Posted in: Disc Reviews by M. W. Phillips on September 25th, 2011
“...and now the killer video that kills you seven days after you watched it, we're the only station that has it and we are showing it all night.”
Gone are the Wayan Brothers and in their place, David Zucker (Airplane, Naked Gun), one of the pioneers of the spoof movie, takes the helm. In some ways this is an improvement, in some it loses some of the naughty punch the Wayans brought to their films Scary Movie and Scary Movie 2. Gone are Shorty and Ray (and most of the sex and drug jokes with them) and in their place we have a not-yet-insane Charlie Sheen, the great Leslie Nielsen and a very funny Simon Rex. The spoofs are not quite as wide ranging, focusing primarily on The Ring and Signs, but they still manage to slam 8 Mile (not funny) The Others (still not funny) and The Matrix Reloaded (should have been funnier). The wisest thing Zucker did was center the movie around the star really carrying this franchise, Anna Faris.
Posted in: Disc Reviews by M. W. Phillips on September 24th, 2011
“Cindy, this is a skeleton, this is bones! Would you run from Calista Flockhart?
The quote above is from one of my favorite scenes in Scary Movie 2. A reanimated skeleton stalks Cindy (Anna Faris) through the halls. She runs into Brenda (Regina Hall) and begs her to help. Brenda looks down the hall and sees it is just a skeleton. She kicks its ass and rearranges the bones to humiliate it. The problem is the Calista Flockhart reference. She might have been a cultural icon in the late 90s, but she’s been off the map for over a decade. The shelf life of pop culture parodies like Scary Movie 2 is very short.
Posted in: Disc Reviews by Michael Durr on September 21st, 2011
If left to my own devices, I would probably have dismissed Jeff Dunham as nothing more than a novelty act. He’s a ventriloquist and most of their profession relies on the fact that they can throw their voice and perform various parlor tricks with their dummies. However, my wife and others have turned me on to the fact that Jeff is more than a novelty act. He’s a comedian and a darn good one at that. He just happens to employ characters (certainly not dummies) to help him.
Jeff Dunham was born in Dallas, Texas in the early 60’s. Early on, actually as early as eight years old he was already looking into ventriloquism. Influences included legendary performer, Edgar Bergen. At a young age, he was already attending conventions and competitions. He did so well that eventually organizers of the Vent Haven ConVENTion actually declared him a retired champion since other performers were afraid to compete against him.
Posted in: Disc Reviews by M. W. Phillips on September 20th, 2011
“You're like the maid of dishonor.”
Bridesmaids, from director Paul Feig, producer Judd Apatow and based on a script by Kristen Wiig and Annie Mumolo, became the highest grossing R-rated female comedy of all time, edging out Sex and the City. Although coined by many as the female version of The Hangover, and there are certainly similarities, this does the movie a certain injustice. Where The Hangover is funny in a mean-spirited, rude-boy way, Bridesmaids taps into Apatow’s gift for producing comedies with human characters we care about and balancing the comedy with a touch of pathos without crossing into dramedy territory. Both movies are structured around an upcoming wedding and deal with sex and body functions in a frank and explicit way, but that’s where the similarities end.
Posted in: No Huddle Reviews by Archive Authors on September 20th, 2011
Before I review the DVD copy of The Last Godfather, I should mention that the previews that preceded it had me scratching my head. They played Bad Santa and Scary Movie, and I’m going, “What the heck?” Then they played Everything Must Go and I say, “Oh, Okay.” It was just disconcerting to see films from such divergent time periods slapped together like that.
The film stars Harvey Keitel, Michael Rispoli and Jon Polito, who are respectable actors we would expect to see in a Mafia movie. It also stars Jason (Jay and Silent Bob Strike Back) Mewes, John (You go NOW! )Pinettte, and our writer/director/star Hyung Rae Shim. Here it is again, divergent disparities.
So you come into this film knowing it is a goof just by seeing the cast list. The question then becomes, “Is it a good goof or a bad goof?” It’s not important that we know that Hyung Rae Shim is a big fat Korean superstar (he does like to show off his belly) because since this is an English language film set in New York City it is meant to broaden whatever international appeal he may have. They are probably hoping for the next Jackie Chan.
I’ll tell you up front that Hyung is a comedian, but the kind of comedian that would probably make Jerry Lewis blush with embarrassment. I’m not necessarily saying this is a bad thing, but I’m just saying that he would make Ace Ventura Pet Detective look like The Merchant of Venice. This is a Mafia story, and they are relatively faithful to the tradition but in a broad comedic fashion.
Still, I’d hate to see what would happen if the heads of the families saw this.
