Disc Type

"Who's ready for contact poker?"

The first season of Your Honor was very much a contact sport. The first 20 minutes was some of the most compelling television I've ever seen. Bryan Cranston started us off as the titular judge Michael Desiato. He's known as a tough but fair judge. He's got a pretty good life until his son makes a fatal mistake and sets the series on its course. Adam has an early morning accident where he runs down another teen and leaves him for dead. Michael's first reaction is of course for Adam to turn himself in to the police. But at the station he learns the victim was the son of the local mob boss, Jimmy Baxter, played ruthlessly by Michael Stuhlberg. Michael knows that if Jimmy finds out who killed his son, he'll kill Adam. So the first season covers his elaborate plan to cover up the crime. That meant asking his childhood friend, local politician Charlie Figaro, to help get rid of the car. Fortunately, Charlie is played by the great Isiah Whitlock, Jr. You know him as Councilman Clay Davis from The Wire and he was underused in the first season. Even more fortunate for us is that he has a much bigger role here in Season 2. That cover-up ended up unintentionally framing a young black kid. So it's the black kid's family that gets taken out in explosive force by the Baxter family. Jimmy finds out anyway and is forced to fix a trial for another Baxter child in order to save Adam's life. It ends up not working out, as Adam gets killed by the surviving teen of the Jones family, and a war between The Baxters and the drug family that calls itself Devine is the result. Michael ends up in prison, and now you're up to speed.

"Beware of false prophets, which come to you in sheep's clothing, but inwardly they are ravening wolves. Ye shall know them by their fruits." 

Charles  Laughton is known primarily as an actor. He starred in several classics such as Spartacus, Witness For The Prosecution, and the title role in I, Claudius. He was the titular character in a remake of Lon Chaney, Sr's The Hunchback Of Notre Dame. He was the cruel Captain Bligh in Mutiny On The Bounty and the evolutionary mad scientist in Island Of Lost Souls with Bela Lugosi which was based on the H.G. Wells novel The island Of Dr. Moreau and happens to be my favorite of his films. He married the Bride of Frankenstein herself, Elsa Lanchester, in one of those rare Hollywood pairings that lasted from 1929 until death did they part in 1962. They were a kind of royal couple for a while, giving some of the era's most iconic parties. He was quite an accomplished man when he died too soon at 63. The unfortunate story about his life has to be the fact that he directed only one film. It was a truly remarkable turn in the director's chair, but sadly in an industry that seeks instant gratification in terms of box office numbers, it was a commercial failure. But that film has stood the test of time, and is taught in film classes across the world, an appreciation that came far too late for any chance to see what else he could have done. But thanks to KL Classics, that film has been restored and delivered to our homes in glorious 4K via the UHD Blu-ray release of The Night Of The Hunter.

Not sure if this film will go down in history for any real significant impact. However, there is one important gem to take away from this film: this is the movie where the king of cool found his queen. That’s right, The Experts is the movie in which John Travolta met Kelly Preston, and the rest, I suppose, is history, as the two went on to have a nearly thirty-year marriage until her tragic death in 2020. In the film, it is quite fitting that the two served as each other’s love interests, despite some clear geopolitical differences. I’d say that is putting it mildly given that Preston is a Russian sleeper agent and Travolta is the unwitting American who is teaching her to pass for American. That is the premise of the film, as Travolta along with Arye Gross of House 2: The Second Story fame are couple of club-goers and aspiring club owners who unknowingly are recruited to teach modern ways to the outdated town of Russian sleeper agents under the auspices of opening a nightclub. The film gives Bill and Ted vibes, which is ironic given that the film predates Bill and Ted by at least two years. However, the film feels more silly than entertaining.

I’m sure it has to do with me living in a modern time, but I struggled at times to put myself in the time period that the film depicted. Such as the language and the hairdos were very hard to take seriously. That said, Travolta and the king of cool persona that he cultivated during this time period was something to admire. Even here, he has charm and charisma. I’m not sure he has enough to convince a Russian agent to renounce their allegiances, but I won’t put it out of the realm of possibly. Travolta, for me, was very much the focal point of the film. Yes, the film is depicted as a buddy movie, but Gross, while decent enough, wasn’t the one that your eyes went to when they were on screen.  This is clearly a Travolta movie, and he is without question and justifiably the draw for it.

