Posted in: Disc Reviews by Michael Durr on May 20th, 2007
Synopsis
Interracial relationships in movies tend to be hit or miss. If treated fairly, it can make the movie an uplifting picture, one that will make people stand up and cheer for a satisfying ending. Misused, and it just becomes an ugly context for the movie to hide around. Constellation starts out with the love story between Carmel Boxer (played by Gabrielle Union), an african-american lady and her white boyfriend & solider Bear (young version played by ...aniel Bess, older version played by David Clennon). The problem here is that this love story is placed in the heart of Huntsville, Alabama before the civil rights movement takes place. So the love is forbidden but never falters. However, it never ends up where it should truly be. Fifty years pass (now the present) and Carmel has died, bringing together both families back in Alabama. Bear is hosting the funeral with his daughter Celeste (played byEver Carradine). Carmel's relatives that join the procession include her brother Helms (played by Billy Dee Williams) and his two daughters Rosa (played by Zoe Saldana) and Lucy (played by Melissa De Sousa).
Posted in: Disc Reviews by Archive Authors on May 19th, 2007
Synopsis
Way back in the ‘80s, I can recall doing a fifth grade science project on a fledgling disease called Acquired Immune Deficiency Syndrome. I got a bunch of material from my Dad (who worked at the National Institute of Health) and went ahead and did it. To be honest, I really don’t remember if I did this report before or after the first recognizable name died from it (that being Rock Hudson), but in the quarter century since AIDS cases were first identified, over 25 million people have died and almos... 40 million currently live with the disease. 3 Needles is a film written and directed by Thom Fitzgerald (The Wild Dogs), and what the film may attempt to communicate (or even dispel) is that AIDS is not predominantly a disease where behavior dictates contraction, sometimes a person’s fate might be dictated before they are even aware of it.
Posted in: Disc Reviews by Archive Authors on May 19th, 2007
Synopsis
In the late ‘70s and early ‘80s, Robert De Niro may have taken on some more famous roles (like The Deer Hunter and Raging Bull), but he wasn’t shy to experiment in roles with directors like Bernardo Bertolucci (1900), to name a few. And in his first film after playing Jake LaMotta, De Niro plays Des, a monsignor who runs into his brother Tom (Robert Duvall, The Apostle), a police homicide detective.
Posted in: Disc Reviews by Archive Authors on May 8th, 2007
In the past, I have not enjoyed this types of movie. Save the Last Dance, You Got Served, Step Up and even Drumline are all comparable to Stomp the Yard. So it goes without saying that this isn’t one of my more anticipated movies of the year. But I’m throwing all pre-conceived notions out the window, and am hoping that Stomp the Yard will take a turn away from the clichéd norm.
I don’t even know how I would classify this movie – romance, drama, musical? Regardless o... its genre, it has all those aspects included. Personally I would call this movie a comedy, not because it was funny, but because it was a joke. I’ll try not to be too harsh about this, but this movie was extremely melodramatic. I can’t believe how repetitive movies are getting these days; I’ve seen this formula been done to death. The overcoming of tragedy, just to be thrown into the face of adversity once again, only to be uplifted again leaving the whole audience inspired. This movie was bad, ridiculous even. The one thing I respected and even enjoyed about the movie was a few of the dance sequences, which were extremely complicated and impressive. In fact the only reason why I give this movie any marks at all is because of this choreography, which was entertaining to watch.
Posted in: Disc Reviews by Archive Authors on May 6th, 2007
Synopsis
Hey lookee here, in this movie called Off the Black, there are two Oscar nominees and one Oscar winner! So with this pedigree of talent, you’d expect to be a gangbusters piece of dramatic storytelling, right? Well, not exactly.
Posted in: Disc Reviews by Archive Authors on May 5th, 2007
Catch and Release is appropriately dubbed as a chick flick. Written by Susannah Grant, who also makes her directorial debut, is responsible for the screenwriting of some rather dismal movies in the past, including Ever After, Erin Brockovich, and 28 Days. Although I hint at a dislike for romantic comedies, I'll have you know that in the past I have enjoyed several, and am going into this completely unbiased.
The movie starts off on a sad note, Grey (Jennifer Garner) a grieving a...most widow mourns the death of her fiancé Grady. Originally they were to be married on that day, but due to an accident on a fishing trip, Grady was killed. Dealing with the loss in her own way, Grey sits in a bathtub where she can be alone with her thoughts. Before long, Grady's friend Fritz (Timothy Olyphant) bursts in and seduces a waitress. Waiting until the woman leaves, Grey reveals herself and tells Fritz she never understood why Grady was his friend.
