Posted in: Disc Reviews by Gino Sassani on October 1st, 2007
There are two very distinctive schools of thought about Walt Disney’s The Jungle Book. There are the Kipling fanatics who have never forgiven Disney for taking a story considered sacred in literary circles and creating something that honestly bears (pardon the pun) little resemblance to the original work. These folks rightfully point out that the story contains almost nothing recognizable about the story and characters from Kipling’s beloved classic. I have often condemned projects that take names like The Night Stalker and Battlestar Galactica and create a vision incompatible with the traditions I associate with them. Therefore this review might seem a bit hypocritical when I tell you I side with the other camp that considers this film to be a milestone, not only in Disney animation, but in animation history itself. The characters might be distantly removed remote ancestors to Kipling’s creatures, but they are truly classic creations in their own right. What better definition of a classic can there be than the influence that Jungle Book still has 40 years later, not only on our pop culture but on the careers and lives of today’s artists. I venture to say that more people are familiar with Disney’s renderings of these characters than Kipling’s I agree the caparison isn’t exactly fair, but it is accurate.
Posted in: Disc Reviews by Michael Durr on October 1st, 2007
The death of Superman was a tremendous event for comic fans and media circuits around the world. Sure, it had been teased a hundred times in the past but if they did it legitimately and made people believe that he was really gone; they would create a landmark achievement and bring comics back to a worldwide stage. With the release of Superman #75, they did just that. Newspapers, television shows; circuits that never showed a comic book in their life were showing the black bag and the tattered image on the front cover. Superman had died and the world mourned. In the months that followed, the story went in four different directions and eventually he was brought back.
Years pass and somebody at DC & Warner Bros thought this would make a great dvd feature movie. Following in the tradition of Batman Beyond: Return of the Joker Uncut; they also decided to make it racier by giving it a PG-13 rating. Then they found some good voice actors (Adam Baldwin & Anne Heche) and have it produced by one of the greats in Bruce Timm . They would have to change up the story a little bit too. Superman would still die while fighting Doomsday and he would still be brought back. However, certain elements would have to be dropped (e.g. the idea of four supermen) and other elements would have to be added (e.g. Lex Luthor being more of a central point to the plot of the story).
Posted in: Disc Reviews by Archive Authors on September 16th, 2007
Every time I long for the free and easy days of my youth, something like Disney Princess Enchanted Tales comes along to remind me why it's good to be done with childhood. If I was a kid, I'd be entertained by this stuff. Since I can no longer appreciate kid-friendly, sitcom-like productions, I will imagine I'm a seven-year-old girl for the remainder of this review. In order to keep things nice and coherent, though, I'll write like I'm not.
All you need to know about this original release from Disney is that it's Disney-lite, with lower production values and more heavy-handed stories. However, I'm sure it will please children, especially those who love all things princess.
Posted in: Disc Reviews by Archive Authors on August 24th, 2007
Written by Evan Braun
Most cartoons of the Saturday morning variety are written for kids and little else in mind, but every once in a while a show offers a little something extra. Pinky and the Brain is one such anomaly, providing plenty of great antics for kids, but even more for the grown-ups among us. It's full of parodies and Hollywood in-jokes that a 10-year-old could simply never appreciate. Strangely, as a 24-year-old, I felt very much within the target audience.
Posted in: Disc Reviews by Archive Authors on August 16th, 2007
Written by Evan Braun
I guess you could call this the epitome of good, clean, wholesome children's entertainment. It's hard for me to accurately say just how it rates compared to other similar programs, since I haven't seen anything like it for 15-20 years.
Posted in: Disc Reviews by Archive Authors on August 15th, 2007
The heroes in a half shell are back, and looking better than ever. TMNT doesn't represent a revolutionary rebirth of the franchise, but it does breathe new life into once-loved characters who've been fading in our memory. Whatever your take on this film, kids, one thing's for certain: these ain't your daddy's turtles.
