Posted in: Disc Reviews by Archive Authors on February 2nd, 2007
The World Cup is unquestionably the greatest sporting event in the world. No other event, sporting or otherwise, pulls nations together like the World Cup does. Once every four years, the whole of the world (save for the majority of the United States) takes a month off to focus their eyes on the efforts of a group of young men to put a white ball into a white net. This film is the story of the 1996 edition of the famed tournament.
This film does a great job of capturing the story of the tournament, while not ...etting bogged down in the details that could drag a film like this one to a standstill. The entire tournament is discussed, but not every game is shown. In fact, the group of 16 is skipped all together. While this does not make for a complete document of the tournament, it certainly helps to keep the film on task. The first half of the film showcases the road to the final, and the second half focuses on the semi-finals and the final match itself. Impressively, the film does not shy away from touchy subjects, as it discusses referee controversies and “the head-butt” openly. Much of the film showcases field-level images of the gameplay supported only by crowd noise, which brings the beautiful game to life in a very real way. This is a compelling and entertaining film even for those that are casual fans of international sport.
Posted in: Disc Reviews by David Annandale on December 8th, 2006
This is an interesting package, in that the title feature could just as easily pass as an extended extra to accompany all the shorts here. At any rate, said feature is a 104-minute documentary/autobiography. Don Glut has been successively fan, amateur filmmaker, writer and pro, and most of the film consists of him sitting in front of the camera, recounting his amateur days. Interspersed are brief interview with his mother, friends, and other notable fans/historians such as Bob Burns and Bill Warren, as well as clips from the films. Glut still has a great many of the props he used as a kid, which is astonishing. The style of the doc is very simple, and this probably won’t have too much appeal beyond, well, the same kind of people as this feature is about. But for anyone who ever read an issue of Famous Monsters of Filmland, this will bring a nostalgic tear to your eye. It also makes an excellent companion piece to Monster Kid Memories Home Movies.
Audio
Posted in: Disc Reviews by David Annandale on December 4th, 2006
Four discs of Irving Klaw's 8mm films from the fifties: 270 minutes of material, which is astounding, given that all this was supposed to have been destroyed. The discs are distinguished by theme: "The Bettie Page Films," "The Wrestling Films,""The Fetish Films," and "The Dance Films." The titles are self-explanatory, and a synopsis is, of course, utterly beside the point. These are short films featuring women parading around in heels and hose, fetish gear, and wrestling while got up in sam. These are not great art, by any stretch of the imagination. But they DID stretch the popular imagination. The rating I've assigned reflects the cultural impact of Kaw's work, which continues to be felt to this day. This is an important collection.Audio
Cult epics has jazzed up the presentation by adding soundtracks of 1950's style music to the shorts: lounge, jazz swing and big band are the offerings, and they add a great deal of fun to the proceedings. The 2.0 mix treats the music well, and the bass lines are very solid. This is, of course, the only sound, and it is a very nice touch.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2006
Boffo! Tinseltown’s Bombs & Blockbusters is all about the magic of movies. It’s about doing it right and doing it wrong, and how there’s no sure thing. This HBO documentary doesn’t get very technical about making films, but it certainly does get personal with some of Hollywood’s heaviest hitters.
Through a well-crafted collection of interviews and clips from some of the best and worst movies of American cinema, this documentary brings us the perspectives of folks like Steven Spielberg, George Clooney... Richard Dreyfuss, Peter Bogdanovich and Morgan Freeman. Every single one of the interview subjects is dynamic and entertaining, and while their experiences and methods are all different, they all seem to agree on one thing: making a successful film is really hard to do.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2006
Boffo! Tinseltown’s Bombs & Blockbusters is all about the magic of movies. It’s about doing it right and doing it wrong, and how there’s no sure thing. This HBO documentary doesn’t get very technical about making films, but it certainly does get personal with some of Hollywood’s heaviest hitters.
Through a well-crafted collection of interviews and clips from some of the best and worst movies of American cinema, this documentary brings us the perspectives of folks like Steven Spielberg, George Clooney... Richard Dreyfuss, Peter Bogdanovich and Morgan Freeman. Every single one of the interview subjects is dynamic and entertaining, and while their experiences and methods are all different, they all seem to agree on one thing: making a successful film is really hard to do.
