Posted in: Disc Reviews by David Annandale on July 20th, 2005
Synopsis
Gregory Peck is having trouble making ends meet in his current job. A more lucrative one opens up, but with it comes many more demands that create more stress in his family. There is also a secret from his past that is coming back to haunt him.
Posted in: Disc Reviews by David Annandale on July 19th, 2005
Synopsis
Shot in 1974, this is one peculiar piece of work. Springing from director’s John Aes-Nihil’s not altogether healy obsession with the Manson murders, this takes the rumour that the Family filmed their activities and tries to make it flesh. What you see is a series of very convincing-looking Super 8 mm reels of the Family doing their thing, culminating in re-enactments of the Tate-La Bianca murders. Frankly, I’m somewhat at a loss for how to rate this. The home movies look very real, right dow... to every bit of grain and scratched emulsion, not to mention the flat approach to filming (exactly how someone untrained in the use of a camera would shoot this footage). But the point of the exercise, beyond the working out of an obsession (the film is shot in the actual locations), escapes me. However, this is definitely a fine example of something.
Posted in: Disc Reviews by David Annandale on July 19th, 2005
Synopsis
Mother O’Leary and her brood arrive in Chicago just as it is beginning to transform into a metropolis. Her sons grow up to become the amoral Dion (Tyrone Power), who never misses a bet and hooks up with the similarly canny cabaret performer Belle (Alice Faye), and the idealistic lawyer Jack (Don Ameche). Betraying political boss Brian Donlevy, Power arranges for his brother to become mayor, but then finds himself in the targeting sights of Ameche’s reforms. The family feud builds to the nigh... when Mrs. O’Leary’s cow makes that fateful kick.
Posted in: Disc Reviews by David Annandale on July 15th, 2005
Synopsis
Grand Hotel (1932) was the model: a large cast of known faces with soap opera problems. The High and the Mighty takes this set-up and puts the characters in a plane flying from Hawaii to San Francisco, then blows out an engine and has the fuel leak away. John Wayne is the Co-Pilot With The Tragic Past, Robert Stack is the Pilot Losing His Nerve, and they are surrounded by a collection of other very recognizable types: the Cute Kid, the Charming Dying Man, the Loud Couple From N...w Jersey, the Selfish Coward, the Guilt-Ridden Atomic Scientist, and so on. The crisis brings out the best and worst of everybody.
Posted in: Disc Reviews by David Annandale on July 12th, 2005
Synopsis
The opening scene is a montage of a couple in love, while a voice-over reads Edgar Allan Poe’s “Annabel Lee” – a sure sign that things are not going to end well. Sure enough, in the next scene, the young woman takes a fatal fall while climbing after a kitten. The boyfriend cannot bear to part with the corpse, and off he goes with the body, making his way cross-country to the lake where we first saw them in love, and all the time the corpse and his mind are slowly rotting away.
Posted in: Disc Reviews by Gino Sassani on July 4th, 2005
Synopsis
Among the more unjustly ignored performances was Jack Nicholson’s turn as Union boss Jimmy Hoffa in Hoffa. Fox finally decided to put out the Danny DeVito directed, David Mamet written film on DVD. Mamet’s script seems to romanticize Hoffa, portraying him as more of a Union man, as one who was forced to make deals that could compromise his integrity, but he overlooks his integrity in order to help benefit the American working man. The story is told in the point of view of Hoffa aide Bobby Ci...ro (DeVito), a fictitious character whose flashbacks are used to help us see how Hoffa perhaps should be viewed, as opposed to the punchline in some jokes we may make now.
Posted in: Disc Reviews by Archive Authors on July 4th, 2005
Synopsis
Teenage rites of passage during the summer vacation at the beach. The protagonist is a quiet, decent sort, but his close friend is a domineering alpha male who bullies everyone around him into doing whatever he wants. He is clearly pulling his companions toward serious trouble. The story builds to one night when the boys use each other’s homes as alibies: they are supposed to be having a sleepover, but in fact are out looking for girls. Things go wrong.
Posted in: Disc Reviews by Gino Sassani on July 3rd, 2005
Synopsis
For several years, unbeknownst to a lot of people, Kevin Spacey (American Beauty) was a fan of Bobby Darin and had a film project in the works about the singer’s life. One of the reasons why the project took so long is that even with someone of Spacey’s caliber, the toughest part is always the financing. Spacey’s project was definitely a labor of love, as he wrote and directed the film, and even sung such Darin standards as “Splish Splash”, “Dreamlover” and of course, the hit that shares the...movie’s title.
Posted in: Disc Reviews by Archive Authors on July 3rd, 2005
Synopsis
A silent pimp (the only words he speaks – a couple of brief sentences late in the film – are also the last words spoken in the film) sees a young college girl and instantly falls obsessively in love. When she humiliates him after rejecting his crude advances, he arranges events to drive her into debt and legal problems, and from there into prostitution. He watches her in the brothel every night through a two-way mirror, as she descends further and further into the degradation of this world.< ...p>
Posted in: Disc Reviews by David Annandale on June 30th, 2005
Synopsis
Strong-willed Englishwoman Irene Dunne (the Anna of the title) arrives at the court of King Rex Harrison to teach his wives and 67 children. The clash of cultures is immediate, with the very British Anna refusing to bend to the more outlandish demands of her new surroundings, and Harrison himself torn between modernity and tradition.
