkman after the series finale of the AMC popular drama Breaking Bad? I mean, when we last saw him, he was fleeing captivity in a stolen El Camino for parts unknown as police began to surround the place that had been his prison for months. Anyone curious how that story concluded for the fan-favorite character? Well, you’re in luck, as Netflix has answered the request and produced a subsequent film in order to give Jesse Pinkman a more of satisfying ending to his story. Given that he spent a good chunk of his last season in captivity being forced to make meth, I can’t blame them for wanting to follow up. As expected, Aaron Paul reprises his role as Pinkman after a six-year separation from the character. Paul, who has gone on to find greater success since the end of the series, clearly still has great love for the character who helped bring him to prominence, and also garnered him several accolades including three Primetime Emmy Awards for Outstanding Supporting Actor in a Drama Series.  Several familiar faces return in order to give the series the proper sendoff, including Krysten Ritter’s Jane Margolis, Jesse Plemons’ Todd Alquist, Jonathan Banks’ Mike Ehrmantraut, and yes, of course, Bryan Cranston’s Walter White.
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Catherine the Great, born Sophie of Anhalt-Zerbst, is one of the most prominent figures in history. She is a woman who managed to overthrow her husband, Peter III, and succeed him as the Empress of Russia, becoming the country’s longest-ruling female leader. Under her reign, the country grew larger, its culture was revitalized, and it was recognized as one of the great powers worldwide. Her life has been the subject of many textbooks, as well as being retold on the stage, in film, and on television. Several prominent people have portrayed the character, including Helen Mirren. Have you ever wondered how she did it? How she managed to take away the birthright of her husband and succeed him? Wouldn’t you like to know how it was done? Well, if that is the case, I recommend you pick up a textbook, as the Hulu series, The Great, will not give you a accurate account of that. However, if you want an entertaining and sometimes factual account, I thoroughly recommend you give the series a watch. Elle Fanning portrays a young Catherine as she marries Peter III, played by Nicolas Hoult, and quickly realizes that he will not do as the ruler of Russia. Though not born in that country, she endeavors to save it from the clutches of her immature and incompetent husband.
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The 1988 Batman comic storyline that featured the death of the second Robin, the impulsive Jason Todd, is remembered as one of the most important in the Batman family of comics. It told the story of how after being relieved of his duties as Robin, Jason Todd began a quest to be reunited with his birth mother, only to be kidnapped, tortured, and eventually killed at the hands of Batman’s most notorious nemesis, the Joker. Though Batman did manage to bring the Joker to justice, the loss of Todd had a profound affect on Batman as well as the rest of the Batman family for years to come. Because of it, Batman resolves to continue alone, and while he did eventually take on another Robin, he never was the same. But what if it didn’t have to be that way? What if Jason didn’t die? How would the Caped Crusader’s life have been different if he’d been able to save his former protégé? We don’t have wonder anymore thanks to the DC Animated Universe, which just introduced Batman: Death in the Family, the first interactive animated movie that allows the watcher to choose Jason’s ultimate fate. With multiple separate storylines, the audience has the power to decide if Robin dies, cheats death, or is ultimately saved by the Dark Knight. So, which will you choose?
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This is a show that always surprises me because it is so far out of the reaches of the type of project that I am usually attracted to, but every time I watch, the cleverness and sharp-wittedness of it always wins me over. Season 4 is no different. Though it can get very political and the series is unafraid to take shots at the President, this season provided quite possibly one of its most well-balanced episodes with the season’s opening. However, before we get to that, let’s have a brief recap of where we left off in Season 3. The end of the season saw the departure of Rose Leslie’s Maia Rindell, who after a rollercoaster season which included her getting fired from Reddick Boseman Lockhart, departing for the capital to lead her own firm. Meanwhile, Diana and Liz joined an underground political opposition group for the purposes of undermining Donald Trump’s presidency. While they both are start off as enthusiastic members of the group, with Diana going as far as to secretly seize the leadership position when a prominent member disappears. However, the missing member is revealed to be a charlatan, causing Diana’s charade to be exposed. Additionally, the group’s tactics change, becoming darker and more ruthless, prompting Diana and Liz to distance themselves from the group. Threatened by Diana’s potential exposure risk, the season ended on a cliffhanger that saw Diana’s and her husband’s lives in danger.
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While I enjoyed the first couple seasons of Rick and Morty, I wasn’t all that sure about the show’s staying power with Adult Swim. I’d talk about the show with some friends, but for the most part this seems to be a show that finds its fan base more in their late teens.  It’s fair to say it’s been more than a few years since I was a teenager, so perhaps it shouldn’t be much of a surprise that  I was a little hesitant with this season (feel free to check out my review of Season 1).  When Season 3 came out, the show blew up in a big way, gaining numerous fans and even managed to make “Pickle Rick” a part of everyday pop culture and make Szechuan sauce at McDonalds a thing.  The show for those who may be unfamiliar is something of a blend between Back to the Future and more than a sprinkle of Futurama.  If that sounds like a fun ride, well, then this may be the animated series for you.
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The release of this disc comes a bittersweet time, as a prominent member of the cast announced that she was leaving the show. That’s right, Anna Faris announced that Season 7 would be her final one with the series. Such an announcement of the loss of a pivotal character normally serves as the kiss of death for a series. Had this decision came a few years earlier, it most likely would have been the end of the show. However, the show went through a transition a few years back, and Faris’ central role was shared among the rest of the cast, which includes Allison Janney, Jaime Pressly, Kirsten Johnston, and Mimi Kennedy. The decision for the show to continue has been made, but after watching this latest season, it is hard to imagine that the show will continue past its upcoming season. Even with her role reduced slightly, Faris remained an integral part of the show, and though Chuck Lorre is no stranger to trying to keep a show going following the exit of a cast member (i.e. Two and a Half Men), Faris’ absence is guaranteed to be noticed.
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“My name is Dylan Hunt. My story begins the day on which I died. My last look at my world was to be from inside a pressure chamber at NASA’s underground laboratory at Carlsbad Caverns. Our goal was the development of a form of suspended animation which would allow our astronauts to make longer voyages through our solar system. It had been my decision that our method was ready to test on a human so, it seemed that any risks should be mine…”