Posted in: Disc Reviews by Archive Authors on October 4th, 2006
One of the nice things about I Am A Sex Addict is that it is both a comedy and a documentary. I am thrilled that at some point somebody figured out that documentaries can be entertaining as well as informative. Filmmakers have certainly turned the camera on themselves before, but I don't recall seeing one be quite as intimately honest as Zahedi is here. This is a film that is just what the title suggests... an examination of the life of a sexaholic. The document is sometimes funny, but frequently uncomfortable... While the film presents itself as an examination of the view of a heightened sex drive as an addition, it spends much more time illustrating the fact that the subject has the addition than the causes and effects of it. It is a documentary that presents a story without any exposition. The fundamental question of “why?” is never really addressed.
The truly interesting part of this film is not the subject matter, but the way in which the story is told. The filmmaker tells his personal tale through speaking directly to the audience, reenactments, and even some actual photographs and personal archival footage. In one scene, the writer/director/star/autobiographical subject tells of how he cast the role of one of the prostitutes, then compares her casting photo to his on-screen wife and a picture of his actual wife at the time. The subject mater may be a little off-putting, but the execution is really quite unique and interesting.
Posted in: Disc Reviews by David Annandale on September 1st, 2006
Cult Epics' series takes a step back in time with this release. The last one took us to the 1950s, and now we go considerably further back. Where to go next I'm not sure, but anyway, this is an interesting collection of antique porn. That this is a French import is obvious not only from the fact that all the films hail from there, but also from the fact that the jacket copy has been rather clumsily translated into English. But never mind. The films, while hardly masterpieces, are fascinating little curios, and it says something that pieces such as "Le Verrou" actually expected their target audience to know who Fragonard was (the starting point of the short is a recreation of the painting of the same name). Also intriguing is an pornographic cartoon from twenties - now that-s something you don't see every day.Audio
As opposed to the running-projector-noise that accompanied the previous release, there is a music score for each film. The sound is mono and quite rough, but to be frank, given what's on display here, stunning surround sound would seem weirdly out of place. At any rate, the job is done quite adequately. "Le Verrou" has a new score (complete with come crackles and pops).
Posted in: Disc Reviews by Archive Authors on July 9th, 2006
Something really extraordinary seems to be happening as a side effect of the recent rise in popularity of documentary films. While many films still illuminate problems in our society, some of these films have begin to become agents for change themselves. There is no denying the important role that films like The Untold Story of Emmett Louis Till play in our society, but I am really moved by films like The Boys of Baraka. Show me injustice, and I am outraged. Show me programs that are righting injustices... and I am moved to action myself.
The Boys of Baraka is a very powerful film. Instead of just being another film about the deplorable situations for the youth in our inner cities, this is a film about one program that gives some kids a real chance to get out of the ghetto and break the cycle of poverty. Every year, 20 boys from the projects in Baltimore, MD are given the opportunity to spend two years at a special school in Kenya. Here, the boys not only get a quality education, but they also learn the kinds of valuable life lessons that they could never learn in books.
Posted in: Disc Reviews by Archive Authors on July 4th, 2006
I admit, when I received this film in the mail for review, I was extremely suspicious of it. I am not a conspiracy theorist, and though I am interested in the facts surrounding the 9-11 tragedy, I am not one that buys into all the theories surrounding the day. The cover of this disc, and the fact that it came to me by itself in a plain brown envelope, made me believe that I was in for another crackpot theory.
When I started to watch the film, however, I realized that this was going to be a film that was much ...ore aligned with my interests than I originally thought. The main premise of this film is to dispute the growing belief in the United States that the Jews were behind the attacks of 9-11. specifically, the focus is on an ancient manuscript called The Protocols of the Elders of Zion, which is said to be the minutes of a meeting of a group of Jews, and outlines their plans for world domination.
Posted in: Disc Reviews by Archive Authors on June 28th, 2006
There was a time when no major groundbreaking events were captured on film. The thing is, it's sometimes hard to know when something of historical significance is going to occur. Major events such as World War II and the fall of the Berlin wall were planned in advance (so to speak), so it was easy to set-up a camera and capture the event. Spontaneous events, however, were mostly passed over. As technology has progressed, however, it has become easier to capture important and notable moments on the fly. September 11, ...001 has taught us that fact in graphic and horrible detail.
That's part of what makes this disc so very unique. At the time, who would know how popular Otis Redding would become, or that he would die an untimely death in the weeks following his performance? What's more, who could have predicted the unbelievable phenomenon that was Jimi Hendrix? Obviously these men were talented musicians, but the kind of lasting fame they eventually garnered, especially Hendrix, could never have been predicted.
