Drama

While times may have changed a bit, many countries, especially in the 1970's up until the turn of the century looked down in disgust at those from the United States, from the way they looked, to way they acted, right down to the language they spoke.  However, one of the things they most feared was that the US was going to take over their companies and do things the "American" way.  Today, we take a look at a film called Mille Milliards de Dollars.  In this film, we are introduced to the GTI, the Garson Texas International company, who are secretly taking over France Electronics, one of the biggest companies in Paris.  It's quite the scandal and should be a very interesting film.  Let's take a look.

On November 22nd, 1963; President John F. Kennedy was assassinated in Dallas, TX at approximately 12:30pm.  Quite possibly everything else about the event can be disputed in such a manner, and I won't even attempt to confirm one theory or disapprove another.  We have had movie after movie about this assassination, taking it in about every angle imaginable.  Those movies are not regulated to the United States, either, as other countries have also dabbled in the storytelling of this infamous event.  Many times these foreign productions treat it as a fictionalized event set in their own country, but the similarities are often so obvious that it cannot be disputed.  Today's film is I ... For Icarus, a French film that explores the controversy behind the assassination of President Marc Jarry, who was killed by Karl Eric Daslow.  Attorney General Henri Volney disputes the lone gunman theory, and this is the story of that investigation.  That sounds awfully familiar; let's take a look.

"You are now the property of Erewhon Prison. A citizen of nowhere. The Geneva Convention is void here; Amnesty International doesn't know we exist. When I say your ass belongs to me, I mean exactly that."

I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down. In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider).

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

“Now, I am become Death, the destroyer of worlds.” 

It is hard to ignore the hype around the film Oppenheimer. Any time a Christopher Nolan film has come out, it has become a pretty big deal for cinema fans, whether it was for his The Dark Knight trilogy, Interstellar, Inception, or Tenet, his films carry the same kind of respect alongside the names of Stanley Kubrick and James Cameron, and his films can be just as divisive. But the anticipation for the release of Oppenheimer feels like a different beast entirely. The release coming out the same day as Barbie has created such a stir on the internet that the term Barbenheimer has become a part of the zeitgeist of modern day. Then another aspect is how the film was literally shot on 70mm film, which is unheard of in today’s digital-hungry climate, and the film is being released in certain theaters on 70mm prints that reportedly weigh around 600lbs.

"I don't know about you, but it always makes me sore when I see those war pictures ... all about flying leathernecks and submarine patrols and frogmen and guerillas in the Philippines. What gets me is that there never w-was a movie about POWs - about prisoners of war. Now, my name is Clarence Harvey Cook; they call me Cookie. I was shot down over Magdeburg, Germany, back in '43; that's why I stammer a little once in a while, 'specially when I get excited. I spent two and a half years in Stalag 17. "Stalag" is the German word for prison camp, and Number 17 was somewhere on the Danube. There were about 40,000 POWs there, if you bothered to count the Russians, and the Poles, and the Czechs. In our compound there were about 630 of us, all American airmen: radio operators, gunners, and engineers. All sergeants. Now, you put 630 sergeants together, and, oh mother, you've got yourself a situation. There was more fireworks shooting off around that joint ... take for instance the story about the spy we had in our barracks ..." 

Stop me if you've heard this before. The premise is we're in World War II, but not where all of the action is.

"All right, listen up, ladies and gentlemen; our fugitive has been on the run for ninety minutes. Average foot speed over uneven ground, barring injuries, is four miles per hour. That gives us a radius of six miles. What I want from each and every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, hen house, outhouse, and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive's name is Dr. Richard Kimble. Go get him."

The Fugitive, since its’ original release in 1993, has always been seen by a majority of people as the defining thriller of the 1990’s. The film stars Harrison Ford as Dr. Richard Kimble. Kimble, a very well known Chicago doctor, has just been framed for killing his wife. He claims a one-armed man killed her, which prompts nearly everyone to laugh at him.

By JC.

Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn”, then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.

“People rely on the police to keep them safe. That’s the problem.”

Paul Kersey (Bruce Willis) has it all. He’s a successful, emergency room trauma surgeon living in Chicago with a loving wife (Elisabeth Shue) and college-bound daughter (Camila Morrone).

"It's called the Impossible Mission Force for a reason."

I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down.  Delays will cost an extra $100 million and necessitate crucial cast changes.