Gene Roddenberry was riding high as Star Trek began to grow more in popularity during syndication than it had as a prime-time network series. Suddenly television executives wanted more ideas from the Great Bird of the Galaxy, as Trek fans began to know him. One of those ideas was Genesis II. It tells the story of a scientist who is conducting a suspended animation experiment.
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You have to go back to the early 40’s for when Archie, Jughead, Betty and Veronica first appeared in comic book form. Over the years, their characters have changed with the times, though the town of Riverdale always seemed to maintain an innocent charm where nothing bad ever seemed to happen. Well, that is until recently, where the comics took a shift and thrust our characters into various scenarios, one even including Riverdale being overrun by zombies. These changes occurred when Roberto Aguirre-Sacasa took over the brand, and now he has brought the town of Riverdale and its inhabitants to the small screen for the CW network.  Though this iteration differs from the early days of the Archie comic universe, all the familiar characters are here, and they are showing us the shady underbelly of Riverdale that I’m so glad we are getting a glimpse at, one episode at a time.
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So, this film definitely was not my daughter’s cup of tea. In her defense, without the background of watching the Cartoon Network series that preceded this movie, it is hard to become invested in the film. Additionally, I think most of themes that were addressed in the film were a bit over her head. I think if I were to show it to her again in a couple of years, she might vibe with it better, but I’m not guaranteeing that. Based on my own research of the series, the film was intended to serve as the series finale for the television show that ended in 2019. Also, my daughter is more of a YouTube kid rather than Cartoon Network. And based off my own interpretation of the film, knowledge of the original series goes a long way toward emotionally investing in this movie. In order to help you better understand the film, I will provide you with some background based on my own independent research into the television show that facilitated this aforementioned movie.
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Season 2 of Magnum P.I. offers more of the same as it did a year before: guns, explosions, and Magnum owing people favors. That is not to say that the show isn’t entertaining; however, there is nothing earth-shattering about it. It’s not a must-see show, but if you should happen to see it, you won’t be disappointed. For my part, I am a fan and did enjoy all twenty episodes of the second season. To its credit, this season does spend some time trying to add depth to the secondary characters that Magnum tends to lean on, like T.C., Rick, and Katsumoto. There is also a long-awaited crossover episode with the recently departed Hawaii Five-0 series. Despite not deviating much from its established template in the first season, the Jay Hernandez-led series continues to remain one of the CBS staples, even after being moved to the Friday night slot, which can sometimes serve as the kiss of death for a show.
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“This is the way the world ends…”

