Posted in: Disc Reviews by Archive Authors on July 27th, 2006
Synopsis
In 1908, an inbred hillbilly (played by, who else, Newhart’s William Sanderson) had decapitated a family member, and is brought to a spooky asylum. A maniacal intern realizes that the face-like deformity on the man’s back is actually intelligent, and his obsession with cracking the mystery unleashes all sorts of horrors.
Posted in: Disc Reviews by Archive Authors on June 29th, 2006
Synopsis
Four teens hit the wilderness, looking for a Professor Waterman (celebrated SF/fantasy/horror writer Fritz Leiber in a non-speaking role). The professor is missing, but they find an ancient time that turns out to provide the secrets of life, death, and the demons beyond. Said demons want the book back, and our heroes are attacked by one monster after another.
Posted in: Disc Reviews by Archive Authors on June 24th, 2006
At the end of the day, The Cavern is an old-school monster movie (of sorts) with some really annoying habits. The shaky camera technique can only take one so far. When a filmmaker tries to use it in place of suspense, it grows old very fast. And when this crew of cave divers enter the mysterious crawlspace of the film's title, writer-director Olatunde Osunsanmi goes hog wild with every gimmick angle he can think of. The result of such activity is the remnant of a good horror film, which builds mood nicely with...some gritty settings, but quickly descends into shoddiness rather than terror. The plot centers on a cave in the deserts of Central Asia, where a team of explorers coping with a tragedy have reunited to explore a neglected passage deep in the earth's crust. Little do they know, someone - or something - has beaten them to the site, and is now intent on keeping the finding for itself in any violent way possible.
Some of the best films are spawned from the simplest of ideas. And The Cavern has a cast, which does its best to capitalize on such simplicity. Despite the film's budget and obscurity, these performers give it their all, and have nothing to be ashamed of; because, for all the film's failures, they keep it from turning into a laughable college film class production from some obscure midwestern university. They do so by actually knowing how to act, and taking the content seriously... even if it doesn't return the favor. Osunsanmi is the real blame for this missed opportunity. He tries so hard to flex his directorial muscles the entire 81 minutes comes across as numbing and disorienting. And while 81 minutes isn't very long in normal film terms, it seems like a lifetime when you are using every moment to try and figure out what the heck is going on.
Posted in: Disc Reviews by Archive Authors on June 23rd, 2006
Synopsis
Masahiro Motoki plays a well-to-do doctor, very much concerned with class difference, eager to distance himself from slum-dwellers, whom he regards as barely human. He is deeply in love with his fiancée, a woman suffering from amnesia. His life collapses in chaos when his parents are murdered by a prowler, who then throws him down a dry well. This prowler turns out to be his twin, who proceeds to take over his identity.
Posted in: Disc Reviews by Archive Authors on June 11th, 2006
Synopsis
A group of occultists horsing around with more than they know accidentally open up an evil portal and unleash a terrible force upon the world. Fortunately, there’s an organization of Demon Hunters on the job, determined to send this evil and all if its minions back where they came from.
Posted in: Disc Reviews by Archive Authors on June 7th, 2006
Synopsis
Rayne (Kristanna Loken) is a dhamphyr – a human/vampire hybrid. Escaping from the carnival where she is imprisoned as a freak, she sets out on a crusade against vampires, her ultimate target being the lord vampire Kagin (Ben Kingsley, an actor showing Michael Caine’s former penchant to whore himself out without shame), who also happens to be her father. Along the way, she forms an initially uneasy alliance with Michael Madsen, Michelle Rodriguez, and Will Sanderson – members of Brimstone, a ...ampire-hunting organization.
Posted in: Disc Reviews by Archive Authors on May 30th, 2006
Synopsis
On their way to a regional competition, a group of cheerleaders have a car accident, and wander into the rural landscape to look for help. They come across an apparently abandoned house. Two escaped convicts also find that house, and take two of the girls hostage, but soon everybody has a bigger problem in the shape of a hulking killer, Andre the Butcher, who has all sorts of supernatural powers as well as plenty of sharp blades.
Posted in: Disc Reviews by Archive Authors on May 25th, 2006
Synopsis
Years after the disastrous end of Kevin Bacon’s experiment with invisibility, the process has been revived with intent to create a super-soldier. Christan Slater (as Michael Griffin, the last name being a nod to the original Invisible Man) is the soldier experimented on, but he’s an uncontrollable killing machine. Denied the “buffer” – the injection that will prevent the lethal side effects of the invisibility formula, he tracks down the one person who knows how to create it: biologist Laura...Regan. Soon she and Peter Facinelli as the cop determined to protect her are on the run from both the invisible psychopath and the equally dangerous and amoral authorities.
Posted in: Disc Reviews by Archive Authors on May 9th, 2006
Synopsis
Spanning 1966 through 1995, these are six short features covering David Lynch’s career from is very beginning to his current position as one of the most important voices in American cinema. The shorts are, in order: “Six Men Getting Sick,” “The Alphabet,” “The Grandmother,” “The Amputee” (two versions), “The Cowboy & The Frenchman” and “Lumière.” As one might expect from Lynch, there is a pretty heavy nightmare quotient here. The first three films have a lot of animation, and the result is n...t unlike the hallucinatory collaboration between Monty Python’s Terry Gilliam and Norman MacLaren. The most substantial piece here is “The Grandmother,” a half-hour journey through a little boy’s hell and the grandmother he grows to protect him from his horrible parents. Lynch introduces each film, contextualizing it in his life and career, and there are shots of her first camera, the receipt for it, and the like. For Lynch fans, this is essential viewing. For film historians, ditto.
Posted in: Disc Reviews by David Annandale on April 18th, 2006
Synopsis
After a very rough lovemaking session with her ethically dubious (to say the least) psychiatrist, KatieBird Wilkens (Helen Udy) knocks the sap down, chains him up, and proceeds to torture him, all the while recounting how she came to be a serial killer. Flashback to her childhood, and especially her adolescence, when her mild-mannered father (Lee Perkins) introduces her to the joys of killing. KatieBird (played in her teens by Taylor M. Dooley) develops her own unique way of dealing with her...victims: she wants them to hurt her, too.
