Posted in: Disc Reviews by Gino Sassani on March 31st, 2023
"Him is he who bays and slavers forever outside time and space, who shambled down out of the stars when Earth was new and spawned abominations in the seas and blights upon the land. Woe to man when He comes again. To gaze upon his form is to invite madness. That is why in order to serve Him I chose to make some adjustments. Him, The Lurker is on the threshold, and behold, He is coming..."
The latest release from the Warner Brothers animation team in the world of DC Comics is Batman: Doom That Came To Gotham. This series of animated films is no longer part of any shared universe as the many that came before might have been. At least for now these animated adventures are standalone stories, often with their own atmosphere and universe. That's certainly true of Batman: Doom That Came To Gotham. This is likely the most uniquely-styled entry in the series of animated feature films.
Posted in: Disc Reviews by Michael Durr on December 21st, 2022
I am not usually into serious zombie movies or television series. I am not a particular fan of The Walking Dead or The Night of the Living Dead. I do allow exceptions for, say, the Resident Evil series, or perhaps something funny like Shaun of the Dead. So the first time I saw Paranorman probably about half a dozen years ago, I wasn't expecting much. Thankfully I did not let my biases creep in, and to be honest, quite enjoyed myself. So I was very excited when I saw the 4K slide across my desk. Let's dive in.
This is a feature presentation. We join a horror movie already in progress. There are monsters, lost of squishy stuff, and some bloodcurdling screams. Then the zombie goes munch munch on the brain matter of the blonde heroine. Rumor was that it was far from satisfying.
Posted in: Disc Reviews by Brent Lorentson on December 16th, 2022
Over the past decade we’ve seen a resurgence in reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain. When I first heard about the series, I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre. Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened. Without George Romero being around, I just wasn’t even sure I’d want to see a show that could possibly just water down everything that was great about the films and simply turn out to be a cheap imitation. The first two seasons of the series I enjoyed, and they offered plenty of promise for things to come. How do Greg Nicotero and his creative team deliver on their third season endeavor?
Episode 1 is a bit of split bag. The first story, Mums, is a fun little revenge tale that involves some carnivorous plants, and the second story, Queen Bee, is a bit of social commentary about fans idolizing their celebrity heroes and going a bit too far in the name of fandom. The revenge aspect of Mums certainly makes this a fun story. I don’t want to spoil much with it, but it is definitely the stronger of the two stories. My biggest issue with Queen Bee is the actual creature effect. This is one where less would have been more, because I simply wasn’t a fan of the creature design, and it just took away from the potential creep factor of the storyline.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2022
"You think we just work at a comic book store for our folks? This is just a cover. We're dedicated to a higher purpose. We're fighters for truth, justice, and the American way."
In the 1980's The Two Corey's became somewhat of a Hollywood fad and worked well to bring the teens out to the movies. They did eight films together, and it all started with The Lost Boys. The guys' paths had crossed several times, with both being up for some of the same parts. But it wasn't until this film that they actually met, became friends, and started a trend. Unfortunately, times would not go well for either Corey. The life would take its toll, and Corey Haim died at a too-young 38 in 2010. Corey Feldman would not do much better. His own experience with sexual abuse in the industry bought him a hard time getting roles for a while, as the industry wasn't too happy that he was opening up these Hollywood closets. He turned it into a cause and has worked to help others in that same situation. He was literally a decade or so ahead of his time. Today these accusations are taken much more seriously, and he's been more than vindicated over the years. But it all began with The Lost Boys, a film that made vampires more fun and kid-friendly. Now Warner Brothers has brought it out in UHD Blu-ray in full glory 4K.
Posted in: Disc Reviews by Michael Durr on October 17th, 2022
1982. I was seven years old, and my mother, who loved horror movies, wanted to take me to see Poltergeist. Unfortunately, around this time, my dad was usually on the road, and so there was no one really there to say maybe we shouldn't. Honestly, even if my father was there and did say no, I doubt my mom would have listened. It was PG; how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.
Please note that parts of this review are borrowed (story, critique, special features) from the 2007 DVD review I did 15 years ago. However, where possible I am enhancing what I wrote, as I think I write better these days. Maybe I have lost a touch of my creativity, but that's a story for another day.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2022
"There are certain rules that one must abide by in order to successfully survive a horror movie."
No one knew those rules better than Wes Craven. He helped to create them, after all. Starting in 1972 with the cult favorite The Last House On The Left, he followed that just two years later with The Hills Have Eyes, which led to a sequel. But it wasn't until a decade later that he would deliver his masterpiece and most successful franchise, Nightmare On Elm Street. Wes Craven introduced the world to Freddy Krueger, and our dreams have never been quite the same since. While others attempted to reproduce the same results with many sequels, it was Craven himself who put Freddy to bed with New Nightmare exactly 10 years after his birth. A remake never got much traction, and Wes Craven's place in horror history was assured. In 1996 he decided to take one more stab at the slasher genre and delivered one of the best films to look directly back at the audience and celebrate the genre. Scream was another hit and another franchise staple. He took a then relatively unknown cast and made them household names with future amazing careers and decided that it was time to also poke a little fun at himself and his colleagues. The result was four films and an upcoming kind of reboot/sequel after a three-year television series examined the material. More importantly, it led to an entire sub-genre of films that include the Scary Movie franchise and others. Now, just in time for the holidays and the new film, you can see Scream in 4K with this UHD Blu-ray release.