The Stephen King cycle has turned hot once again. With the enormous success of the two-part It feature at the box office, Stephen King is hitting the kind of popularity he had back in the 1980’s and 1990’s when it seemed anything he put his name to had to be made into a feature film or some other grand project. The trend led to mixed results. Many of the films couldn’t live up to the visceral detail that has become King’s trademark. To do this, his books have taken on a large page count that has been nearly impossible to fit into a 2-hour feature film window. It split the book into two very good films. The Stand has twice made it to the mini-series format. Paramount Studios have had their hands in the Stephen King pot on various occasions. So now they’ve put together an interesting collection from their own library. This 5-film collection includes Stephen King’s The Stand (1994), The Dead Zone (1983), Pet Sematary both (1989) & (2019) and Silver Bullet (1985). It’s a mixed bag, to be sure. There are some hits and misses to be found inside this collection. Each film or mini-series has its own disc with special features only reproduced on the two Pet Sematary films. Let’s take a peek at the films inside, shall we?
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“I hear if you’re looking for a miracle, now’s the time to ask.”

When Michael Weatherly left NCIS it was like losing an old friend, both for the cast and crew of the franchise and for the millions of fans who had invited him into their living rooms for almost 15 years. But he returned to both. His presence was very much alive in the last season of NCIS. He was discussed, shown in flashbacks, and somehow continued to carry on his teasing war with McGee. But he wouldn’t return in person. That’s because he was busy with the second season of his own show Bull. And while Bull is reportedly based on the early career of Dr. Phil, nothing could be farther from the reality that Bull is 100% Michael Weatherly. I’m not sure if the shows exist in the same television universe, but they continue to be somewhat entangled. Both shows aired an episode with the exact same title on the exact same day. The shows were called Keep Your Friends Close, and there’s obviously a message to the fans in there that however successful Bull turns out to be, we’re not completely done with Tony, and there’s an effort to keep the family bonds close.
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“We live in perilous times.”

He has been called the Father of our Country. Every American history class is replete with his characteristics and important biographic details. In the upheaval of 2020, the name George Washington has taken on a somewhat different tone with populations across the country. A lot of this “cancel culture” movement is a movement of ignorance. I recently read a survey that some of the folks out there trying to bring down statues couldn’t pass a rudimentary quiz on who the person even was. It’s a disturbing situation. We’ve all heard the axiom that those who refuse to learn history are doomed to repeat it. But let’s not reduce this to oversimplistic catch phrases. History doesn’t repeat itself, but as Mark Twain cleverly observed, “It rhymes.” As a history teacher myself, I don’t often point toward a television production for a history education, and I won’t start here.
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“I was wonderin’ if you were going to come to say goodbye.”

