No Huddle Reviews

When the MCU announced their intention to move forward with this sequel despite the tragic demise of Chadwick Boseman, I voiced my displeasure loudly. As far as I was concern, there could be no Black Panther without Chadwick Boseman. Additionally, it just seemed unnecessary. The first film was masterful and complete. It didn’t require a sequel. We could have just preserved the integrity of the first film by letting it stay untouched. However, that is not how the business works. If there is a dollar to be made, there isn’t anything that won’t be diluted down for that sake. I realize that sounds harsh, but if I’m being honest, that is what Wakanda Forever felt like to me. This not to say that there weren’t some good, genuine moments that brought me back to my feelings that I had while watching the first one. It is also worth mentioning that I found the film to have paid Boseman the proper respect that I believe he deserved, both with a powerful moment of silence at the beginning of the film, as well as a funeral processional for his character that was fit for a king that he was in film and in real life. It just still wasn’t enough. The elements to make it great were there, but the story leaves a lot of things incomplete and unresolved despite having a runtime of nearly three hours.
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Into the Deep is one of those films that offers so much promise with its setup that it is a bit frustrating when you watch the final product and it has managed to fall short in every way imaginable. When I first read the synopsis, I couldn’t help but think about the 1989 film Dead Calm. It’s one of those underrated psychological thrillers that I always felt was fun. While Into the Deep does share some parallels, unfortunately this film just goes off the rails because of its absurd plot twists and, well, let’s face it; no one in this cast is on par with Sam Neill, Billy Zane, or Nicole Kidman.  Into the Deep is a film that pretty much hopes that its audience isn’t thinking about logic, because the moment you apply any sort of critical thinking, this film just falls apart. Jess (Ella-Rae Smith) is still struggling with the loss of her mother as the anniversary of her death is approaching.
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“It’s a different world out there.” 

Ray Donovan: The Complete Series is out from CBS Home Entertainment, and it includes all 82 episodes and the television movie that was released to make up for the sudden cancelation without a proper sendoff for the Donovan clan. You get 29 DVD’s, and the set includes all of the extras from the individual season releases. You do have to deal with those large overlapped spindles, so I suggest you create another environment to store them.
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Next year we hope to return to our usual 31 Nights Of Terror. This year we are going to offer you some Halloween Spotlight titles that would be a great idea to pick up for the scary season. So… we’re still your October Night Mayor and here’s a great idea for Halloween from our friends at Film Detective. 

“That’s just the wind banging the door, pay no attention to it. Listen to this.”

Enter The Film Detective.
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So whenever I am reviewing a movie, I try to identify positive things about the film. Even if I end up not liking the movie overall, I at least try to make sure to point out aspects that I think the film did well, a performance that was particularly strong, or a piece of dialog that resonated with me. It’s part of my process to ensure that I am delivering a balanced review. Even if the film isn’t my favorite, it still has the potential to provide some positive ray of light into my experience.  However, I’m not so sure that I will be able to do that this time around, as Guardians of Time was a film that I just couldn’t wait for it to be over. Now in the interest of fairness, it is abundantly clear that I am not the target audience for this film; that demographic appears to be steered towards the early elementary school crowd. I’d say no higher than second or third grade. Any higher and the production quality is not likely to hold up with them. Then again with this generation, given the technology that they have at their fingertips, it may not hold up with them now.
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Next year we hope to return to our usual 31 Nights Of Terror. This year we are going to offer you some Halloween Spotlight titles that would be a great idea to pick up for the scary season. So… we’re still your October Night Mayor and here’s a great idea for Halloween from our friends at Paramount/CBS/Showtime. 

“Tonight’s the night, and it’s going to happen again and again. It has to happen …”

What is going to happen is that Dexter: The Complete Series has come to Blu-ray. I can’t think of a better cable show to make the leap onto high definition. More than any show, I think I’ve been looking forward to this release. Imagine what it would be like to visualize Dexter’s world in such wonderful detail. Imagine no longer. Dexter’s here, and he’s got something to show you. Now that the series has finally gotten a proper resolution with Dexter: New Blood, it’s time to have a complete collection on your shelf.
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Next year we hope to return to our usual 31 Nights Of Terror. This year we are going to offer you some Halloween Spotlight titles that would be a great idea to pick up for the scary season. So… we’re still your October Night Mayor and here’s a great idea for Halloween from our friends at Paramount/CBS/Showtime. 

“You’re traveling through another dimension. A dimension not only of sight and sound, but of the mind. It is the middle ground between light and shadow, between science and superstition. And it lies between the pit of one’s fears and the summit of one’s knowledge. You are now traveling through a dimension of imagination. You’ve just crossed over into The Twilight Zone.”

