Posted in: Disc Reviews by David Annandale on February 4th, 2006
Synopsis
Nine people are kidnapped and imprisoned inside a huge mansion. A voice informs them that only one of them will leave this place alive. That person will win five million dollars. But meanwhile, the owner of the voice will enjoy watching them kill each other. Present are a young dancer, a priest (Dennis Hopper, of all people), a cynical French music composer and his wife, a gay fashion designer, a runaway, a glamorous former tennis star, a cop, and a resentful rapper. The mix gets volatile ri...ht away, and their captor is in for plenty of entertainment via his innumerable cameras.
Posted in: Disc Reviews by David Annandale on January 30th, 2006
Synopsis
Summarizing this puppy is a bit of a challenge. But here goes: a nameless young woman (Samara Golden) moves into a dingy apartment located in the middle of an urban hellscape. The place is a mess, with the previous owner’s possessions scattered everywhere. There are plenty of messages on this guy’s answering machine, too, some plenty aggressive (and these messages are the only dialogue in the film). Is the man still alive, and watching her from the ventilation duct? Has she killed him? How m...ny of the nightmarish things that happen are real, and how many are her hallucinations.
Posted in: Disc Reviews by Archive Authors on January 2nd, 2006
Synopsis
Julian Morris is the new guy at an exclusive high school. Exclusive, presumably, because all the students look five to ten years too old to be high school students. At any rate, he falls in with the hip crowd, led by ice queen Lindy Booth, and they decide to play a game with the rest of the student body by sending out a hoax e-mail leading all and sundry to believe that a serial killer is loose on campus. But then it begins to appear that there IS a killer, and that he isn’t too happy about ...he hoax.
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis
After an unsuccessful exorcism ends with the death of its subject (Jennifer Carpenter in the title role), priest Tom Wilkinson is charged with negligent homicide. The prosecutor is a devout Christian (Campbell Scott). Wilkinson’s lawyer is the agnostic Laura Linney. As the court battle progresses, we witness Carpenter’s story in flashback, with her possession beginning while she’s away from home in college. Linney, at first dismissive of Wilkinson’s claims, gradually finds her peace of mind ...rumbling as she begins to witness strange events.
Posted in: Disc Reviews by Archive Authors on December 31st, 2005
Synopsis
Jennifer Connelly is going through a messy divorce with Dougray Scott. They are feuding over the custody of their daughter. Trying to piece her life together, Connelly rents an apartment in a down-at-the-heels building on Roosevelt Island in New York City. A leak develops in her ceiling that keeps getting worse. Her daughter develops an imaginary friend. The supernatural events gather force, apparently determined to drive her out of her mind.
Posted in: Disc Reviews by Archive Authors on December 19th, 2005
Synopsis
A prehistoric crocodile is genetically resurrected (using the Jurassic Park treatment, one assumes, though one is never told), supposedly because its growth hormone will solve world hunger (more or less the scenario that led to giant grasshoppers in Beginning of the End, and that was 1957). Anyway, the titular dinocroc gets loose from the sinister corporation’s lab, and starts gobbling up the nearby population. It’s up to Aussic crocodile hunter Costas Mandylor (Your Guide To Quality ...ilm) along with the local animal control officer and her welder/artist boyfriend to stop the beast.
Posted in: Disc Reviews by Archive Authors on December 17th, 2005
Peter Jackson is a true visionary. In most circles, such a statement is agreed upon if the subject is the Lord of the Rings trilogy, or his brand new King Kong remake. There are also those who'd rather remember him for his schlocky, disgusting, and dangerously enjoyable efforts Braindead and Bad Taste. Of course, either camp will love his work. It's just a matter of preference as to which type of film they love more. I'd say most find his latest efforts to be superior to those low budget e...rly works. But none of his modern genius would have been possible without The Frighteners, his breakout studio film, which garnered respect and financing from Hollywood heavyweight Robert Zemeckis. By the same token, one might say The Frighteners would have never been possible without his terrific Heavenly Creatures. The debate can rage on for as long as it needs to, but the heart of the matter reveals this: Peter Jackson makes great films, and while he may not be a perfectionist, his work argues to the contrary -- The Frighteners being no exception.
This two-hour director's cut treats its viewers to a hefty 14 minutes of extra footage, and most of it is easily recognizable to those who have seen the theatrical release a couple of times, or once recently. By recognizable, I mean you'll know it's new when you see it. Right away, I want to mention a mild concern I have for the director's cut, and it's the same kind of problem other critics have pointed out about his latest effort King Kong. Most of the deleted scenes add a stigma of excess to the film. It's longer than it probably should be. But at the same time, you find yourself so in love with the picture Jackson puts together that you don't really mind the more meandering pace. In fact, you kind of enjoy it because the new scenes add more of the same rowdy horror-comedy fun, and come across as visually endearing. This film is eye candy, but it also doesn't forsake characterization and plot for the sake of its mayhem.
Posted in: Disc Reviews by Archive Authors on December 15th, 2005
Synopsis
During the Cold War, a vaguely defined group breaks into a Romanian church and the cavern beneath it for vaguely defined reasons. They accidentally trigger a landslide, trapping themselves beneath the earth. Jump forward thirty years, and the cavern has been rediscovered. A team of cave divers headed up by Cole Hauser descends into the depths, and soon find themselves up against vicious bat-winged monsters. A parasite enters into Hauser’s blood, and he slowly starts to transform into one the...e beasts himself, raising the question as to whether he will retain his humanity long enough to save the people for whom he is responsible.
Posted in: Disc Reviews by Archive Authors on December 9th, 2005
Synopsis
We all know the story, even if we haven’t seen the film. Risk-taking (and potentially criminally irresponsible) documentary maker Carl Denham (Robert Armstrong) charters a ship and sets off for an uncharted island. On board are first mate Jack Driscoll (Bruce Cabot) and Ann Darrow (Fay Wray), the woman Denham has tapped for the lead in his film. They arrive at Skull Island, and before long, Ann is kidnapped and offered as a sacrifice to Kong. The giant ape falls for Ann, and a romantic trian...le of truly mythic proportions ensues as Jack and Kong struggle with each other (and other monsters) for possession of the woman.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy, released a four disc Ultimate Edition to capitalize on the theatrical release of the remake, done in grainy, handheld, 28 Days Later style by director Zack Snyder. There isn’t too much here plotwise that you need to be aware of. 4 people decide to seek shelter at an abandoned mall, a continuation of Romero’s first film Night of the Living Dead. I don’t really know of an underlying moral tale in this...film, aside from trying to make a life for yourself again, it really is about trying to get past the zombies and find some sort of freedom, wherever that may be. Special effects whiz Tom Savini gets to show off more of his work here, though not as much as in Day, as he spends some time in front of the camera as the leader of a biker gang.