I was expecting a stereotypical action movie chock full of cheesy one-liners. Not quite what I got. There were one or two cheesy one-liners, such as “cleanup on aisle 3.”  However, for the most part, I’d say Stone Cold holds its own in the entertainment category. Serving as the acting debut for former NFL linebacker Brian Bosworth, I’d say the film served as a solid opening to an on-and-off acting career. In this showing, Bosworth stars as a cop with a reputation for excessive force and maverick-like methods for getting the job done. After his latest stunt lands him a three-week suspension, he finds himself at the mercy of the FBI, who want to use him for a undercover operation, which many others would consider a suicide mission. Rounding out the cast are William Forsythe of Sam McMurray, Richard Gant, and Lance Henriksen serving as the film’s big bad. For a 30-year-old movie, I’d say that the film held up well in regards to action and dialog.

Bosworth is Joe Huff, an Alabama cop frustrated with the kid-glove approach taken with criminals, an approach that he is not known for implementing himself, hence his most recent incident involving a group of robbers and his hands-on approach to detaining that his superiors deem excessive force. To my mind, this did not meet the criteria of excessive force; the men were armed and threatening patrons. Huff didn’t shoot anyone, and to my viewing, everyone he dispatched survived, albeit likely with serious injuries. Either way, Huff is placed on suspension and almost immediately summoned by the FBI, who threaten to turn his three-week suspension into a six-month one without pay unless he undertakes a task for them. Nothing like good old-fashioned legal blackmail.

For me it’s crazy to see that The Truman Show is turning 25 years old. I was graduating high school when this had come out, and television was just an entirely different landscape back then. In 1998 when this film came out, the only reality shows were pretty much COPS and then The Real World on MTV, I really don’t believe anyone could have expected just how big reality TV would become. The same year in competition for box office dollars was Ed TV. Oddly enough, Ed TV would be a little closer to the mark on what the reality TV landscape would look like, taking a regular guy and making him a star overnight because he was on TV.  The Truman Show I always felt was the superior film in just about every aspect. In many ways it is what I had hoped reality TV could be, but unfortunately it seems what viewers wanted in their reality programming was something more scandalous and absurd, more akin to a Jerry Springer episode than someone living in an idyllic world that was out of an episode of Ozzie and Harriet or Leave It To Beaver.

Jim Carrey stars as Truman Burbank, an insurance salesman who lives in an idyllic white-picket-fence town and is just living his life. The only the problem is, the world he lives in is not real; it’s all manufactured, and he’s really living in the world’s largest television studio, and everyone around him is acting, all because the reality is Truman is unknowingly the star of the world’s biggest reality show. This was such a departure for Jim Carrey. At the time he was the biggest comedy star on the screen and was known for being over the top and playing larger-than-life characters, but the role of Truman required him to be toned and down and seem even boring. The result is perhaps his most enduring performance to date (or at least tied with his massively underappreciated film, The Majestic).

“Down goes Frazier! Down goes Frazier!”

That is all that was heard when George Foreman won his first heavyweight championship. He entered that match an underdog despite his superior size and reach, and he shocked the world when he knocked the then-undefeated Frazier down six times on his way to TKO victory. However, that is just where he journey begins. Thanks to Big George Foreman, we get to see his journey in its entirety, in one of the most accurate and faithful biographical adaptations that I’ve ever seen. Key thing to know about me: I am a big boxing fan, so any opportunity I have to enjoy a movie about a boxing legend is a good day. This is no exception, as my knowledge about this hall-of-famer, such as his hard upbringing and the fact that he gave all his sons the same name, was limited; Big George Foreman, at least for me, shone a light on a boxing figure who probably doesn’t get the recognition he deserves. Particularly because not only is he a former world heavyweight champion who fought the likes of Muhammed Ali, Joe Frazier, and Evander Holyfield, but at 46 years, 5 months, 18 days, he is the oldest world heavyweight champion in history. Khris Davis has the honor of embodying this living legend and gives a wholesome, albeit at times corny, interpretation.

In 1986, long before Luc Besson gave us such classics as Taken, The Fifth Element, or Leon: The Professional, he helped co-write and produce the wacky sci-fi/thriller Kamikaze.  I’m a fan of Besson, and not only had I never seen this film, I had never heard of it, so I was more than happy to check it out. In my opinion Luc Besson is one of the best action filmmakers out there. Whether he is writing, directing, or producing, he manages to put out an enjoyable product on a more consistent basis than many others.  If you are unfamiliar with the guy’s work, go ahead and take a moment to check him out on IMDB, and I’m pretty sure you’ll find a few titles on his resume that you’ve enjoyed.  Now in the 80’s you can say he was still cutting his teeth and trying to make a name for himself and had some moderate success. Subway (1985) is a fun little standout, and in 1988 he had The Big Blue.  In that time he handed off the script for Kamikaze to Didier Grousset, his Assistant Director from Subway, to direct the film, and as they say, the rest is history.

