Posted in: Disc Reviews by David Annandale on November 8th, 2004
The setting is the home of a decaying family of French aristocrats. The Marquis del’Espérance (whose name is deliberately ironic) is desperate to marry his son Maturin to heiressLucy Broadhurst. Their marriage is in the will of ancestors, but with many conditions. Maturin’sgreat-uncle is desperate to stop the marriage, believing for some reason that it will kill Maturin.Meanwhile, Lucy has vivid dreams of Romilda de l’Espérance who, two centuries before, had avery erotic encounter with a beast in the woods.
Borowczyk takes the story of Beauty and the Beast to its logical conclusion, and the result isdream-like, surreal, poetic, shocking, and very funny. His style has long been noted for itsfetishization of inanimate objects and its attention to the erotics of the small details, and nowhereis this clearer than in The Beast. The visuals are gorgeously lush, drawing the viewer intoa world of heady eroticism. Among Cult Epics’ erotica releases, this is the jewel in the crown.A major release.
Posted in: Disc Reviews by David Annandale on September 14th, 2004
Synopsis
Lola (Anna Ammirati) delights in turning heads in her village, engaging in such antics as riding her bike with her skirt billowing up behind her. The men all think she's great, while the women aren't so fond of her (though the woman working on her wedding dress would clearly like to get to know her better, if you catch my drift). Her main problem is her fiance, who, much to her frustration, refuses to have sex before their marriage. Then there's her stepfather, who seems more than appro...riately interested in Lola, too.
Posted in: Disc Reviews by David Annandale on January 20th, 2004
Synopsis
Oh, give me a break. You want a plot synopsis for softcore 3-D porn? Fine, then. There issome incomprehensible gibberish about a crook the police are trying to nail, and the club ownercaught in the middle, who also suffers from impotence and is in love with the crook’s girl. Andthere’s a psychiatrist who keeps materializing out of thin air. There. That good enough forya? As for the sex, wake me up when it’s over.
Posted in: Disc Reviews by David Annandale on August 8th, 2003
Synopsis
There are three movies here: Miranda, The Key and All Ladies Do It(whose Italian title, Cosi Fan Tutti sounds much less awkward). Though taking place indifferent periods (the first two are set in Fascist Italy, while the third is more modern), all threeshare some similarities in terms of plot: a dark haired-beauty has a long series of eroticencounters, but her true love belongs to one man. Handsomely mounted, with nice attention tocolour and costume, the...films have rather dull stories, and Brass has to ease up on the zoomlens.
Posted in: Disc Reviews by David Annandale on December 28th, 2002
There isn't really a plot, as such. In collaboration with director/photographer/scripter/editor Nico B, co-director/composer/writer Rozz Williams works out his serial killer fantasies through the images of a pig-faced man torturing another. The big influences here are equal parts Eraserhead-era David Lynch, the surrealist films of the late-20s-early-30s (especially Un ChienAndalou) and the contemporary piercing/SM scene. In fact, there are moments where this plays like an artsy infomercial for the latter. There is some nice imagery here, but Pig doesn't really go much beyond its influences. The torture scenes, while not for everyone (most of the needles-through-the-penis stuff is obviously real) lack both the emotional context that give similar sequences their power in films such as Sick (where they're for real) and Audition (where they're not). To the contrary, there's something a little too "look at us! aren't we gross!" here, not to mention the fact that, for a supposedly transgressive feature, the atrocities are mostly of the "been there, done that" variety. All this said, the black-and-white photography and ambient score generate some nice atmosphere.
Audio
Posted in: Disc Reviews by David Annandale on September 15th, 2002
Miranda flits between four men, trying to find the right lover and husband (to replace the onewho died in during WWII). And so we move from one nicely dressed set to another, for onebadly dubbed sexual encounter after another. Pretty, but dull.Audio
The sound is mono, and gets off to a rocky start, with a lot of hiss and static in thebackground as the credit music plays. The hiss diminishes afterwards, but you will have to put upwith the dubbing and wildly anachronistic dialogue.
Posted in: Disc Reviews by David Annandale on May 11th, 2002
The film may take place in London, and feature English actors, and be shot in English, but this is definitely French cinema. How do we know? Because the sex scenes hit hardcore explicitness, and none of the characters are particularly happy about any of the proceedings.
Synopsis
Posted in: Disc Reviews by David Annandale on January 22nd, 2002
In 1993, Virginie Despentes burst onto the French literary scene with Baise-Moi (“F**k Me”), a snarling novel who’s unblinking, deadpan, yet philosophically pointed excess places it in the tradition of Sade. In 2000, Despentes and Coralie Trinh Thi co-directed and scripted this adaptation, which has already forced the French government to re-evaluate its ratings rules.
Synopsis
