No Huddle Reviews

“You’re not failing. You just haven’t succeeded yet.”

If you are at all familiar with the NCIS franchise, you know that the show tends to follow a bit of a formula. Each spinoff has some unique style aspects, but the episodes tend to be relatively self-contained. That means you can start with Season 6 of NCIS: New Orleans and still be able to appreciate most of what’s going on. You’ll get to know and understand the characters pretty quickly. That’s more true of this particular member of the NCIS family than the others. It has had the most cast turnover. By the end of this season there will only be three characters who have been there since the beginning. Compare that to the L.A. version where you’ll find over a decade of no lost cast members, and you’ll find this one is the easiest to drop in and out of. Unfortunately, that also contributes to the fact it is my least favorite entry in the franchise. And all of that is in spite of the fact that I’m a rather big Scott Bakula fan, having been impressed by both Quantum Leap and his tenure as a Star Trek captain in Enterprise. So while you could certainly enjoy this release on its own, I still recommend you go back and catch up on the first five seasons just to get caught up and maximize your enjoyment. The good news is that we can help you with that. You don’t have to wade through 10 years of JAG, 18 years of NCIS, and 11 years of NCIS: L.A., although that might be one heck of a fun binge. Just catch up on the first five seasons of this show and you’ll be ready to go. You can check out those reviews here.
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I remember this was the one show that I didn’t want to watch growing up. Ironies of ironies, I was not big on scary things when I was younger. Now it is one of my favorite genres. In reference to the original series, there was just something that really scared me about the show growing up. Of course, all it took was a dare from my family to force me to try to overcome that fear. Not sure I ever really overcame the obstacle, as once this revival miniseries came across my docket, I was hit with some of the old feelings that I experienced while watching the original show. It only took the opening sequence to send my daughter out of the room, so I was forced to overcome my childhood fears on my own, while opting to not scar my child. To that end, I must say that age has definitely made me braver, but it may also have more to do with the revitalization of the series, which I found to be more in-depth and intriguing than its original incarnation. This three-part miniseries may have been limited in how far it could go as far as goriness (given that it is a Nickelodeon production), but the storyline more than makes up for that, managing to weave a creative and entertaining web that also includes slight comedy and unique characters.
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“Life just got complicated.”

It sure has. With the world still in the throes of pandemic, it’s nice to spend some time catching up on familiar characters and compelling stories. Very few television franchises are as familiar by now as NCIS. CBS brings us the 11th season of the NCIS spin-off: NCIS; Los Angeles to DVD. The series has become one of the most successful spin-off shows in the history of television. Only CSI and the Law & Order franchises have brought more episodes to our television screens, and next season the NCIS franchise will have passed CSI. The truth is, if you go all the way back to the original JAG series, this is hands down the most prolific one-hour series in television history. What is even more amazing is that the NCIS shows continue to be the most-watched franchise in the entire world, a position they have held for over a decade. No one has come close to this kind of television domination. If this collection of episodes is any indication, the ride isn’t anywhere near reaching the end. All three shows have been renewed, with NCIS getting a new two-year commitment at CBS. If you haven’t already caught up on all of those earlier episodes, you don’t necessarily need to do that, but why wouldn’t you? You might want to get acquainted with the cast and other aspects of the series. You can at least catch up with the first 10 seasons of NCIS: L.A. Here.
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“You like when I do the whole cryptic thing.”

The 17th season of NCIS certainly ended with just that kind of vibe. The showrunners did a great job of keeping secret that Ziva would show up in the very last frame of the season. Everyone was sure she was dead, and while that’s often no reason not to bring back a character in the fantasy genre, it doesn’t often work in something like this. It brings up a lot of questions that were not going to be answered for several months. How is she still alive? Why is she here? Is she now a good guy or a bad guy? I’m sure you spent the summer with plenty of questions that didn’t get answered for a long time. But it’s finally aired, and now the whole story is out for home video as CBS releases the 17th season of NCIS. The team has changed faces over the years. Few of the original members remain, but as long as Mark Harmon remains in the starring role of Gibbs, there’s life in this show yet. This season sees no real change in the characters of the show, but it does allow for even more growth for those still on the train. NCIS is about to enter into its 18th season in just a short time. That in itself is a remarkable accomplishment in the days of short attention spans and hundreds of shows to keep that attention.
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“It’s crazy the things that happen at work.”