It would be very hard, indeed, to argue against the impact that The Twilight Zone has had on television. To say that the series was a milestone in that medium would be an understatement of the worst kind.
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“For more than two decades, families across America gathered around the television every Sunday night to watch The Ed Sullivan Show. Both the country and its music underwent an enormous evolution over the course of those years, and the show not only kept up with the times, it informed them. The long and winding road of music history is full of forks, but from the 1950’s through the early 70’s, one stop was essential: The Ed Sullivan Show.”

You can say that again. Ed Sullivan’s Sunday night variety show first aired June 20th, 1948 and left the air March 28^th, 1971. Three years after the show ended, Ed Sullivan passed away, and with him one of the most iconic faces of the entertainment industry. Think about how much America and music changed throughout those years.
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I must confess that I missed the boat on the original film, so going into this film I had reservations regarding my ability to properly review this film given that I haven’t seen the original. These concerns were made irrelevant by the revelation that this film, Orphan: First Kill, is actual a prequel to the first film. In this film, we get to see the events that led Leena Klammer to become what several people in the film call her: a monster. In 2007, Klammer is a 31-year-old psychiatric patient with a rare hormonal disorder called hypopituitarism that gives her the appearance of a 10-year-old child. After orchestrating an escape from the Saarne Instituute in which she manages to kill at least two people, Leena researches missing American girls and finds that she bears a resemblance to a girl named Esther Albright, and hatches a diabolic plan. However, it is not long before she realizes that in this seeming ordinary role that she has managed to slither into that she is not the only one with blood on her hands.
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“I realize that much of your extravagant behavior is done purely for effect. You’re an artist. The public expects you to be different. But you’re no longer an ascetic young poet just down from Oxford. You’re a highly successful playwright at the peak of your career. You dine with royalty. You mix in the highest social circles. You’re walking along a precipice. Just as long as you continue to play court jester, society will accept it. But tax their tolerance too far and they’ll send you crashing from the heights to the depths of obscurity. A halo doesn’t have to fall very far to become a noose.”

That’s the kind of advice we might expect to go out to some of our more, shall we say, eccentric celebrities of the day. In modern society we still revel in the odd choices and actions of our actors, musicians, and athletes. But sometimes they cross a line, and there’s a backlash. Just take a look at the careers of Ezra Miller or Armie Hammer. There are still sacred cows
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“We came up here to get lucky.”

What do you get when you combine Predator with The Twilight Zone and throw in an 80’s television star and do a movie of the week? You get High Desert Kill and a preview of the kind of thing that would start appearing on Sy-Fy in a few decades. Universal was actually the king of these kinds of films throughout the late 70’s and 80’s, and director Harry Falk was one of television’s steady directors of the time. There’s real experience here that allows this film to at times rise above its limited budget and offer a few compelling moments. There was actually a time the film was considered for theatrical release and did find a few box office dates in Europe. That was the dilemma in the 80’s. Made-for-television would eventually give way to direct-to-video, and today, of course, it is streaming that provides the same kind of outlet.
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So this is not a movie that I would say aged well with time. However, if you could put yourself in the mindset of the time period of its release (1987), I could see the appeal. Lori Singer of Footloose fame and Anthony Edwards of ER fame star as married couple Roxy and Aaron Walston, whose life and relationship becomes strained in rural North Carolina in the post-depression late 1930s, when a young drifter named Jack Ruffin (Bruce Abbott, Re-Animator) comes to their tobacco farm to be a farmhand. Roxy, a shelter girl who married young and had a child is unable to resist the temptation that is Jack Ruffin. As expected, things do not end well. Based on a 1984 novel, Here to Get My Baby Out of Jail, the film shows the tragic results of the affair, which in this modern setting may appear cliché, but during that time likely would be engaging.
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“I think this is just the beginning.”

Walker is out on DVD. No, this is not the next spin-off of the zombie Walking Dead franchise. There’s a new ranger in town, and his name is Cordell Walker. I know what you’re thinking: “Meet the new boss. Same as the old boss.” That’s where you’d be wrong. They might share the same name and job, but this Walker is nothing like the Chuck Norris version that lasted for over a decade when you include made-for-television movies. This Walker is much younger. He was a Marine who had joined after 9/11. He has a family. His wife was killed a year ago, and now he’s trying to raise his son and daughter with the help of his parents, who were no longer living in the Norris series.
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“If you’ve got the money you can do what you like. Buy another man’s life? Why not?”

There are few writers in the 20th century who have had the kind of career Graham Greene had. He was recruited by England’s secret service MI6 where his sister was also an agent and spent time around the world. These experiences likely helped him write the kinds of international thrillers that made him one o the most successful writers in the 20th century. His final novel went a little against the grain of his reputation. The Tenth Man doesn’t take us too far afield, and it’s far more of an intimate tale than he was known for. It would also be his final novel before his death in 1991. But he lived to see it filmed, albeit as a Hallmark Television made for TV film in 1988.
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“There is an old saying that blood is thicker than water.”