Posted in: Disc Reviews by Brent Lorentson on June 21st, 2022
Offseason is the type of film we just don’t get a lot of anymore. It’s a film that heavily pays homage to HP Lovecraft and The Messiah of Evil and other films of the 70’s era, only there is little to no gore to show for it. There’s a strong Silent Hill vibe going on with the film, especially with the copious amounts of fog that seem to always be around. It would seem that this film has all the makings to be a hit, especially when it seems to be going for tropes that I like in a horror film, but unfortunately this one just missed its mark by making two big mistakes. One, it was too obvious, and two, it just totally screws up the ending. I’m not expecting every movie to be the next Wicker Man, but it seems that writer and director Mickey Keating is trying so hard to be on the same level as Ti West and Robert Eggers that the film just comes off looking like a good-looking snore-fest we’ve seen before. I really wanted to like this, and it had a lot going for it, but it seems when you pull inspiration from too many sources, it can get pretty messy.
Marie Aldrich (Jocelin Donahue) gets a notice that her mother’s grave has been vandalized and that she must immediately come to the remote tourist island. We find out that her mother, Ava Aldrich (Melora Walters) never even wanted to be buried on this island, but that somehow her will was mysteriously changed, and she was still buried on the island. Marie knows little to nothing about the island, but she goes out there to see to the repairs that need to be made for her mother’s grave … trouble is that the island is being evacuated of tourists, and if Marie and her beau, George (Joe Swanberg) don’t get things sorted out in time, they run the risk of being abandoned on the island.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2021
"80 billion light years of hive knowledge across universes would explode your tiny little brain."
Sony released two films from their corner of the Marvel universe in 2021. On October 1st we got Venom: Let There Be Carnage. October was a good spot for the film that taps into the horror film vein as much as it does the comic book superhero world. The first film did pretty well, and Sony really wants to expand their little corner of Marvel. The film did quite well in this post-COVID reality and pulled in $500 million in 11 weeks. That was impressive, to be sure. Spider-Man No Way Home was the other Sony/Marvel film. It had the unfortunate timing of releasing just as the Omicron variant of the virus hit, and as some states are going back to various restrictions there was some question if audiences would venture out into the cinemas in enough numbers to give the film any kind of return at all. After all, we've seen big-budget films fall to the wayside enough to understand this is risky business. That question has been answered. Yes, Let There Be Carnage pulled in a great haul in these uncertain times, but Spider-Man just pulled in more in three days than Carnage pulled in over 11 weeks. People are coming back to the cinemas, and is it any wonder at all that Sony is trying to position themselves to cash in on that trend with more than their cooperative films featuring everyone's Friendly Neighborhood webslinger? As far as live-action films go, the Venom series appears their best chance to do just that.
Posted in: Disc Reviews by Brent Lorentson on December 16th, 2021
I was disappointed when it was announced that James Wan wouldn’t be returning to helm the third Conjuring film, but when the reasoning was that he had a new original concept to direct, well, it still made me pretty happy. When it comes to the technical side of filmmaking, I feel James Wan is one of the most exciting directors currently working in the industry. What the guy pulls off is impressive mostly because he relies more heavily on in-camera trickery than depending on CGI. Sure, he did Aquaman and is about to do the sequel, but those films aside, he’s pretty much a master of the practical craft who I’d put up there with Hitchcock. So when I saw the trailers for Malignant, I’ll admit I was a bit excited, especially when Wan had said that this was a nod to the Giallo films of the past. But did he deliver?
The first thing I have to say is this film is not a Giallo film, but what it does have in common with the stylized Italian slasher genre is that Malignant IS highly stylized, but it’s more of a hybrid of several other genres. In many ways this might be James Wan’s best work behind the camera and shows just far he has grown since he made his splash in the industry with Saw. But from a storytelling standpoint, I can understand why it is a film that divides fans.
Posted in: No Huddle Reviews by Jeremy Butler on December 16th, 2021
A whodunnit with teeth … that is a most apt description, and for me, that made the film all the more entertaining. I mean, who doesn’t love a good whodunit? And when that whodunit comes with a supernatural twist … even better. In the case of Werewolves Within, that supernatural twist in kind of on the nose. One of the characters actually gives a great explanation regarding the existence of werewolves being more likely than a particular type of person. I wish I could use the exact phrasing, but I fear that would ruin the whodunit element of the film for you. Sam Richardson leads the cast in this quirky yet intriguing comedy horror. Richardson is someone who has been showing up more and more on my radar in recent years. Each time he does, he feels a bit typecast in the role of a socially awkward individual; he was that way in The Tomorrow’s War as well as when he stared alongside Brittany Snow in Hooking Up. Despite this typecasting, Richardson has presence, somehow invoking the words of Mr. Rogers and applying them in modern day context. However, we are getting ahead of ourselves.
The story follows Richardson as Finn Wheeler, a forest ranger newly assigned to the town of Beaverton. The consummate nice guy, Wheeler almost immediately finds himself at odds with several townsfolk, who are embroiled in a debate regarding approving a gas pipeline to be implemented in town. This issue has divided the town, as its implementation requires a majority vote. On a positive note, Wheeler does manage to make a friend/possible love interest in the form of mail carrier Cecily Moore (Milana Vayntrub). Like Wheeler, she is a bit quirky, and the two do seem like a good fit. However, their potential romance is complicated by the fact that Wheeler is still hung up on his ex, who he didn’t realize was an ex until Cecily clued him in. And of course, a suspicious blackout and the discovery of a corpse also complicates their potential romance.