The beginning of 2020 certainly created some crazy things everywhere in the world. A pandemic arrived and shut down productions all over the globe. Films are missing long-anticipated release dates, and most network television shows were forced to close down early to protect their casts and crews. Seasons have been called with whatever episodes were already finished. Most of those shows will continue to shoot those episodes as part of their next season when they are finally able to get back to work. That won’t be the case for Hawaii Five-O. Late in this 10th season it was decided the show would wrap it up for good.  We got 22 episodes, and they even managed to get out a series finale. If it all feels a little rushed, that’s because it was. This wasn’t the best year to have to say goodbye, and it certainly adds to the sadness for the show’s participants and fans. Now CBS is offering those final episodes before we all say aloha.
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After enjoying Shudder’s revival of Creepshow, I’ve been looking forward to seeing what else they’d be bringing to their streaming service.  When Belzebuth came along, I’ll admit I wasn’t exactly excited about the title. At first glance it seems like yet another possession/exorcism movie.  Maybe it’s because I went into this with lowered expectations that this film managed to make an impact on me, but one thing is for certain, nothing about this film is “typical”.  Recently I has reviewed Season 1 of Evil, and I’m glad that show is still simmering in the back of my mind, because Belzebuth is a nice companion to the show with one big exception. Belzebuth doesn’t pull its punches, and I’ll say this right now: it’s not for everyone, and it’s a film that will get under your skin. Grab your crucifix and keep a bottle of holy water nearby, because this little film out of Mexico isn’t afraid to show us what evil may really look like.
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Let me start by saying that my daughter was all about this movie. Leading up to the watching of the film, she literally asked me almost like clockwork when we were going to watch the movie. With me there is always a bit of reservation when it comes to animated films since becoming a parent. I suppose you can call it bias, but I prefer the cartoons (as we used to call them in my day) of my childhood over the present content. I think that opinion is one many share. To Trolls World Tour’s credit, it does impart a lesson that I believe is very important in the present climate that the world is facing. To that end, I can say that I found the film to be quite enjoyable. The comedy was more of a situational variety and very clearly directed towards a younger audience, which meant that most of it went over my head, but the aforementioned lesson that the film taught was time-honored and showed the importance of diversity and tolerance. Anna Kendrick and Justin Timberlake reprise their roles from the 2016 original film and are joined by a host of celebrities that include Kelly Clarkson, Sam Rockwell, Rachel Bloom, and music legends Mary J. Blige and George Clinton.
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In the local newspaper here in the Tampa Bay area there has been a long-running series of articles called One Tank Trips or something of that nature. The idea is that the writer would introduce you to some natural or otherwise splendor that you could visit in a relatively short distance but which you might not even know exists in your own back yard. I can’t exactly make the connection, but that series kept intruding on my thoughts as I watched the first season of these little experimental Star Trek shorts. The idea appears to take us to places in the television universe of Star Trek to small events that we didn’t even know were going on but which might have even had a large impact on the things we did know about. The first of them were pretty much extras on the Star Trek: Discovery DVD releases and told prequel/side stories directly related to episodes of the main show. They play pretty much like the kind of release extras you might get with any home video release. Somewhere along the way someone got the idea that these side trips could go beyond the current episode supplement idea and reach across the world of Star Trek, leaving the window open for almost any era, place, or character to show up, often in some unexpected form. An idea like that has great potential, but it’s fraught with the danger of a very uneven presentation, and that’s the inherent blessing and curse you will find in this single-disc DVD release of Short Treks.
