Posted in: Disc Reviews by David Annandale on June 29th, 2005
Synopsis
Lauren Ambrose is a Candide-like figure, wide-eyed in her approach to the world, and she really doesn’t want to go to college, so her interviews are disasters. She reads her poems to her mentally handicapped sister and no one else, and when this sister starts spouting the poems (she memorizes very well), her mother (Amy Madigan) thinks something wonderful has happened. Ambrose doesn’t clear things up, and events soon spiral out of control.
Posted in: Disc Reviews by Archive Authors on June 27th, 2005
Staying Together is one of those small town family stories. Growing up is hard, especially when you own a chicken restaurant. Dad, unfortunately, gives in to "big business", and sells his restaurant to a chain franchise. This sale puts the family into turmoil and makes the family members reevaluate their relationships with each other. The brothers of the McDermott family are featured most prominently. The three brothers, in typical movie fashion, are distinctly different. Dermot Mulroney plays Kit, the ro...antic brother, Tim Quill plays Brian, the hot-tempered one, and Sean Astin (Sam from Lord of the Rings) plays Duncan, the goofball. The film is rounded out by some good character actresses like Stockard Channing and Melinda Dillon. Unfortunately, the script by Monte Merrick is riddled with cliches and gives us everything we expect. The film is directed by Oscar winning actress Lee Grant, but her tone is dead serious. She plays the material without a hint of irony. Staying Together is like Mystic Pizza without the charm.
Audio
Posted in: Disc Reviews by Archive Authors on June 26th, 2005
Synopsis
If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn are because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies.
Posted in: Disc Reviews by David Annandale on June 22nd, 2005
Synopsis
Two girls meet on the beech, and a lifelong friendship is formed. Hilary is the shy rich girl (horse riding and the whole thing, don’t you know) and she grows up to be Barbara Hershey. CC is the working class extrovert, and becomes Bette Midler. As adults, they become roommates, and we follow the entire arc of their friendship through their lives, with conflicting romances, plenty of ups and downs, and then, in the last act, the inevitable Hollywood Fatal Illness.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2005
Synopsis
Sydney is a poker-faced professional gambler with a soft heart for a hard luck story. He plays guardian angel to unlucky John and a hooker, Clementine, whom he grows to love like family. When John and Clementine’s honeymoon night leads to a disastrous hostage situation, Sydney takes care of it, as usual. But when slick casino pro Jimmy threatens to reveal a secret from Sydney’s past that could destroy his relationship with the newlyweds, Sydney decides to hedge his bets and not leave anything to ch...nce.
Posted in: Disc Reviews by Archive Authors on June 20th, 2005
Lost Lake is an incomprehensible mess. Think David Lynch with less sense. If that makes any. The story takes place at an isolated ski lodge. Cue the entrance of exotic hottie Kat Walker (played by Angel Boris). The movie is hard to describe. Let’s just say…the ski lodge has some really weird guests. And pee can make frozen privates thaw from metal. Didn’t you know that? An avalanche also comes into play. Kat starts having “visionsâ€. I dunno. The plot is convoluted and makes Mulholland D...ive look like logic. The dialogue is laughable, but there are some nudie shots and cool skiing stuff to make this dreck a little more watchable.
Audio
Posted in: Disc Reviews by Archive Authors on June 18th, 2005
Until the Night is a "fly under the radar" movie. You haven't heard of it, but then you watch it. And you're quite taken with it. Until the Night is in the tradition of those relationship/talkie movies (indy god Cassavetes comes to mind). Night also has shades of Sex, Lies, and Videotape. Characters talk to a camcorder, and there are some Soderbergh moments of time fracture.
The plot (to call it one) revolves around a pair of relationships. Elizabeth (played wonderfully by ...athleen Robertson) struggles to keep her chin up abou their marriage to Daniel (played by Michael T. Weiss). In the meantime Robert (played by the underated Norman Reedus) is a photographer who is descends in to a pit of despair over is failing relationship to Mina (Missy Crider). Robert and Elizabeth eventually, and inevitably, meet. And well...the tangled web of romance is weaved. The director/writer Gregory Hatanaka, in his first film, has shown a maturity of theme. This is a strong, truthful film about adult relationships.
Posted in: Disc Reviews by David Annandale on June 16th, 2005
Synopsis
Society belle Gene Tierney is in love with the dashing but penniless Tyrone Power, much to the displeasure of her snobbish uncle Clifton Webb (turning in another of his signature bitchy roles). Tierney wants Power to settle down and earn a good living in order to keep her in the manner to which she is accustomed, but Power needs to find some meaning in life, and he heads off to find enlightenment, first in Paris, later in India. Tierney doesn’t wait for him, and marries millionaire John Payn..., but when Power returns to Paris, where she now lives, her torch burns as brightly as ever, and she will stop at nothing to preserve him for herself.
Posted in: Disc Reviews by Archive Authors on June 16th, 2005
I remember my Junior High teacher reading us excerpts from the novel I Am David in English class. Raising social consciousness was not something we into at that age. Looking back, I can see what my teacher was trying to do. The novel, and this movie adaptation, follows the story of 12 year old David, who escapes a Communist gulag in order to deliver a letter to Copenhagen. David is equipped with nothing but a compass, a bar of soap, and a loaf of bread. His quest across the continent is a journey of enlig...tenment and “growing up” the hard way.
How is the movie version? Well…let’s just say…sometimes a novel should stay a novel. The director Paul Feig has good intentions, and the movie sports solid performances by Ben Tibber (as David) and Jim Caviezel (beware of the misleading DVD cover…Jim only has a supporting role). The problem is Feig’s adaptation and the handling of the material. The flights of fancy and overt sentimentalism get in the way of an engaging film. In other words, the movie just doesn’t work.
Posted in: Disc Reviews by Archive Authors on June 14th, 2005
The Godfather Part II is, quite simply, one of the best films of all time. Personally, I would actually place it above it's predecessor, the original Godfather film, though both won Academy Awards for Best Picture. Part II, however, gave us not only Al Pacino in a genre-defining role, but also the young days of the original Godfather, played brilliantly by Robert De Niro, who impressively treads the line between believability and farce that is so fine with an actor like Marlin Brando.
In fact, i... is not only Al Pacino's acting that defines the gangster genre, but just about everything about this film, from the cinematography to the dialog. After the original film was released, every classic period piece for the next 35 years had to have that same golden look. The acting, the romantic storylines, and the cinematography re all first-rate. This is a classic film that deserves to be on every film fan's top 5 list and DVD shelf.
