Comedy

Craig, played by Keor Gilchrist, is facing a lot of stress in his sixteenth year on this planet and he becomes convinced that he wants to kill himself and checks himself into a psych ward. During his mandatory 5 day trial stay he undergoes a less-than common journey of self-discovery with the aid of his fellow patients.

Urine jokes. Fart jokes. Breast and penis jokes. What could be more tasteless? How about telling them all in a place where people are trying to eat? That’s the unappetizing summary of Still Waiting …, one of those unnecessary, straight-to-video sequels designed to make a quick payoff before the first film’s fans catch on.

A Spring Break whale-watching cruise goes off-course and then blows up, thanks to the stupidity of the popular kids, and two groups of high schoolers find themselves washed up on a deserted island. The aforementioned populars, led by the egomaniacle The Rog (Robert Adamson) immediately establish their dominance, squandering supplies and tormenting the unpopulars. These unfortunates turn to reluctant leader Flynn (Gary Entin), who begins planning a revolution. Pulled between the two groups is Peggy (Lindsey Shaw), cheerleader and girlfriend to Rog who nonetheless has too much intelligence and self-respect to remain satisfied with either role.

Dennis Mitchell always means well when he wants to help out his parents, or good ol' Mr. Wilson, but he also just wants to have a good time. ¼ helpful young lad but ¾ mischief, Dennis made the leap from the beloved comic strip by Hank Ketchum to the small screen for four seasons.

Saying there is an “elephant in the room” often means someone is ignoring some enormously obvious truth. To say that Patrice O'Neal can be ignored is foolish...and to say that he speaks the truth...well, you'd have to be pretty jaded to take this man seriously when he flips one PC view of the relationships between men and women on their heads.

The more famous a star, the more curious their early, pre-icon efforts become. Thus, we watch agog as Humphrey Bogart plays a murderous, blood-thirsty zombie in The Return of Doctor X (1939). And here, a 16-year-old Nicole Kidman makes her debut as a BMX-obsessed teen who runs afoul of a group of not-very-competent gangsters. Once again, one watches agog.

I have a penchant lately for reviewing stand up comedians. This is mostly a good thing. After all, stand up specials aren't usually that long, have few extras and will hopefully provoke a laugh from yours truly. But lately, it seems that the comedians I get to review aren't really that funny. Hopefully that trend changes with Daniel Tosh, star of the tv show Tosh.O. Heck, I wasn't even aware he did stand-up. Well, here goes nothing.

Most people know me to be a little bit quirky. *laughter comes from the back of the room*. Okay, very quirky. As to be expected, there are a lot of quirky movies out there for me to watch. But more often than not, most of those movies go way beyond anything I've ever thought was entertaining. Now here I am on the cusp of another review and I get a quirky romantic comedy called Spooner. I just hope that the movie I'm about to watch doesn't involve cutlery and other assorted kitchen gadgets.

If you don’t already know and love the format, you will be inclined – and well advised – to stay far away from Jackass 3. For some oversensitive souls, the sight of adult males getting smacked, slugged, stomped, shocked, slimed, kicked, catapulted and covered with excrement is simply unappealing. I know, sissies, right? But if you relish the notion of seeing men take abuse that makes them moan, bleed and barf, then the third and final (please, Lord) pseudo-documentary in the series is a guaranteed gross-out of a maximum degree. Heck, if you’re lucky, you might even toss your cookies

There are two ways to address a familiar film plot. The easy route, of course, is to dismiss it as recycled fluff, reciting the similarities to its predecessors. The more discerning course is to give the newcomer a chance to prove itself as a creative variation on the theme. That’s how you can give Due Date its due. In the first few minutes, you’ll notice the script verges on carbon-copying Trains, Planes and Automobiles, the 1987 John Hughes hit