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From the creators of The Good Wife comes a show that attempts to explore if demonic possessions, miracles, and other supernatural occurrences are real or simply manifestations of the mind.  This is one of those topics that have always fascinated me, being brought up Catholic and with what some might consider an unhealthy obsession with horror.  It was a no-brainer growing up that I would gravitate to The X-Files, and over the years there have been several shows attempting to capture the dynamic of the skeptical FBI Agent Dana Scully and the true believer agent on a crusade, FBI Agent Fox Mulder.  Evil just may have the potential to be the show that explores the unknown and deliver the same quality drama, though I wouldn’t say it deserves the cult hit status just yet. Dr. Kristen Bouchard (Katja Herbers) is a clinical psychologist who is typically used by the local D.A. to testify on the sanity of a subject who is on trial.  A big deal is made about her being a climber that has reached numerous summits, but nothing is really done with this aside from making it a plot device we never get to see her put into action.  Her husband is absent from a good portion of the show because he is taking time off to climb Everest, leaving behind their four daughters in the care of Kristen.  To help Kristen take care of the girls, her mom, Sheryl (Christine Lahti) steps in to play babysitter.
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So knowing nothing of this series as it pre-dates my existence, I did not expect to identify with it at all. I expected for the jokes to be generational, and for the subject matter to be irrelevant. Fortunately, this was not the case, as Head of the Class appears to be a series that in my opinion stands the test of time and provides invaluable life lessons that society is still very much in need of. It stars WKRP in Cincinnati’s Howard Hesseman as Mr. Moore, a substitute teacher who finds himself subbing for a high school’s Individualized Honors Program (IHP), an elite program for the kids with the highest IQs. Expected to little more than read magazines while the kids basically educate themselves, this idea does not sit well with Mr. Moore. Though a laid-back person by nature, he endeavors to do more than just sit back and pass the time, much to the chagrin of Principal Dr. Samuels, who prides himself on the program he designed as well as pushing its participants to academic excellence. Though academically advanced, these students know little of the world, as well as never venture out of their comfort zone. This is where Mr. Moore has the opportunity to make a difference by showing them that they can be more than what society expects them to be.
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Over the past decade we’ve seen a resurgence of reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain.  When I first heard about the series, I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre.  Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened.  Without George Romero being around, I just wasn’t even sure I’d want to see a show that could possibly just water down everything that was great about the films and simply turn out to be a cheap imitation.  Now that I’ve watched Season 1, how does it fare alongside the previous films?  Honestly, I found myself impressed with what I saw, and there is plenty of potential to be refined here.
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Written by J. C.

