Posted in: Disc Reviews by William O'Donnell on April 29th, 2011
Craig, played by Keor Gilchrist, is facing a lot of stress in his sixteenth year on this planet and he becomes convinced that he wants to kill himself and checks himself into a psych ward. During his mandatory 5 day trial stay he undergoes a less-than common journey of self-discovery with the aid of his fellow patients.
What could have easily been a very contrived teen comedy turns out to be a refreshing coming-of-age tale that does not need to pander to the audience with an over-abundance of lowbrow humour and/or romance drama. Mind you, it is not that this film is lacking in either of those departments completely as we do get a couple naughty jokes snuck in, and our protagonist does find himself in a “girl trouble” dilemma that motivated his self-institutionalizing. Thankfully the focus continuously draws back to Craig and his attempts to heal, making him the ever present nucleus of the film for interesting character subplots to float around him.
Posted in: Disc Reviews by Bob Ross on April 14th, 2011
Urine jokes. Fart jokes. Breast and penis jokes. What could be more tasteless? How about telling them all in a place where people are trying to eat? That’s the unappetizing summary of Still Waiting …, one of those unnecessary, straight-to-video sequels designed to make a quick payoff before the first film’s fans catch on.
The 2005 original Waiting . . . was, well, fairly original. Writer-director Rob McKittrick based it very loosely on his own experiences working in typical franchise restaurants – think Bennigan’s, Chili’s or TGIFridays. That ensemble comedy, set in a place named Shenaniganz, starred Ryan Reynolds and Anna Faris, who wisely avoided this tacky follow-up. Returning cast members include Rob Benedict as a horny manager and Alana Ubach as an exceptionally testy hostess. Others, including Justin Long, Chi McBride and Luis Guzman, show up in extended cameos, as do Max Kasch and Andy Milonakis as the white boys who pose as gangsta rappers.
Posted in: Disc Reviews by David Annandale on April 13th, 2011
A Spring Break whale-watching cruise goes off-course and then blows up, thanks to the stupidity of the popular kids, and two groups of high schoolers find themselves washed up on a deserted island. The aforementioned populars, led by the egomaniacle The Rog (Robert Adamson) immediately establish their dominance, squandering supplies and tormenting the unpopulars. These unfortunates turn to reluctant leader Flynn (Gary Entin), who begins planning a revolution. Pulled between the two groups is Peggy (Lindsey Shaw), cheerleader and girlfriend to Rog who nonetheless has too much intelligence and self-respect to remain satisfied with either role.
The feature-length directorial debut of Severin's own John Cregan sheds new light on that company's interest in 80s teen comedies. But Cregan's touchstones go deeper than that. Obviously, the proceedings are very Lord of the Flies, but there is also a hint of Massacre at Central High (1976) with the idea that deposing one tyrant might simply lead to the rise of another. Devolved doesn't go all the way in plumbing those depths of darkness, though. It is, first and foremost, a comedic satire, and its touch is quite assured. The writing is sharp, and the action is frequently interrupted by a reality-TV-style narrator who portentously comments on the events, occasionally providing helpful animated diagrams.
Posted in: Disc Reviews by William O'Donnell on April 12th, 2011
Dennis Mitchell always means well when he wants to help out his parents, or good ol' Mr. Wilson, but he also just wants to have a good time. ¼ helpful young lad but ¾ mischief, Dennis made the leap from the beloved comic strip by Hank Ketchum to the small screen for four seasons.
Compensating for when ABC took over Leave it to Beaver from CBS, Dennis the Menace was the attempt to grab some audience back for CBS. Jay North is the titular Dennis, and does well to carry the spark of this character's “menacing” namesake. Each episode sees Dennis with the best of intentions, but always managing to create more damage than his help is worth. Along for the ride are his best friends Tommy and Joey (the latter seeming to be a strange mute boy), his rival Margaret, his parents played by Herbert Anderson and Gloria (who could not look closer to the original characters) and Joseph Kearns as the ever-frustrated Mr. Wilson.
Posted in: Disc Reviews by William O'Donnell on April 8th, 2011
Saying there is an “elephant in the room” often means someone is ignoring some enormously obvious truth. To say that Patrice O'Neal can be ignored is foolish...and to say that he speaks the truth...well, you'd have to be pretty jaded to take this man seriously when he flips one PC view of the relationships between men and women on their heads.
The less enlightened viewers might write off O'Neal as misogynist as he explains “mooshing” and his advocacy for a “Harassment Day” (where office workers can make sexual passes at their female coworkers without fear of reprimand) but that would be like dismissing Lenny Bruce as racist for telling jokes about races. Of course, O'Neal is no Lenny Bruce, but the point stands that everything he says is done so with tongue firmly placed in his cheek, or purely as satire.
