Posted in: Disc Reviews by David Annandale on November 3rd, 2010
Season 5 of this most well-meaning of sitcoms finds a major change. With the cast now having aged to the point that not all the girls could reasonably be in high school together, Mrs. Garrett (Charlotte Rae) opens Edna's Edibles, a bakery-slash-coffee-shop, and the opening two-parter establishes the new status quo (essentially doing whatever is necessary to keep the main characters together). Otherwise, things proceed as they always have, with each story combining standard sitcom hijinks with Important Life Lessons and forays into weighty subjects. So, for example, the friendship between Natalie (Mindy Cohn) and Tootie (Kim Fields) hits a rough patch when Natalie's reaction to being asked out by Tootie's cousin is perceived, by Tootie, to be racist.
The series' flaws and strengths are much as they always were. On the one hand, the commitment to deal with serious issues is commendable, and the actual integration of these themes into the structure of the stories is fairly smooth. On the other, the performances are thuddingly broad, and the dialogue (and its attendant jokes) is both chronically and acutely awful. In the final analysis, only viewers who have retained a devotion to the show will really be able to get much out of this.
Posted in: Disc Reviews by Michael Durr on November 3rd, 2010
Apparently, animated shows created by Seth McFarlane are in high demand. He has had considerable success with Family Guy and American Dad. It was only a matter of time before Fox would try their luck with a Family Guy spinoff. The subject would be one of Peter’s friends. No, not Quagmire. That will be reserved for Cinemax late night. Giggity giggity. Actually, the subject would be Cleveland. Let us see how this one plays out.
It is another late night at the Drunken Clam, Cleveland is sitting with Peter, Joe and Quagmire. It seems that Cleveland has lost his house to his ex-wife, Loretta. He does have custody of Cleveland Jr. who is now fourteen years old and very overweight. As a result, he is going to leave Quahog and head to California to pursue his dream of becoming a minor league scout for a professional baseball organization.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2010
Bo Burnham is one of those very young up-and-coming comedians that will either turn you completely off or make you very happy that you made his acquaintance. I think I'm one of those rare folks who finds himself in the middle after watching this hour-long performance.
There is no question at all that Burnham processes incredible talent. He is one of the most clever comedians I've seen in ages. He has an understanding of the English language that we haven't seen since the likes of George Carlin. There is a sophisticated intelligence at work here that is, unfortunately, easy to miss, if you don't pay particular attention. Burnham is manic in his delivery. He changes subjects and speeds with a suddenness that is liable to leave you with whiplash. Before you can really think about what he's said, he's already three subjects down the road flipping you the finger for not keeping up. And while I appreciate comics who push the limits of political correctness, there are moments that Burnham pushes the taboos much farther than he should. His 9/11 joke fell flat for the live audience. He uses Hitler and the holocaust a bit too much. It's almost as if he's hoping you'll tire of the routine. And then there's his age. Some of the more risqué sexual stuff just seems wrong from a guy who looks like he's a freshman in high school. He does a routine about Charlie Brown being molested. Way too far, dude.
Posted in: Disc Reviews by Archive Authors on October 21st, 2010
This is the final seasons, so we are well into the series. Its groundbreaking nature (an unmarried professional woman as a central character) has obviously long since ceased to be a novelty, and the show is, by this point in its existence, what one might call a fixture. This is merely by way of observation, and not a criticism, because the writing remains as strong as ever, and the show has stood up well to the test of time. Not every joke is a winner, of course, and there are plenty of situations whose outcomes are visible a mile off. So name the sitcom for which this isn’t true. But it was the characters more than anything else that won audiences over, and the terrific chemistry of eccentricity and camaraderie is very much in evidence here. Humanity over ratings is typical of the show’s philosophy and spirit.
The Mary Tyler Moore Show is classic TV comedy at its best. This show is legendary, and still ranks amongst the top comedy sitcoms of all time.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
"58 full-length episodes. 585 classic sketches. On 18 discs."
Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
Charlie Sheen is an unlikely actor to star in a television sit-com. Even after watching the show, I’m not sure how anyone came up with the idea in the first place. He has little to no comedic timing, and he’s about as funny as a funeral. The thing that works here, however, is that he really doesn’t need to be all that funny to make this show work. Sheen pretty much deadpans his entire performance, which generously enough works rather well teamed with the more manic comedy of Jon Cryer. Throw into the mix a rather extraordinary young child actor in Angus T. Jones, and suddenly a show that looks terrible on paper turns out to be pretty dang funny. We’re not talking Fred Sanford funny, but I caught myself laughing far more often than I expected to. I had only caught the show before in bits and pieces and was never all that fond of what I saw. Watching these DVD episodes from the third season shed some new light on the show for me.