“Welcome! Everything is fine.”

One of my favorite bits from the dearly departed Inside the Actors Studio involved host James Lipton administering a questionnaire that concluded with “If heaven exists, what would you like to hear God say when you arrive at the pearly gates?” It’s a momentous question that often drew a humorous response. The Good Place opens with its main character waking up in the afterlife and being greeted with bright green lettering that says “Welcome! Everything is fine.” It’s a reassuring sentiment, to be sure, but let’s be clear: there is nothing just “fine” about The Good Place. This sharp, hilarious, and goodhearted fantasy/comedy is spectacular!

The series begins with Eleanor Shellstrop (Kristen Bell) sitting in an exceedingly pleasant waiting room. Eleanor soon meets Michael (Ted Danson), who cheerily informs her that she has died and arrived in the afterlife. The reason Michael is in such good spirits is because he gets to inform Eleanor that she has arrived in The Good Place, a highly-exclusive, neighborhood utopia. Michael is also the architect of The Good Place —the first such neighborhood he has designed — so he gives Eleanor a tour and introduces her to pre-determined soulmate Chidi Anagonye (William Jackson Harper). But as Michael recounts Eleanor’s many humanitarian exploits, there is one nagging problem … Eleanor didn’t do any of the stuff Michael is talking about. She has arrived in The Good Place by mistake!
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I do believe that this film was deserving of a theatrical release. I don’t think it would have been a box office hit, but it deserved to reach a wider audience. That is not to disparage home media, which I’ve been plenty thankful for the many hours of entertainment that it has provided me given the state of affairs lately. Jeffrey Dean Morgan stars in this film based off a book from crime writer, James Patterson and Swedish journalist/crime writer Liza Marklund. The background of this collaboration was a particular interest to me, as the two reportedly corresponding back and forth via email, with Marklund writing the first draft and Patterson doing the second draft. Both are established crime writers and their decision to co-author a book together is a clear example of their respect for one another’s contribution to the field. Thanks to this mutual, a book that served as the basis of this adaptation, got off to the right start. Joining Morgan is the Good Fight’s Cush Jumbo as well as Taken’s Famke Janssen. I swear I am not trying to give you a history lesson, but the origins of this film is very interesting in my opinion, as it spent several years in what is known as development hell (media jargon for a project that spends a long time in the development phase, usually resulting in changing of production crews, scripts and actors dropping in and out of the project), and was originally slated for Patrick Dempsey in the lead role and Dakota Fanning in the supporting, which then changed to Britt Robertson in the supporting role that eventually went to Jumbo. Truth be told, I think that this situation worked out for the best, as well I can’t imagine someone else doing the role of Jake Kanon the justice that Morgan did.
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Jane Austen is a novelist from the 18^th century whose novels continue to stand the test of time; though she gained prominence during her lifetime, I would dare say that she has become very fashionable, with many of her novels being required learning for most schools or at the very least on the summer reading list. Her credits include Sense and Sensibility, Pride and Prejudice, and Mansfield Park; however, the novel that serves as the basis for the film we are reviewing today may be her most famous work, Emma. This property is no stranger to adaptation, having been adapted in the form of a 1996 television film starring Kate Beckinsale, as well as that same year into a theatrical film starring Gwyneth Paltrow. This time around, the film stars Anya Taylor-Joy in the titular role. Though this is not the film I was hoping to see Taylor-Joy in this year (this is my subtle ploy to demand the release of The New Mutants), I must admit that she does a fine job of taking on the role that has already been tackled by top talent. Granted, this is not the type of movie that I am normally drawn to; it is my wife’s bread and butter, so naturally it was an experience that we shared. Basically a period piece romantic comedy, as anticipated it was a big hit with her, and fortunately there was some humor for me to appreciate as well.
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So I had an interest in this film since I saw the preview for it; Blake Lively cast in her own revenge film. I know there is no shortage of this type of film. Luc Besson has actually made a career out of this type of film archetype, with each film being excellent in my opinion. Lively has never attempted anything of this nature, which I always find intriguing, to see an actress stretch her creative muscles. Sadly, I wasn’t able to convince my wife or my friends of the film’s potential, so on the rare occasion that I attend movies in a personal nature, I wasn’t able to steer anyone towards seeing this film with me. I mean, Blake Lively, Jude Law, and Sterling K. Brown — you would have thought I wouldn’t have to do that much convincing, but sadly everyone I showed the trailer to felt that the film’s premise had been done before. I won’t dispute that there have been several films that are similar, but in my opinion, The Rhythm Section brings a unique grittiness to the genre. It took some type to see the film, and though I do feel that the film rushed its conclusion, I thoroughly found it enjoyable, and the mentor/mentee dynamic between Law and Lively was a huge selling point for the film.
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“Good evening. My name’s Wayne. Some of you may have seen me before. I hope so. I’ve been kicking around Hollywood a long time. I’ve made a lot of pictures out here. All kinds. Some of them have been westerns, and that’s what I’m here to tell you about tonight. A western. A new television show called “Gunsmoke”. When I first heard about the show “Gunsmoke”, I knew there was only one man to play in it. James Arness. He’s a young fellow, and may be new to some of you. But I’ve worked with him, and I predict he’ll be a big star. And now, I’m proud to present “Gunsmoke”.”

