Posted in: Disc Reviews by David Annandale on September 9th, 2003
Synopsis
Maria is at war with the world, and one can hardly blame her, given her life. Her mother,Rosa, arrives in the city, accompanying her abusive husband, who is undergoing surgery. Mariaunenthusiastically puts Rosa up at her dingy apartment. Maria’s life continues to get worse,thanks to a relationship with a cruel truck driver, but her mother’s quiet dignity and absolutegoodness gradually begins to win her over. Then there is the Maria’s older neighbour, who isthe first kind ma...
Posted in: Disc Reviews by Archive Authors on August 22nd, 2003
Don’t be fooled into thinking that Y Tu Mama Tambien is just another trite love triangle movie, one that would have some catchy Sum 41 or Weezer song in all the promos. This movie is about far more than that. It’s about the nature of friendship, the consequence of action, teenage machismo, self-realization and learning what it means to enjoy life. This isn’t the Mexican version of Road Trip, either. They don’t get into wacky hijinks or the comedy of the absurd. Almost everything about Y Tu Mama T...
Posted in: Disc Reviews by David Annandale on July 7th, 2003
Synopsis
The central premise is that luck is a real force, a gift that people are born with but can betaken away. Deep in the bowels of a mysterious casino (one that sits in the middle of mountainwasteland) lives Max Von Sydow in Howard Hughes-like seclusion. He appears to be the darkgod of luck, capable of stealing any trace of your like by a single touch, and this is precisely whathe does to a protege who wants to strike out on his own. This latter, deprived of his own luck,seeks ...
Posted in: Disc Reviews by David Annandale on July 7th, 2003
Synopsis
The plot is an almost completely disconnected series of set pieces, and so defies easysynopsis. Essentially, a group of vampire hunters track a vampire king to the home of a richeccentric. Many battles ensue, and they are the main reason for watching this. The comedy islame, and the characterization non-existent. So many things happen, but for so little reason andwith so little relation to each other, that the story manages to be both frenzied and meandering.Apart from a fe...
Posted in: Disc Reviews by David Annandale on June 22nd, 2003
Synopsis
We are in the final days of WWII. The Allies are liberating Italy, but the Nazis and holdoutFascists haven’t quite been beaten yet. They still hold sway in the town of San Martino. Whenthe villagers are ordered to gather in the cathedral, a large group decide to flee into thecountryside, hoping to find the Americans. The film is narrated by a woman who, at the time ofthe story, is six years old, and thinks the flight is a grand adventure. There are great momentsof tendernes...
Posted in: Disc Reviews by David Annandale on June 17th, 2003
This is closer to a being a tone poem than a narrative, so there is hardly any plot as such. We move through Berlin in the company of angels. They can hear our thoughts, but they cannot interfere or feel the physical world. Two of the angels -- Damiel (Bruno Ganz) and Cassiel (Otto Sander) are increasingly disenchanted with their existence, and Damiel, falling in love with a trapeze artist, wants to become mortal. This simple story is built on very gradually, and most of the film consists in our hearing the innermost thoughts of various characters, and all these thoughts are presented in poetic (often elliptical) words. The cinematography is quite extraordinarily beautiful.
Posted in: Disc Reviews by David Annandale on June 11th, 2003
Melina Mercouri plays Illia, a character who makes prostitution seem like a carefree Utopia.She lives in a version of Greece where there only appear to be 5 women, and they are all ladies of the night. Into this extraordinarily male fantasy comes Jules Dassin, a deluded American idealist who wants to save Illia from herself. Naturally, he doesn’t have a hope, and Greek enthusiasm (think My Big Fat Greek Wedding on steroids) will inevitably overcome his anti-fun attitudes. Obviously, the picture has dated quite noticeably, and makes Pretty Woman look like a gritty expose.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2003
Synopsis
Young Father Amaro arrives in a small rural parish. He is an instant hit with the locals, inparticular the obsessively devout Amelia, who abandons her more secular boyfriend. Amarobecomes entangled in the power games between the church and a reform-minded newspaper,which outed Amaro’s superior as being in the pocket of the local drug lord. Amaro also findshimself more and more attracted to Amelia, and eventually succumbs to temptation. The Crimeof Padre Amaro makes for inte...
Posted in: Disc Reviews by Gino Sassani on May 6th, 2003
Synopsis
A single mother, harried beyond all bounds and desperate for work, is forced to leave heryoung, resentful son in the care of his deaf-mute grandmother for a couple of months. The seven-year-old is mightily displeased, and repulses his grandmother’s attempts to create a bond.Gradually, however, she begins to win him over. A low-key, thoughtful film, The Way Homebenefits from very real performances, and a kid who is convincingly mean and spiteful in theearly goings.
Posted in: Disc Reviews by Gino Sassani on April 7th, 2003
Synopsis
In 1986, a group of anarchists cobble together a home-made bomb and plant it in a hatedbuilding. Something goes wrong with the mechanism, and the bomb doesn’t go off until 2000, bywhich point most of the group have moved on with their lives. The fact that they filmedthemselves making the bomb presents a problem, however, and the reunited group must find away to break into police headquarters to recover the incriminating evidence. This film is not ablanket condemnation of se...