Posted in: Disc Reviews by M. W. Phillips on September 13th, 2011
“One – you can't do it. You just can't. This isn't a personal attack towards you, I'm just saying that no man can do it, it goes against nature. The male was biologically designed to spread his seed. You're gonna piss off the seeds, Matt! It goes against science! You wanna be the guy who goes against science?”
In 1988, director Michael Lehman brought us Heathers, one of the great, all time classic black comedies so ballsy it could never get made our current post 9/11 and Columbine culture. Then something happened to him and began to spit out tepid, careful comedies like Hudson Hawk and The Truth about Cats and Dogs. 40 Days and 40 Nights taps into the abstaining-from-sex-and-keeping-the-reason-from-one's-potential- mate premise Judd Apatow mastered with the far superior 40 Year Old Virgin.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2011
In many ways Cougar Town appears to be Friends 20 or more years later. It's not just the fact that the former Friends star Courtney Cox heads the call sheet on the new situation comedy. There are a ton of other elements that appear to tie the shows together. Like the old NBC show, the core of this show is a tight group of friends. They have a lot of the same kinds of adventures and conversations as the old gang used to have. The big difference here is that the adventures and the talk come from an older, if not more mature, perspective. They still talk a little too much about sex, except now the characters are in their 40's, so the tone of that conversation has changed up a bit. Call it a 40's version of Friends meets Sex And The City.
I actually hadn't been familiar with the term Cougar until recently. I listen to Minnesota sports radio so that I can keep up with the Vikings even here in Tampa. One of the hosts a year or so ago got in trouble at a club event when he referred to the ladies in the audience as Cougars. He later did a show segment where he was trying to find out from listeners if the term was an insult or not. The audience was divided, so I still don't know if most women in this position consider the term derogatory or not. It basically refers to a woman at least in her 40's who dates men younger than herself. But there does appear to be some controversy over the show's title. Apparently there was a rumor that the series was going to change its name for season 2. I'm not sure if the show's runners had seriously considered the move, but that doesn't stop them from having a blast with the idea. Each episode features a comic remark above the title. The remarks include: "It's okay to watch a show called..." or "Titles are hard".
Posted in: Disc Reviews by M. W. Phillips on August 21st, 2011
“The Hamptons are like a zombie movie directed by Ralph Lauren.”
Although I prefer genre films, chick flicks can prove a guilty pleasure. I can get in touch enough with my feminine side to shed a tear at a powerful love story, laugh at romantic misadventures, and embrace the belief in soul mates. So I slipped on my pink silk pajamas, grabbed a box of tissues, curled up on my chaise lounge and approached Something Borrowed with an open mind. OK, I might not have pink pajamas or a chaise lounge, but, in all fairness, this romantic comedy, based on the bestselling novel by Emily Griffin, doesn’t have anything particularly romantic or very funny in it. What it does have are vapid, banal, selfish caricatures trapped in a forced premise which could be resolved in minutes if anyone acted in a remotely adult manner; as well as something borrowed from just about every bad rom-com movie that came before it.
Posted in: Disc Reviews by Michael Durr on August 15th, 2011
Animation is traditionally geared towards kids. From Bugs Bunny to Monsters, Inc, cartoons have been a staple of kid’s viewing experience for decades. However, as time wore on, more and more adults have craved for animated experiences that not only are kid friendly but have adult nods so that the older audience can enjoy it. Shrek is probably the most famous of these types of pictures. Perhaps the sequel to Hoodwinked! can provide an equal passion to please both audiences.
Boingo the Bunny is locked up in the pen and the Happily Forever After agency is up and ready for business. The team is comprised of Red Riding Hood (or “Red” for short), Granny (Red’s grandma), Wolf W. Wolf, and Twitchy the Squirrel. They are overseen by Nicky Flippers, a very tall frog. At the time of the opening scene, Red is busy training with the Sisters of the Hood, a clan of Kung Fu Bakers. But the other three members of the group are more than ready to take on the evils of this fairy kingdom.
Posted in: Disc Reviews by Michael Durr on August 11th, 2011
Get Shorty was one of the best films of the mid 90’s. I have seen it about five or six times and it is one of those rare movies that you see something new every time you watch it. It had amazing dialog, good action and this style to the whole movie was just uncanny. The movie was a film where one had to think but at the same time could enjoy themselves. So, when the sequel Be Cool dropped on blu-ray, would I be able to enjoy it as much as the original?
Chili Palmer (played by John Travolta) and Tommy Athens (played by James Woods) are riding along in the car talking about the movie business. Chili has been a producer for a few years now and is starting to think that he needs out. Tommy is half owner of NTL Records and pitches an idea about a movie involving his story as a music producer. They pass by a Get Lost movie poster with Martin Weir (played by Danny DeVito).
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