That was John Wayne introducing the television audiences of 1955 to Gunsmoke. Gunsmoke fans have had a long wait to get the full series on DVD, and that long wait is finally ended. If you have been picking up the seasons as they have been released along the way, sometimes in half-season sets, you only had a season remaining to complete your collection. If you waited or have become a recent fan of the classic western, another alternative has presented itself. CBS has released the entire 20 seasons in one collection. Even if you have been collecting all along, you should consider selling or gifting your single or half-season sets and opt to have them all in one place anyway. Those cases take up a lot of room on the DVD shelf, and while this collection isn’t exactly tiny, it does take up less space, with an option to store on its side where it takes up very little shelf space, but you’ll need almost 13 inches of headroom on your shelf. Even on its side it’s a good third less space than all of those cases. The design is simple and quite functional. Inside of a strong cardboard case you’ll find the 20 seasons split out over six large plastic cases. The seasons are contained in the following six groups: 1-4, 5-7, 8-9, 10-12, 13-15, 16-20. The boxes avoid those stacked spindles, a choice I highly approve of. The box is an attractive case that looks like it’s leather-bound with a panoramic color photograph of the main characters on one side.
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For all intents and purposes, Season 7 is the final season of Ray Donovan. The end came rather suddenly and after it was too late to create and film some kind of satisfying finale for the series. The cast and crew were taken by surprise, so you can imagine how the fans of the show are taking this. To make matters worse, the last episode, while not a complete cliffhanger, leaves too many strands of thread that weren’t connected. There’s nothing satisfying about this finale, and that created waves in the world of fandom. Star Trek is famous as being the first television show that a network cancelled and then brought back because of a huge letter-writing campaign that flooded network executives and pushed them into an unprecedented action for that time. The show was brought back. Imagine what those rabid fans could have done today with the internet and social media. The call has gone out, and while Showtime has made no move to offer any kind of reversal or concession, the show’s star reached out with a somewhat cryptic message of hope. He assured fans that the Donovan family isn’t finished just yet. What that reprieve might be, there isn’t a clue offered, but it’s doubtful at this point that the show will return as an 8th season. The likely scenarios include a Showtime film like we saw recently for Deadwood. There’s a shot at a feature film at the theatres, which is where Star Trek’s original crew ended up. There’s always a chance of a revival mini-series like we’ve seen over at Fox for The X-Files and Prison Break. I don’t know what form it might take, but I do believe the characters will return in some way. Unfortunately new global circumstances have placed pretty much all television shows, films, and other outlets for entertainment in doubt, at least in the short term. Eventually we will get out of this, but I suspect Ray Donovan won’t be the first priority out of the gate. Fans are going to have to be patient here. I believe it will happen, but I’m as equally convinced that it won’t happen soon. So for now you’re going to have to savor these last 10 episodes for a while, and this DVD release gives you the means to do just that.
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Paramount is borrowing an old idea from Walt Disney Studios and making it a bit more modern. They’re digging into their vault of classic films and doing 4K restorations and releasing them under the new Paramount Presents banner. Now, as much as I’d like to see actual 4K UHD releases, I suspect that these are intended to be feelers for various classic films to try to gauge the demand for these trips into the archives. I also suspect that the titles that show the most promise will likely end up seeing a UHD release. It’s actually a pretty good plan and a chance for you to “vote” with your dollars and show each film what kind of interest still exists. I’m sure some will falter and fall by the wayside, while a few polished gems will show the kind of promise that calls for the 4K release. Now the restoration work is done, and it’s just a matter of printing some discs. So here’s a look at the first three films served up for consideration. Each is sold separately and comes in a cardboard case covering the plastic case that folds out to reveal a release poster for said film. The presentations are nice and geared toward the collector.
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“If you take Alaska’s genetic code, add her life experiences, and relationships she had with people, and then you take the size and shape of her body, you do not get her.”

First impressions were that this was an experience that could by shared with my daughter. However, it wasn’t long before she found herself sent away due to the mature nature of the content. Little did I know that this series was Hulu’s answer to Netflix’s 13 Reasons Why. That said, though there are clear correlations between the two properties, such as they are both based on popular novels and cover highly emotional and serious topics such as suicide and the importance of connection with people. Looking for Alaska manages to infuse some levity into its plot. This inclusion goes a long way towards solidifying the limited series’ (as I understand it, there are no plans for another season) individuality and providing an enjoyable balance to what comes to a somber conclusion.