Posted in: Disc Reviews by David Annandale on May 4th, 2007
When Just Jaeckin's glossy exercise in softcore, Emmanuelle, earned boffo box office in 1974, imitators piled on, and no imitators anywhere were as shameless as the Italians, who began the Black Emanuelle series (note the missing "m"). Laura Gemser starred, and Joe D'Amato directed many of the entries (though not the first). This set offers three.Both the double-"m" and single-"m" series were characterized by the heroine having sex in exotic locales, and the travelogue aspect is most dominant in Emanuelle in Bangkok (1977). Plot here is almost nonexistent. Photojournalist Emanuelle begins to run afoul of political skullduggery in Thailand, but before anything really develops there, she leaves town. The film is little more than pretty landscapes interrupted by frequent nudity.
Emanuelle Around the World (1977) has a bit more of a storyline, though it is still very picaresque in nature. Picturesque as well. Our heroine becomes outraged by the sex traffic of women, and so travels from location to location, exposing the evildoers. D'Amato (who also directed the previous entry) here rather unconvincingly dons a pseudo-feminist stance, but there are moments actually approaching suspense. The sex scenes of both these films are, for the most part, laughable, though occasionally well shot. Any sense of eroticism is thanks to Laura Gemser, whose ethereal beauty and grace are such that she moves through the films as an almost divine presence, above and untouched by the events around her.
Posted in: Disc Reviews by Gino Sassani on May 4th, 2007
Gary Lennon is a first time writer/director and it shows with .45. Milla Jovovich is the obvious centerpiece of this misguided drama. We know we’re in for a long haul from the opening shots of Kat (Jovovich). Talking about the sexual prowess of Big Al, her abusive boyfriend. Big Al is played quite single dimensionally by Angus MacFayden). It’s not that the actor’s don’t have the skills or the desire it’s that they are severely limited by the script. The only entertaining moments occur when the film heads more into ...he black comedy realm. This momentary effectiveness is soon lost with rather graphic displays of domestic violence. We are intended to feel for Kat but no matter how inclined we are to find her sympathetic I just can’t. With the help of her manipulated friends Kat sets out to rid herself of her partner in crime once and for all. When she finally does pull it off it is so senseless and anticlimactic. The trailer and box art promise a thrill ride journey of cunning and revenge. What the film delivers is boredom and no satisfaction when it’s done. The film tries to be too many things at once and ultimately succeeds at nothing. Trust me. Pass on this one. You’ll thank me for it later.
Video
Posted in: Disc Reviews by David Annandale on May 1st, 2007
Synopsis
After serving ten years as a galley slave for having stolen a loaf of bread, Jean Valjean returns to the outside world a bitter man. He is transformed by the saintliness of a bishop who gives him shelter and the gift of the very items he was trying to steal. Starting his life over again, he becomes Mr. Madeleine, highly respected pottery plant owner and eventually mayor. He even adopts young Cosette, whose mother is dying. But the relentless Inspector Javert feels he recognizes Madeleine as ...he parole-evading Valjean, and so begins a pursuit that will take all three characters to a Paris about to erupt in an uprising.
Posted in: Disc Reviews by Michael Durr on April 29th, 2007
Synopsis
Drug addiction is scary. It can take an otherwise decent person and turn them in a messy pool of hate, disgust and worthlessness. When the drug you are addicted to is heroin; amplify that by ten. Enter Paul (played by Harry Eden(Oliver Twist)), a ten year old trying to take care of his younger brother Lee (played by Vinnie Hunter) and his heroin addicted mother Mel (played by Molly Parker(Wicker Man, Deadwood)). The father of th...s family is unfortunately dead from a heart attack so Paul has grown up quickly and takes care of the cleaning, cooking and anything else that needs to be attended to. Mel tries to kick the habit on several occasions but is constantly hampered by the local dealer Lenny (played by David Wenham(300, Van Helsing) and the drug itself. Paul tries to find a way to cope and often escapes to spend time with his crush, a teenage waitress named Louise (played by Keira Knightley (Pirates of the Caribbean, Domino))who is unfortunately just as tragically flawed as Mel and has her own addictions to deal with.