Charlie Harper (Sheen) is your typical womanizing bachelor. He’s got plenty of coin because he writes those annoying jingles you hear on commercials. He also happens to go through plenty of women. He’s got a swank place on the beach, and life is pretty much one big party until his brother Alan (Cryer) shows up on his doorstep along with his son Jake (Jones). In typical Felix Unger/Oscar Madison style, Alan’s been kicked out by his wife of 12 years and needs a place to stay for “just a little while”. Of course, Alan’s lifestyle is drastically different from Charlie’s. He’s got the responsibility of raising his son, and he’s rather obsessive-compulsive. As I’ve already mentioned, there is no escaping the obvious Odd Couple revival at work here, down to the slob vs. the neat-freak mentalities. Here we add the presence of an impressionable child. Most of the best laughs come when Charlie is trying to educate young Jake to his own philosophies of life. Naturally Alan considers him a bad influence, but then again, he is a guest in Charlie’s house. Helping to spread the humor out a bit, we get some great supporting work by Holland Taylor, who plays the boys’ smothering mother. Every good sit-com needs the nosy or pesky next door neighbor, and Melanie Lynskey fits the bill as the rapid staler, Rose. Some ethnic humor is provided by bossy housekeeper Berta, played by sit-com veteran Conchata Ferrell. New to the cast in season three is April Bowlby as the brainless Kandi dating Alan. As a particular treat, we get a visit from Charlie’s real life padre; Martin Sheen is an extremely off-the-wall character, the guys’s… what else… dad. If all of this sounds a bit complicated, it really isn’t. My best advice is not to ask too many questions, and enjoy the ride.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
There were a lot of changes in store for the Bunkers in the seventh season. The Jeffersons, long a source of irritation for Archie and a ton of laughs for us, moved to their own show, on up to the East Side and that big de-luxe apartment in the sky. Mike and Gloria finally move out of the house, but only as far as next door in the vacated Jefferson home. Most importantly, little baby Joey joins the family. New characters would join the show in the seventh season. It's been a rough ride for the Bunkers, to be sure. The series was first released through Fox for three seasons. Sony took over the releases for the next three seasons. Finally Shout Factory has stepped up and has taken over the release chores for this classic comedy.
It’s perhaps a sad commentary on the level of political correctness that Archie Bunker could never have graced network primetime in 2010. Archie was ignorant and an incredibly vocal bigot. Archie was an equal-opportunity bigot. He didn’t just hate certain minorities … he hated everybody who wasn’t white blue-collar protestant. Carroll O’Connor, who brilliantly portrayed Archie, was without a doubt one of the best actors to grace a network sit-com. Just watch his eyes and you’ll understand. All in the Family holds a record for spin-off series. The Jeffersons, Maude, Good Times, and Archie Bunker’s Place are just a few of the highly successful shows that owe their roots to All In The Family. Rob Reiner, Meathead, has since followed in his father Carl Reiner’s footsteps as a highly-acclaimed producer.
Posted in: Disc Reviews by Archive Authors on October 11th, 2010
In the opening scenes of Gunless, a horse trots into what appears to be a tiny western town. Atop the horse is an unconscious man, slumped backwards in the saddle with a noose around his neck attached to a large tree branch that drags along behind them. An iconic Western opening if ever there was one. Reminiscent of Clint Eastwood in High Plains Drifter or Hang ‘em High. However, things soon begin to stray from formula when we realize that this tiny town is actually in "The Dominion of Canada" and the man turns out to be the Montana Kid, a notorious American gunfighter.
The ‘Kid’ is soon helped out by a polite bunch of Canadians, and before you can say “American stereotype” he has tried to start a gunfight with the kind local blacksmith. The reason? Why, the blacksmith had the gall to shoe the Kid’s horse. Unfortunately (or fortunately, if you are the blacksmith) he has no gun and therefore, according to the code of the West, can’t be shot. The solution? Why, the Kid will get the blacksmith a gun. But since this is Canada, there are no guns in the area, except for a broken antique owned by the local Brit-accented hottie widow.
Posted in: Disc Reviews by Michael Durr on October 5th, 2010
For somebody who does a lot of the cartoon reviews on this website, I often miss many new cartoons that crop up on Saturday mornings, Comedy Central, Nickelodeon, etc. One such animated show cropped up on my review slab. In the spirit of Halloween, (but not an official Nights of Terror post), it is my pleasure to take a look at Ugly Americans, the newest animation from Comedy Central.
Mark Lilly is a newcomer to Manhattan. He moves into his first apartment that he found on Craiglist, a nice two-bedroom with a roommate. One little problem, his roommate is a flesh-eating zombie named Randall Skeffington. Randall became a zombie in an attempt to win over a hot girl who was into zombies. The only issue is that the hot girl had moved on to warlocks by the time Randall had turned.
Posted in: Disc Reviews by Gino Sassani on October 4th, 2010
"1.2 billion TV viewers saw the home-made autopsy film in 1995. Experts have been divided over its authenticity ever since ... until now."