Posted in: Disc Reviews by David Annandale on March 23rd, 2011
The more famous a star, the more curious their early, pre-icon efforts become. Thus, we watch agog as Humphrey Bogart plays a murderous, blood-thirsty zombie in The Return of Doctor X (1939). And here, a 16-year-old Nicole Kidman makes her debut as a BMX-obsessed teen who runs afoul of a group of not-very-competent gangsters. Once again, one watches agog.
Kidman, Angelo D'Angelo and James Lugton are the trio of teens who need to raise funds to buy new bikes. They happen across a cache of walkie-talkies that are supposed to allow a gang of bank robbers to hear the police while being unheard themselves (though, as matters develop, the opposite is true), and sell them. Understandably irked, the thieves pursue our heroes, and all sorts of car vs BMX chase scenes ensue.
Posted in: Disc Reviews by Michael Durr on March 22nd, 2011
I have a penchant lately for reviewing stand up comedians. This is mostly a good thing. After all, stand up specials aren't usually that long, have few extras and will hopefully provoke a laugh from yours truly. But lately, it seems that the comedians I get to review aren't really that funny. Hopefully that trend changes with Daniel Tosh, star of the tv show Tosh.O. Heck, I wasn't even aware he did stand-up. Well, here goes nothing.
We open to stand up comedian Daniel Tosh who receives a smattering of applause. His line to open the show is “Thank you for clapping what my parents are ashamed of”. Indeed. We can’t exactly boo what we haven’t even heard yet. Such actions are reserved for prop comics and mimes. As many comics do, he admits he sucks live which shows some social anxiety on his part.
Posted in: Disc Reviews by Michael Durr on March 19th, 2011
Most people know me to be a little bit quirky. *laughter comes from the back of the room*. Okay, very quirky. As to be expected, there are a lot of quirky movies out there for me to watch. But more often than not, most of those movies go way beyond anything I've ever thought was entertaining. Now here I am on the cusp of another review and I get a quirky romantic comedy called Spooner. I just hope that the movie I'm about to watch doesn't involve cutlery and other assorted kitchen gadgets.
Herman Spooner (played by Matthew Lilliard) is a salesman at Manfretti Auto. He's unfortunately not very good at what he does. Dennis & Alice, his father & mother(played by Christopher McDonald and Kate Burton)love him but want him out of the house by the time he turns 30 (which is just a few days away).
Posted in: Disc Reviews by Bob Ross on March 10th, 2011
If you don’t already know and love the format, you will be inclined – and well advised – to stay far away from Jackass 3. For some oversensitive souls, the sight of adult males getting smacked, slugged, stomped, shocked, slimed, kicked, catapulted and covered with excrement is simply unappealing. I know, sissies, right? But if you relish the notion of seeing men take abuse that makes them moan, bleed and barf, then the third and final (please, Lord) pseudo-documentary in the series is a guaranteed gross-out of a maximum degree. Heck, if you’re lucky, you might even toss your cookies as violently as some of the movie participants themselves.
Johnny Knoxville, the only real actor among these delinquents (he was excellent in The Ringer, A Dirty Shame and Grand Theft Parsons), demeans himself once again, presumably for cash, and possibly because he knows that by turning 40 on March 11, he knows darn well that he better not let himself be run over by a buffalo or crushed by a professional linebacker ever again. And ringleader Knoxville takes the gentlest bashings in the bunch. Experienced victims Bam Margera, Ryan Dunn and Steve-O go through ordeals that are designed to make the audience cringe and the Jackass gang guffaw like drunken donkeys. (There is a real donkey in the film, by the way. It gets the honor of repeatedly kicking one of the guys in the crotch.)
Posted in: Disc Reviews by Bob Ross on March 5th, 2011
There are two ways to address a familiar film plot. The easy route, of course, is to dismiss it as recycled fluff, reciting the similarities to its predecessors. The more discerning course is to give the newcomer a chance to prove itself as a creative variation on the theme. That’s how you can give Due Date its due. In the first few minutes, you’ll notice the script verges on carbon-copying Trains, Planes and Automobiles, the 1987 John Hughes hit about two utterly mismatched men on a comically catastrophic cross-country road trip.
Check the parallels: One of the guys is an uptight, super-straight, slightly pompous type who has a powerful reason to get home by a certain time. In the original, it’s Steve Martin struggling to make it for Thanksgiving. In the update, we get Robert Downey Jr. , desperate to witness the imminent birth of his first child. Each man’s plans are shattered by a walking disaster – a free-spirited jinx whose apparent sincerity is overshadowed by an uncanny ability to turn any given situation into pain, inconvenience and humiliation.
![Still Waiting... (Unrated) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/still-waiting-unrated-blu-ray-large.jpg)
![Due Date [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/due-date-blu-ray-large.jpg)