It has been more than 10 years since the Teenage Mutant Ninja Turtles stunk up the big screen in their third film, which had them time-traveling back to ancient Japan for some schlocky, death-of-a-franchise action. With that disaster in mind, I say thank goodness for TMNT coming along to obliviate their ancient Japan adventure from our memory.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2007
Superheroes are huge these days, at least most of them are. Some are a little under 3 feet. In the Disney afternoon universe of Ducktales comes Darkwing Duck, or DW as his friends and arch enemies refer to him. Darkwing appropriately enough inhabits a more sinister side of the Ducktales world where he is ever vigilante for the exotic criminals that threaten St. Canard. If you still don’t get the idea, think of Adam West’s Batman as a Disney duck. DW comes complete with the prerequisite Duckmobile and steady supply of crime fighting gadgets and gizmos. His faithful, if not overly intelligent, sidekick is Ducktales holdover Launchpad McQuack. When not fighting crime, DW has the expected secret identity of Drake Mallard. Just to finish the Batman comparisons, Drake has a ward, of sorts, Gosalyn, his adopted daughter. Like Robin, Gosalyn is ever helpful in DW’s capers. Once in a while DW is challenged by a secret villainous society, The Fiendish Organization of World Larceny, or F.O.W.L. for short. There are some 60’s secret agent themes to be found here, but they are far more Maxwell Smart than James Bond.
Darkwing Duck appears to be aiming at some of the adults in the audience. It appears to me that a lot of the cultural references and even plot points might be over the head of the typical afternoon cartoon crowd. Disney, cleverly, integrates enough of the 1960’s comic nostalgia to sucker in the parents as well. Lately I’ve been in my own trip down memory lane thanks to the release of many of my Marvel Comics favorites on DVD-ROM. I’ve been able to reacquaint myself with the likes of Spider-Man and The Fantastic Four beyond the modern films, recreated from the pages of their original exploits. Perhaps that makes me more alert for the obvious references. All of the villains could easily have come from these very color-splattered pages of adolescent excitement. This means that all you parents out there might end up joining your kids in watching these DVD’s.
Posted in: Disc Reviews by Michael Durr on July 28th, 2007
I still remember the first time I watched a Spawn animated episode. I was with my parents in my younger years on what I believe was the last vacation we ever took together. It was a hotel we were staying at which had HBO (I never had that channel growing up). I had read Spawn but didn't even know of the animated series. The fact it was late at night and on a premium movie channel meant it had to be good. I was simply blown away and remember telling my parents that we had to be back at the hotel to watch it again the next night. I remember that later I would procure used copies of the series. All beat up, in snapper cases, it didn't matter. I soon dumped those copies in a couple of years and hoped that it would get reissued in a nice box set. That time has come, Spawn has come home.
Spawn is Todd McFarlane's baby; his issue of defiance when he and a group of artists started Image Comics. Great art, compelling stories and no boundaries. Spawn was the story of Al Simmons who sold his soul to the demon Malebolgia so that he come back to avenge his death and be with his wife Wanda one more time. Problem was once that occurred he was to become an undead "hellspawn". So he fights that control constantly along with enemies from that conflict and those enemies in the human world that would bring him harm. He is not a superhero so much but the boogieman, a character that lives in the shadows and comes out at night to take care of business and then return to those same shadows by morning.
Posted in: Disc Reviews by Archive Authors on July 26th, 2007
Written by Evan Braun
Space Ghost & Dino Boy is the kind of show that seems as though it would carry with it a great deal of nostalgia. Its characters are memorable and its animation is characteristic of an era of cartooning long since gone. Unfortunately, since I missed the show’s heyday by a good 20 years, it’s impossible for me to join in on these fond memories.
Posted in: Disc Reviews by Archive Authors on July 26th, 2007
Written by Evan Braun
Space Ghost & Dino Boy is the kind of show that seems as though it would carry with it a great deal of nostalgia. Its characters are memorable and its animation is characteristic of an era of cartooning long since gone. Unfortunately, since I missed the show’s heyday by a good 20 years, it’s impossible for me to join in on these fond memories.
