Drama

“The windows around here are not big enough for you?”

Writer/Director Keith Bearden’s debut film, Meet Monica Velour, seduces you like raunchy 70s porn star, but finishes you off with a happy ending like a cheap masseuse in a roadside massage parlor.  Not that this is a sex comedy, nor are the stars particularly sexy (except for Jamie Tisdale who plays young Monica Velour who is very, very hot), but the theme is about sexual illusions. Illusions from a time long past, when pornos tried to be movies instead of a series of masturbation loops and there was an ironic air of innocence to the whole smutty affair.

Dexter Morgan (Hall) is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan (Remar), a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. His father continues to guide him through his own mind, meaning we get to see Pop even though he's gone. Working for the police with his officer sister, Debra (Carpenter), Dexter is constantly just on the verge of getting caught. He has to adapt and evolve to avoid capture.

“Most actors toil in obscurity, never stepping into the spotlight. But if you hone your craft, work diligently, you might just find yourself cast in the role of a lifetime.”

The series was previewed in a two-part episode of NCIS entitled Legend. A dead Marine in Washington led to a terrorist cell in LA, where Gibbs and McGee join the LA branch to bring down the bad guys. Here we meet the new characters and get a chance to get comfortable with them. However, by the time the show aired its first episode, there were some pretty major changes for the show already. It's not uncommon, and the Legend episode was really a back-door pilot. The location would be completely scrapped. The show would get new digs in a covert building that appears to be a condemned water plant on the outside. I'm not quite sure why a public agency needed a secret hideout, but there it is. The show retained its high-tech look. They have a Minority Report-style computer system which remained the centerpiece of their operations room.

The show differed in several ways from its sister show. While LA was still a military show, that angle is downplayed here. The atmosphere for the team is more civilian-looking all the way around. There are seldom folks walking around in uniforms. The operations utilize more of the standard surveillance and undercover work. In the back-door pilot, the leader of the group was an agent who had history with Gibbs. Her name was Macy, and she was played by CSI alum Louise Lombard, who was gone when the series premiered in its own right. Later we are told she was killed. There's a lot more street work to be found here. That means car chases and lots of shootouts. The cases often deal with terrorists, so these guys break a lot of the rules. They don't let any silly Constitution stand in their way.

“Unlike the rest of us, sex, lies, and scandal never take a vacation. Instead they take the Long Island Expressway and head East to the Hamptons. Some would say summer is their busiest season. Think Park Avenue, but with tennis whites and Bain de Soleil. The players change, but the game remains the same.”

NCIS is a spin-off, of sorts, from the popular military lawyer show JAG. You could say that NCIS is the Order to JAG’s Law. The NCIS is a real government agency that deals with criminal activity inside or involving the US Navy or Marine Corps. The series has an incredibly global feel and honestly looks damn good for television. Production values are high, and the location stuff is out of this world, or at least all over it.

Special Agent Gibbs (Harmon) heads up this group of criminal investigators. Harmon has always been good, but I dare you to find a character he’s played better. He just eats up the part. You won’t have any trouble believing that Gibbs is the seasoned veteran investigator leading this team. Special Agent DiNozzo (Weatherly) is a former Baltimore homicide detective who often lets his determination run his investigation into trouble. He’ll bend a rule or throw a punch, whatever it takes to bring down the bad guy. The newest member of the team is Israeli Mossad Agent Ziva David, played by Cote de Pablo, a newcomer to television. She has the unenviable task of replacing popular actress Sasha Alexander, who exited the show after two seasons. She is, perhaps, one of the most complicated characters I’ve yet to encounter in ensemble television. She’s difficult to read and shows a performance level beyond the scope of a beginner. Rounding out the cast are two very nice characters. Pauley Perrette plays the goth chick/forensic specialist Abby Sciuto. She reminds me a ton of the Penelope Garcia character from Criminal Minds. She’s flirty, far too informal for Gibbs, but is a lot smarter and tougher than she appears. Making himself more visible in this series is David McCallum as pathologist Ducky Millard. Ducky is the Quincy of the group as he checks out the bodies. His dry wit makes him my favorite character on the show.

"I never thought we'd get back to this table. I can't tell you how good it felt to have dinner together again. We hadn't done that since the accident. To be honest, sometimes it felt like we'd never get over it. But somehow we did."

But will we ever get over the Walker family? This was to be the final season of the series, and the network wasn't exactly kind in its last days. The budget was slashed so that most of the characters appear in limited episodes. You won't find near so many of the Walker family gatherings as you did in previous years. This plays out very much like a series that is winding down. There are still some nice moments, and most characters get closure.

Get Shorty was one of the best films of the mid 90’s. I have seen it about five or six times and it is one of those rare movies that you see something new every time you watch it. It had amazing dialog, good action and this style to the whole movie was just uncanny. The movie was a film where one had to think but at the same time could enjoy themselves. So, when the sequel Be Cool dropped on blu-ray, would I be able to enjoy it as much as the original?

Chili Palmer (played by John Travolta) and Tommy Athens (played by James Woods) are riding along in the car talking about the movie business. Chili has been a producer for a few years now and is starting to think that he needs out. Tommy is half owner of NTL Records and pitches an idea about a movie involving his story as a music producer. They pass by a Get Lost movie poster with Martin Weir (played by Danny DeVito).

“This family thinks they are better than us!”

If you think the wedding “rom com” has been done to death, Jumping the Broom won’t change your mind. It covers much the same ground you’ve seen again and again, but one cannot deny director T.D. Jakes has crafted a charming if clichéd film.

Isn't technology grand? We live in a communication age that is unprecedented in human history. We carry devices, or at least most of us do, that provide the world at our fingertips on machines no larger than our palms. The internet allows us to have a world of information at those same fingertips. We do business over the net. You are reading a movie review over the net. But technology does have its problems. Cell phones mean distracted drivers and more accidents. Teen chat rooms mean that we can no longer guard our homes from the invasion of evil. Trust takes an intense look at just such an invasion and reminds parents just how powerless they are to protect their children. It's a sobering story that isn't presented here to entertain. Consider it fair warning.

Annie (Liberato) has just turned 16 and in all outside appearances she's a very typical 16-year-old girl. She has loving and engaged parents. Will (Owen), her father, is a big-time executive at an advertisement firm. Lynn (Keener), her mother, is a real estate seller. She has a brother Peter (Curnutt) who is about to leave for college. For her 16th birthday her parents bought her a new tricked-out laptop. This is her portal to the outside world and her chat friend Charley (Coffey). Charlie is a high school junior who gives her some great advice on making the volleyball team and on life in general. He seems to be the only one in the world we really understands her. So she's taken a little off-guard when he finally admits to being 20. Of course, the age begins to get older until they finally meet in secret at the mall. Now he's clearly in his mid-thirties but manages to convince her that he's still the same Charlie with whom she's shared so much. While she's a bit nervous, he wins her over and eventually up to a hotel room to model some sexy lingerie he's bought for her. It doesn't take a rocket scientist to figure out what's really going on here. Annie is in over her head, and Charlie takes full advantage of the situation.

By Natasha Samreny

Scent of a Woman is a rich example of classic storytelling maintaining its power through the years. In this American remake of an Italian tale, Al Pacino, Philip Seymour Hoffman and Chris O'Donnell continue to captivate. If you love the film already and want to make it part of your collection, consider its HD-DVD or Blu-ray versions, released later. It seems neither color nor sound were improved for this film until then. To fans' dismay, Universal has yet to update any discs with special features beyond the outdated text-centered cast/crew list and bios.