“If people were rain, I was drizzle and she was hurricane.”
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It started with Kentucky Fried Movie, which was a somewhat modest box office success mainly because of the genius of Joe Landis as director, but this game really took off three years later with the box office hit Airplane. It was a spoof of all of those Airport films we saw during the 1970’s and 80’s. They all had the same formula and were almost spoofs of themselves by the time the string ran out. The film pulled in an impressive $85 million on a measly $3 million budget. The team of Jim Abrahams along with brothers David and Jerry Zucker was born, and comedy would never quite be the same. The comedic form they developed relied on a lot of deadpan delivery of one-liners and some rather stilted wit. But it was something different, and it wasn’t really a surprise that the team would want to keep it going. A second Airplane film wouldn’t come along for a couple of years, and it would be guided by a completely new team. This trio was on to bigger and arguably better things. The first step was to land on the television screen with a police comedy called Police Squad. It was hoped the show would help capitalize on the same kind of comedy that took Airplane to the stratosphere. They would also maintain the film’s star, Leslie Nielsen. It should have been a no-brainer and an instant hit. It lasted six episodes and was gone in a hot flash. But that wasn’t quite the end of the story.
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Here comes the ultimate comedy about a codependent relationship; however, though that may not sound that good, in this film it is very entertaining thanks on no small part to Tiffany Haddish and Rosa Byrne. Haddish and Byrne play Mia and Mel respectively, two independent women with their own cosmetics storefront. Though their line is very popular, their revenue does not reflect their popularity due to an inability to mass produce, causing them to fall into deep debt and in danger of losing their store. Then along comes a spider in the form of Salma Hayek’s Claire Luna, the head of a internationally successful cosmetics conglomerate that offers to invest into their company. Haddish and Byrne are both well established in the comedy genre, but the combination of the two made for one the best comedy experience that I’ve had this year. My wife kept telling me that I would enjoy the film (this was one of the rare occasion where she went to a movie unaccompanied by me), but given our different taste cinema-wise, I was expecting a film full of cliché, especially given that it seem like the entire film was given away in the previews. Well, honey, let me say for the record that you were right.
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There comes a time in any project where one must decide exactly what their mission is. In entertainment, that’s usually a pretty easy question to answer. Of course your goal is to entertain as many people as possible so that it can be profitable and enduring. For many years there have been filmmakers and television series show runners who have let that goal get out of hand, mostly in the political arena. I don’t have any issue when a show’s editorial policy happens to come down on one side or the other. It doesn’t even matter if it’s my side or not. But two things I don’t want in my entertainment. I don’t want to be hit over the head every five minutes. Trust me to get your point. The second is that there must still be entertainment value that compels me to care about a show and its characters and their stories. Madam Secretary fails in both of these tests. The West Wing was just as political, but there was a demanding quality to everything from the performances to the stories and production value. As a government teacher, I was impressed at how many of those little-known facts about our system they got right. I used moments of the show as teaching moments. This last season of Madam Secretary would be a disaster in any classroom.
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To the point, Criminal Minds is very compelling television. Ever since The Silence of the Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds. But now after 15 seasons the series has come to an end, and we realize it wasn’t just the murderers we’ve been tuning in to see. The characters have become like a little family, and their stories were just as compelling over the years. Now Criminal Minds finishes with a brief 10-episode final run, and it’s out on DVD from CBS Home Entertainment.
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“Welcome back to Jumanji!”

It would seem that welcoming the audience back to the jungle is in order. Now here is a sequel that when I heard it was being made, all I could do was shake my head. I just couldn’t fathom a reason for a sequel to be made. The film was already a continuation of the previous installment. I also couldn’t fathom a worthwhile story being told. And if it wasn’t for the hard work of Jack Black, who basically made the movie, I believe that my opinion would not have been changed otherwise. After barely escaping the game the first time, the group finds themselves drawn back into the world of Jumanji in order to save one of their own. However, the stakes are higher, as not only is the gang venturing into brand new territory; they are hampered due to being saddled with two new players in the form of franchise newcomers Danny DeVito and Danny Glover. The previews did not do the film justice, as it truly turned out to be far better than I was initially anticipating. It does get a bit long-winded, but for the most part it is a good, fun, and funny return to the established universe.
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Bombshell is a dramatization of the real-life scandal that occurred at broadcast news giant Fox News in 2016, where multiple women came forward to report incidents of sexual harassment, many of which involving the chairman and CEO of the company, Roger Ailes. This is an event that I’m sure everyone had some awareness of back then, and if you didn’t, you know about the events involving Weinstein. In regards to this film, it is told from the prospective of three women who were employed at Fox News: Megyn Kelly, played by Charlize Theron, Gretchen Carlson, played by Nicole Kidman, and Kayla Pospisil, played by Margot Robbie. Unlike Theron’s and Kidman’s characters, Robbie’s character is actually a composite character based on accounts of multiple women. In addition to these talented women, this film has someone recognizable names that it would take me the length of this entire review for me to record them all, but I will give you a few of the most prominent cast members: John Lithgow, who portrayed Ailes, Malcolm McDowell as Rupert Murdoch, and Kate McKinnon, who played a friend and confidant to Robbie’s character. The list literally does go on and on.
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