Foreign

When a new 4K restoration of the 1993 Palme d’Or winner Farewell My Concubine — the first Chinese film to ever take home the top prize at the Cannes Film Festival — debuted at the 2023 Toronto International Film Festival, physical media collectors were waiting for the announcement that it would be released through the Criterion Collection. Well, fans did not have to wait long, as the Academy Award nominee for Best Foreign Language Film is being released by Criterion on both 4K and Blu-Ray, and this gorgeous restoration alone makes this edition worth picking up. That’s not even to mention the quality of the movie itself, which is considered a seminal film in Chinese cinema for both its content and form.

While times may have changed a bit, many countries, especially in the 1970's up until the turn of the century looked down in disgust at those from the United States, from the way they looked, to way they acted, right down to the language they spoke.  However, one of the things they most feared was that the US was going to take over their companies and do things the "American" way.  Today, we take a look at a film called Mille Milliards de Dollars.  In this film, we are introduced to the GTI, the Garson Texas International company, who are secretly taking over France Electronics, one of the biggest companies in Paris.  It's quite the scandal and should be a very interesting film.  Let's take a look.

On November 22nd, 1963; President John F. Kennedy was assassinated in Dallas, TX at approximately 12:30pm.  Quite possibly everything else about the event can be disputed in such a manner, and I won't even attempt to confirm one theory or disapprove another.  We have had movie after movie about this assassination, taking it in about every angle imaginable.  Those movies are not regulated to the United States, either, as other countries have also dabbled in the storytelling of this infamous event.  Many times these foreign productions treat it as a fictionalized event set in their own country, but the similarities are often so obvious that it cannot be disputed.  Today's film is I ... For Icarus, a French film that explores the controversy behind the assassination of President Marc Jarry, who was killed by Karl Eric Daslow.  Attorney General Henri Volney disputes the lone gunman theory, and this is the story of that investigation.  That sounds awfully familiar; let's take a look.

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

As I have mentioned numerous times, I am not a fan of horror movies.  In particular, my number one pet peeve is jump scares.  Now, for certain scary movies, I'll allow one good jump scare; it almost goes with the territory.  But if the director has to use one every fifteen minutes, my heart does not need that much of a workout, and I am going to avoid it very quickly.  This is mostly reserved for American movies, quite often on their fifth sequel.  However, Korean horror flicks know how not to use the jump scare and instead focus on making things as gruesome and disturbing as humanly possible.  Or inhumanly, perhaps.  Today, we take on a modern horror classic in the 2016 film, The Wailing as it makes its way on 4K UHD disc.  Let's take a look and see if the ol' ticker can handle this one.

Most people, when asked to provide the best Korean film in modern times, would probably answer Oldboy or Parasite.  Others might respond Memories of Murder or Train to Busan.  Maybe A Tale of Two Sisters or The Wailing.  I, on the other hand, always respond with the same title, The Man from Nowhere, which to this point in the US has only been released on Blu-ray from Well Go.  That Blu-ray was also the victim of a bunch of discs from Well Go that came away with a quick dose of rot, infecting my copy as well as many others.  For the last couple of years, I've been working with a bootleg, which I'm not exactly proud of, but felt necessary because I loved this film so much.  However, that changed, as Well Go has released a 4Kcopy of this sensational film (and also of The Wailing, which I will get to later in the week).  I thankfully received it a little bit earlier than expected and took it for a spin.  Let's see how it does.

Death is unfortunately something that comes to us all.  It's not something we can prevent, even if we do all that is necessary to prolong it.  In the same breath, we can control to some degree what we can pass on to our family and loved ones, whether it be our spouse, children, both, or perhaps none at all.  Whether it be wealth, property, movie collection (son, you have no idea), or perhaps some sentimental trinkets, a simple will and responsible caretaker should be all you need in order to pass it on.  However, responsibility can sometimes be fleeting.  Today, we look at a movie called Cracked, where pieces of art are passed down from a father to a daughter with frightening results.  Let's take a look.

It's a genuinely rewarding experience when you find a new director that you find intriguing.  Mostly because as the consumer, it's then a research project to find everything that person has ever done and then dissect which films you can go find to watch immediately.  When I watched Wheel of Fortune and Fantasy, I had that experience instantly.  I wanted to see more of Rysuke Hamaguchi's films.  So I bought a Criterion Blu-ray copy of Drive My Car back in July.  Shortly after that, I saw that his student film, Passion, was going to be released by Film Movement on Blu-ray, and I was eager to get a copy.  Luckily, I didn't have to wait too long, because the opportunity to review presented itself even before the release date.  Let's dive into this film and see the early workings of a true master of the conversation.

Korean horror has picked up in the last twenty years tenfold.  From films like Bedevilled and Thirst, they took on the revenge and vampire themes that a lot of classic horror films are built upon.  But honestly, I've been most impressed with films like The Wailing and Train to Busan.  The latter bred new life into the very tired zombie genre and made a darn watchable film, while The Wailing knew exactly what buttons to push when it comes to religion but then used that to make an interesting and thought-provoking film.  That's why when I saw that we had a copy of Seire, I knew I had to review it, even though I probably would be too scared to write about it for a few days.  I'm so glad I did.