Disc Type

"Do you want me to give it to you straight?"

When last we left our main characters from the first two Madagascar films they were stranded in Africa after being shipped from their home in the New York Zoo. We knew the sequel was coming. They couldn't have left it any more wide open than they did. Of course, the reasonable questions were already being asked by the time the second film began. Do we really need another Madagascar film? Is there any new territory to explore?

When I first learned that Adam Green (director of Hatchet and Frozen) would be creating a show to air on Fear Net, this seemed like a slice of heaven to me.  I love horror, and with the exception of The Walking Dead and American Horror Story there just hasn’t been much to watch from the genre.  So when I discovered that Green was going to be actually developing a sit-com instead, it would be fair to say I was more than a little disappointed by this news.  But then I was given a glimmer of hope when I heard it would be about a pair of struggling horror filmmakers. As a film graduate and a lover of horror, this instantly became something relatable to me.

This is a film that’s been floating around for some time but under the title The Forgotten Ones.  A simple title change isn’t going to help this film.  The worst part of this train wreck is that it had every chance to be a really good film.  I wish the blame could only go to one person, but there are issues with the illogical script, the direction, the camera work, the editing, and even the sound.  The only things that helped make this film even bearable to watch was the cast (who didn’t have much to work with) and the makeup effects for the creatures was impressive (considering the budget).

“Greed is Good.”

No other cinematic phrase described the 1980’s better. And no other movie captures the financial corruption of the 80’s better than Oliver Stone’s Wall Street. Bud Fox (Charlie Sheen) is a small-time stockbroker, making cold calls to businessmen who won’t give him the time of day.

Started off rocky but pulled it together in the end. That’s my assessment of Suddenly Single, the latest play from established playwright David E. Talbert. Plays are a difficult field to be successful in, as an actor as well as a director; much more challenging than making a film. With a film, thousands if not millions of dollars are spent creating several different detailed environments to better illustrated the fictional world in which the characters live. With a play however, you get one set, and you have to tell an entire story within the confines of that one set.

“This movie will be a cult classic.” –Kevin Hart

That’s the quote on the front of the Budz House DVD cover. Well, I never thought I’d see the day that I’d be willing to disagree with Kevin Hart, but here it is. I was hoping that my first official review for this site would be a positive one, but sadly that is not the case. I try to go into every movie without expectations; however, when I picked up Budz House I couldn’t stop myself. I’ve seen Wesley Jonathan in other projects, most notably the basketball drama, Crossover, where he gave a rock-solid performance.

There have been numerous DVD releases of Spongebob episodes that are linked together by a theme. Holidays are obvious choices and Halloween is an inevitable choice for any series that has multiple seasons under their belt. As expected as it may be, that does not dampen the loony fun that comes along with Sponebob.

Ever wonder what a martial arts epic directed by Baz “Moulin Rouge” Luhrmann would look like? Me neither. But that’s pretty much what we get with Legendary Amazons, (loosely) based on the exploits of the Yang family during the Song Dynasty. The story has an intriguing hook — the men of the Yang clan are massacred in battle, leaving their women to throw on armor and take to the battlefield — but is ultimately bogged down by its cartoonish tone and embarrassingly bad production values.

“I thought this was a family show.”

“Well, it depends on your family.”

Quick, who is the highest-grossing stand-up comic in America? Well, if you follow the live comedy scene — or you can’t help but notice you’re reading a review for one of his shows — you probably know the answer is Jeff Dunham. The man has single-handedly made ventriloquism cool again. (Pause.) Well he’s made it astoundingly lucrative, anyway.

"Every ambition has a dark side."

And that includes the world of the cable television series. The world of cable series has brought us some of the most ambitious and compelling television shows we've ever seen. There's no censor board to answer to, so that means the shows have the freedom to expand into visual areas that have long been taboo on network shows. Nudity, sexuality, language, and even violence are often huge parts of these kinds of shows. Because there isn't really a ratings pressure, the shows can also cater to more specialized audiences.