The film opens up with Albert (Michel Galabru) being fired after working with the company for 30 years.  He’s a brilliant scientist and inventor, but he’s also a bit lonely and a bit nutty.  He’s bitter about how he’s been treated and decides that he’s on a permanent “vacation”.  Albert ends up staying awake and watching television virtually non-stop and develops an obsession/hatred for the reporters during the news broadcast, and this inspires him to create a unique little gizmo. This device he creates allows him to shoot at his television, and it will blast the announcer he was aiming at, causing their guts to explode.  It’s silly, it’s absurd, but it sure does make this movie a lot of fun.  Don’t think about the logic of how this is possible, because you simply can’t.

Back in 2013 the remake for Evil Dead came out. I enjoyed the film, but it just didn’t feel right not having Bruce Campbell on the screen fighting off the deadites in that crazy cabin in the middle of the woods. But I could still appreciate the gore, and I felt the filmmakers did a decent job at capturing the tone of the franchise.  The film has kind of grown on me over the years. Then fans got hit with the Ash Vs. The Evil Dead series, which was three seasons of bliss that really did a fantastic job honoring the trilogy that Sam Raimi had created. Now in 2023 we have a new film, Evil Dead Rise, a film that ignores pretty much everything fans of the franchise have known and loved for 40 years.  It did great at the box office, but where does the film stand on its own and in relation to the legacy before it?

The film shifts its location from the middle of the woods to an apartment in the city. This was a nice, refreshing change in my opinion, kind of like how Scream decided to leave the small town of Woodsboro this year and move things to the Big Apple. The location shift simply opens up so many new possibilities, and when you consider the havoc that some deadites can bring to this new setting, it is something worth getting excited about. Instead of a group of friends, this time the film is centered on a family.  There’s the newly single mom of three, Ellie (Alyssa Sutherland), her youngest daughter, Kassie (Nell Fisher), and then the other two siblings, Bridget (Gabrielle Echols) and Danny (Morgan Davies). As an unexpected surprise to the family, they get a visit from Ellie’s sister, Beth (Lily Sullivan), who has to stepped away from her rock-star life after discovering that she is pregnant. There are other people who share the same floor as Ellie, but the film’s focus is on this family, and for the most part just this floor, which is one of my problems with the film. It offers so much potential with a bigger location, but chooses to isolate itself, which defeats the whole purpose of leaving the cabin.

"All right, men, now here's the play we're gonna use. I don't think the guards know this formation. It's called 'incidental punishment after the ball is blown dead.' Remember, any man you tackle gets an elbow, knee, or kick in the mouth." 

In 1972 Albert S. Ruddy made motion picture history. He went from the writer of a television sit-com to landing a producer job at Paramount with almost no credentials but his nerve. Once there, this inexperienced producer delivered one of the most iconic films in history. That film was The Godfather, and it would shatter records at the Oscars and is considered one of the best films ever made. In my opinion it is the best film ever made. When the film was finished, it was a no-brainer that there would be a sequel. Sequels weren't quite so common then, but there was a lot of material in the best-selling novel to continue the story. Ruddy was offered the job of producer once again. He turned it down. He had another movie, one in which he wrote the story, that he wanted to do instead. Paramount gave him the nod, and The Godfather Part II. without Ruddy or Marlon Brando would go on to shatter records for sequels at all of the awards shows. But what happened to that passion project that Ruddy decided to do instead? That film never came close to hauling in the awards and cash that The Godfather Part II would rake in, but we do still remember that film today. You recall it, don't you? Well, in case it slipped your mind, it was a little football/prison hybrid called The Longest Yard, and while it can't compare to The Godfather in all of those mentioned metrics, it did accomplish something The Godfather never did, and never should do. It was remade twice since then. More on that later, and Kino Lorber has released it on UHD Blu-ray in 4K just in case you need a little help in remembering.

"The year: 1187 A.D. The Saracens of Asia swept over Jerusalem and the Holy Land, crushing the Christians to death or slavery."

The Crusades is the name of a 2023 comedy that was recently released, and it's a comedy in the Animal House tradition, and it's what you'll get if you try to do any quick title searches on that name. But buried beneath all of that beer and vomit, you might discover a more obscure (today) film from 1935 directed by the mythic Cecil B. DeMille. And you won't find any frat parties or beer kegs anywhere in this historical epic. The time and place are the Christian Crusades to liberate Jerusalem from the Muslim tyrant Saladin, the onetime Sultan of Islam. While this is far from DeMille's most enduring work, the fact that we're still talking about it nearly a century later says something for its lasting impression. I'm not sure the latest raunchy comedy will be remembered 100 weeks from now, let alone years. It's another in Kino Lorber's efforts to resurrect the classics and not-so-classics from a bygone era. It's the kind of cinematic history that many of us just can't get enough of. So pop the film into your modern player and find yourself transported to some other place ... and time.