We’ve had Keeping Up With The Kardashians, Gene Simmons with his Family Jewels, and even Snoop Dog’s Father Hood. It’s become a bit of a trend to follow these celebrity families around and watch the drama of their privileged lives unfold on our television screens. You might think it’s a relatively recent phenomenon, but would you believe they were doing it back in the infant days of television when we followed around a musician named Ozzie and his wife way back in 1952? No, we’re not talking about Ozzie Osbourne and his family. I’m talking about Ozzie and Harriet Nelson. They were television’s darling family before we ever heard about Lucy and Desi.
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Not crazy about the title. Personally, I think that the title of the novel on which this film is based  would have been better suited given the film’s plot. Based on a 1989 Sara Bird novel by the name of The Boyfriend School, this 1990 comedy tells to story of Gus Kubicek, a depressed and overweight cartoonist who is in love with a woman that won’t seem to give him the time of day. I’ve heard some excuses for getting out of having to go out with someone, but lying and saying you have to have dental surgery; that’s pretty low. Despite seeing numerous movies that utilize the “judging a book by its cover” trope, I still was able to see the appeal of the film, as soon as I was able to put myself into the mindset of the film’s time period. By doing this, I was able to avoid perceptions of it being cliché. This was a necessary measure to take, especially if you would like to be able to enjoy the film in 2022. Even so, I’m still not a big fan of the title.
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“So much for easing back into things.”

This season sports a huge change as the fifth season of SEAL Team hits DVD from CBS Home Entertainment. For the first four seasons the show has enjoyed a pretty well-rated run on CBS’s prime time schedule. Season 5 starts out exactly the same way until after the first four episodes. The series was switched suddenly from the television network to the Paramount + streaming service, and with the switch there are several huge changes. The first is in the number of episodes shot for each season. On CBS most shows run from 20-24 episodes a season. This year because of it being a hybrid year, you get 14 episodes. Starting next season you will get only 10 going forward. Another change is that the production values are going up, with a wider span of locations for the team’s missions. Finally, you will notice they can now do and say things they could not on network television.
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Now here is a series that me and my wife just didn’t seen eye to eye on. For her, the series was a triumph and had great depth. For me, it made me wonder whether we were watching the same thing. Because outside the beautiful scenery, I did not discern any great depth to this anthology series, which appeared to feature unhappy people. The series featured a cast of recognizable faces, which included Alexandra Daddario, Connie Britton, Steve Zahn, Sydney Sweeney, and Jennifer Coolidge; however, their characters weren’t what I would call loveable. It was difficult to find anyone pure or worth cheering for. Granted, the characters had varying degrees of sins, and none of them were what I would call evil, but none of them were worth investing in. Of course that is merely this humble critics opinion, as it would appear that many people have found something to love, given the series recent award success, such as two Critic’s Choice Awards and five Primetime Emmy Awards, including for Outstanding Limited or Anthology Series, Outstanding Directing for a Limited or Anthology Series, and Outstanding Writing for a Limited or Anthology Series or Movie. I guess this explains the series being granted a Season 2, which is scheduled to premiere in October 2022.
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In 1978 when Good Guys Wear Black came out, Chuck Norris wasn’t the global superstar that he would later become, but this was one of the films that helped establish him as an actor and not just some martial arts guy on the big screen. This is definitely a movie that was a product of its time, and it can be argued how well it has actually aged over the years. Personally I have a hard time calling this an action film. When you compare it to most of the other films that Chuck Norris has in his filmography, this is very much one of the more tame ones and comes off more as a thriller, a fun little espionage film that actually leans heavier on Norris and his acting abilities than his ability to take down bad guys with spin-kicks, though the film does offer a few kicks to please the action-hungry audiences.
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“Gentleman, I’d like you to meet Matt Logan. He’s a karate man.”

I still can’t decide if that line of dialog is awful or genius. In 1979 martial arts movies were going strong in the states, but they were certainly lacking in quality as compared to what was coming out overseas. Chuck Norris was the “American” answer to make a successful martial arts film, but it wasn’t till A Force of One where I feel Chuck Norris finally arrived as not just a martial arts star but a bonafide guy who was worth watching on the big screen. The story may be a bit farfetched, but this is a film that is fun. It’s something I’d throw on when I’m wanting to have a late night movie marathon. It’s what “midnight movies” were made for.
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Revamping old shows and movies is the latest trend in television. CBS has made several attempts at this with varying success. Such was their attempt when they tried to convert Rush Hour into a TV series. It failed badly. But then there was Hawaii Five-O, which got 10 seasons and was pretty solid. The MacGyver reboot gaining a fourth season puts this attempt somewhere in the middle. The show has been on the bubble for the last two seasons and this year it was finally cancelled. But that wasn’t quite the end of the story. Part of the reason was an inability to renew the rights from Universal at the kind of money CBS thought the show was worth. Now NBC, which is owned by Universal, has given the show a second chance with a 2-year renewal. The cast and crew appear to be intact, but with some contract negotiations it’s possible that someone may drop out, leaving room for something new. So Magnum is back
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