The world said goodbye to Gunsmoke in 1975 after 635 episodes and 20 seasons. But it wasn’t to be quite forever. While most of the cast would never again don the characters that made up the show’s iconic ensemble, James Arness would show up for three films that would carry his story forward. Now that CBS has already released the series in individual sets as well as an impressive full series box that delivers all 635 of those episodes, there remained just one more task to perform in order to make the collection complete. There were three television movies released between 1987 and 1992. Arness would be the only star to return for all three. Deaths and other commitments made a true collection of reunion films impossible. Even Amanda Blake as Miss Kitty would return only for the first film before becoming deceased. Two of the prominent returns were characters who were basically part of a single episode or actors who played other parts along the way. But the center of gravity for Gunsmoke has always been Marshall Dillon, and these films certainly do not disappoint on that front.
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“18 years of sustained combat. I learned a long time ago to remain calm in the chaos, so that the fighting doesn’t bother me. But when things go quiet, I hear Father Time coming for me. A new battle on the horizon, and for the first time in my life I’m feeling an enemy I don’t know how to fight.”

What David Boreanaz does is create iconic television characters. He has had no trouble getting work over the years. He has had the ability to jump from one successful series to another and enjoy longevity in those roles. Unlike many actors who have had big television roles, he doesn’t get at all pigeonholed or typecast. In Buffy The Vampire Slayer he originated the role of the vampire Angel, who spun off to his own series for several years. Immediately after that he took on the role of an FBI agent and partner to the title character on Bones. That job lasted a decade. Before the remains of Bones could be laid to rest, he was already working on his next new series. Now he’s the field leader of a Navy SEAL team, and if the first three seasons of SEAL Team is any indication, he’s going to be dodging bullets and RPG’s for the foreseeable future. CBS has a big tradition of long-running shows, and I wouldn’t be surprised if a decade from now I’m talking to you about the 13th season of SEAL Team.
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“What’s more important, Frederick? Freedom for one man, or freedom for all men?”

Inspired by a true legend. Emphasis on “inspired”, as this film does quite a bit of deviating from the historical data. Then again, I like to look at from the perspective of the main character: when recounting whether or not the legend that he is descended from kings is true, “It’s true to me.” Emperor is the tale of Shields Green, an outlaw slave in pre-Civil War South who went on to take part in the Harper’s Ferry raid, which is one of the events that sparked the Civil War. Dayo Okeniyi (Shades of Blue) has the momentous task of bringing this little-known historical figure to life. It is a challenge, but I do believe that Okeniyi was up to the task. While the story does have spurts of intrigue, for the most part it is told in a matter-of-fact tone, giving it the feel of reading it from a history book, minus the areas of deviation that is, which do come off as fantastical at times. Okeniyi is joined by Naturi Naughton (Power), Kat Graham (The Vampire Diaries), Harry Lennix (The Blacklist) as Frederick Douglass, and James Cromwell as John Brown.
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This film would probably work as a student film production. In its present form as a home media release, it falls short. The Barge People does its best to come off as a suspenseful addition to the horror genre, but in my opinion, it does not accomplish the needed goal: the suspense. The film follows two couples on holiday. It is very clear that each pairing has different ideals: one couple as been together for a while, but is living in the moment not really planning for the future, while the other has their minds set directly in the future. The only thing linking these couples together are the women, who happen to be sisters. It is evident that the men have nothing in common, and that if it were not for their significant others, they would prefer to not know that each other existed. Throw some inbred cannibalistic killers on top of that, and you basically have your movie. Timing was a big reason for me that this movie missed its mark. Perhaps with a few subtle changes, I would have enjoyed it more.
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“It’s a family show with cops, not a cop show with a family.” 

For ten years Blue Bloods has been a staple on CBS, giving Tom Selleck a chance to completely redefine his television career. The once cocky and carefree Magnum P.I. now has established himself as the wise patriarch. It’s a transition that a 1970’s audience would never have bought. But now he’s become a new kind of airwaves icon. The show has also managed to make it through a decade with very little change in the cast, and most of that coming from additions. This season is no exception, as we discover there’s been a long-lost member of the Reagan family out there for many years. But there are big changes coming to Blue Bloods. In the real world the police have been villainized by some, and it’s becoming an increasingly tougher job to do. For a family so steeped in law enforcement, the show will absolutely have to address these new realities. The second of course is the arrival of a pandemic the likes of which this country or the world has never seen. Productions were shut down and are now only beginning to ramp back up.
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