Posted in: Disc Reviews by Gino Sassani on February 3rd, 2012
"It is generally thought that time travel is impossible. Tonight, however, we ask you to bravely go where no audience has gone before, back in time to the 1970's"
And that's exactly what you'll get to do if you're smart enough to take my advice and pick up Styx: The Grand Illusion & Pieces Of Eight Live on Blu-ray from Eagle Rock Entertainment. It doesn't matter if you're old enough to remember when these albums were first released in 1977 and 1978 or if you've newly discovered the band and the albums. In fact, it doesn't even matter if you're a Styx fan at all....yet.
Posted in: Disc Reviews by Michael Durr on December 21st, 2011
Most people if they were to look at my music collection would notice one genre more than others. That is glam rock. From the mid 80’s to early 90’s, glam rock was completely in vogue with bands like Bon Jovi, Whitesnake and Motley Crue. However, if you were to read up on your glam history, it actually started in the seventies with groups like the New York Dolls and stars such as David Bowie. Enter the movie, Velvet Goldmine, a fictional look at Brian Slade, better known as Maxwell Demon.
In 1854, at the city of Dublin it is said that aliens came down and delivered Oscar Wilde, a famous writer and poet, to a local monastery. He was quote once that he wanted to be a pop idol. On his neck, we can see a green broach that somehow found its way one hundred years later to the hands of a young Jack Fairy. Jack knew that he had been singled out for his great gift and that the whole stinking world would be theirs.
Posted in: Disc Reviews by Michael Durr on December 14th, 2011
Quick, ask me a question that involves Rock and Roll music. Chances are the answer to that question is either the Beatles or the Rolling Stones. The answer was Nickelback? Oh, then the question must have been: Name a Band that only had two good albums and spent the rest of the time copying their own music repeatedly until you wanted to smash Chad Kroeger in the face. Anyway, our review today takes us to 1978 and the Rolling Stones. See, I told you all avenues lead to the Beatles or Stones.
The Rolling Stones by 1978 were a huge success having released over a dozen albums, many of which reached Gold and Platinum status many times over. Their latest album, Black and Blue went to Platinum in the US and hit #1 on the Billboard charts and stayed on the charts for twenty four weeks. Their two big hits off the album included “Fool to Cry” and “Hot Stuff”. The former song, “Full to Cry” scored as a top ten hit. In addition to Platinum status in the US, France and the UK both reported Gold sales for the record.
Posted in: Disc Reviews by William O'Donnell on December 5th, 2011
The latest incarnation of Deep Purple is going the route of many “classic” rock and/or metal bands, and are putting being accompanied by a symphony for a special release. This particular concert closed out the 2011 Montreux Jazz Festival.
Many do not realize just how powerful a symphony sound can be without ever hearing one live. For this concert film, it helps when a heavy metal band is present to be matched and/or enhanced by the sheer boom that is power of a symphonic sound to help make for a nice example. The frequently bluesy riffs of Deep Purple, coming from songs both new and old, are complimented well by a large assembly of strings and horns. It should be noted that this is not a full symphony, but something similar to the size of a Count Basie orchestra setup. In fact, there are some songs where the symphony do not play at all, such a “Space Truckin'' whose chunky riffs might be best left alone.
Posted in: Disc Reviews by William O'Donnell on December 3rd, 2011
Somewhere, somehow, Usher has been dubbed the reigning “King of R&B.” I understand his sales are immense and popularity is undeniable, but I am hearing his name being said in the same sentence as James Brown and Michael Jackson. Those are insanely high standards to live up to, so I was was expecting a lot from the “OMG Tour” live performance.
Amidst scantily clad women, soaring lasers, massive video screens, a hyperactive backing band and sweating buckets in front of a sold out crowd, Usher does an 19 song long Michael Jackson impression. Am I watching the next King of Pop? Or (lord help me) King of R&B? (may the ghosts of Motown have mercy on whomever anointed Usher with that moniker). No, I am not. I am, however watching an extremely smooth dancer, a hard working entertainer, and charismatic singer lead an enormous stage production with a confident, cool professionalism.
Posted in: Disc Reviews by Michael Durr on December 1st, 2011
My parents were always an oddball lot when it came to music. My mom liked the crooners and if she ever did touch rock and roll, it was something very light and airy. My dad however was a totally different animal. He listened (and still does) to Led Zeppelin, the Moody Blues and Queen. But perhaps one of his favorite albums of all time is Paranoid by Black Sabbath. The front man for Sabbath is the one and only Ozzy Osbourne. I find myself in a fortunate position where I get to review his documentary, God Bless Ozzy Osbourne.
As we open up this documentary, we are told that the makers of this movie have spent the last two years on the road with Ozzy Osbourne. Nearly everyone survived. We visit Argentina as one of Ozzy’s tourstops. We get a very candid look at Ozzy as he puts on makeup, exercises his body and his voice and his slow walk to the stage. He seems to be an everyday normal heavy metal singer but this person who is always been labeled as “Rock n Roll’s definitive crazy person” has a special tale to tell.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
“You can blow out a candle, but you can't blow out a fire. Once the flames begin to catch, the wind will blow it higher”
Peter Gabriel, the flamboyant original front man for Genesis from 1967 to 1977, left that band to pursue recording his own solo albums. Although none of his early albums scored a top 40 hit, they were deeply loved by the art house music crowd. Gabriel’s penchant for exotic world musical instruments, dark moving lyrics, and complicated arrangements built on his fiercely loyal following.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
Let me get this out of the way first off: I am not a big fan of emo-pop, so maybe I’m not the best person to review Placebo. The whiny nasal vocals and amazingly repetitive hooks tend to drag, and I find myself just wanting to slap the band and tell them to man up. That said, I should think if you are a fan of the band, you will love this nearly three hour concert disc filmed at London’s Brixton Academy in September 2010 during the band’s tour for their album Battle for the Sun.
Placebo is not a band that has achieved the same level of popularity in North America as they have abroad. Their “emo” stylings have spawned numerous top ten singles in the UK. The three-piece band is very tight on stage, and their sound is pristine live. The striking stage visuals are complemented by all sorts of digital post effects seamlessly inserted into transitions (maybe a few too many post tricks, as it seems to detract from the show, drawing attention to the video editor instead).
Posted in: Disc Reviews by William O'Donnell on November 9th, 2011
The king of the parodies has been consistent in the studio, in videos and on stage for nearly 3 decades. This DVD allows him to prove the latter. Though various costume changes and instrument shifts, Al and his longtime band mates delight a packed Massey Hall in Toronto.
The lion's share of the set list is dedicated to Al's latest release Alpocalypse. Of course, a few of his staples, such as “Smells Like Nirvana,” “Amish Paradise” and “Fat” have to be present. There is also a lot of fan service made during a medley of 11 songs, new and old, played at the halfway point of the concert. During this set of songs, when it seems appropriate, Al will assume the lead character of the song . This sometimes means he's adopting the persona of the performer he is parodying, such as donning a blonde wig and thrashing about the stage ala Kurt Cobain, becoming the cartoonish version of an artust that has appeared in one of his music videos, such as Al's infamous fat suit for the “Fat” parody of Michael Jackson, or something completely original, such as his unnerving but amusingly lecherous lounge singer character for “Wanna B Ur Lovr,” who prowls through the audience seeking female targets to leer at while he croons sexual innuendos at them.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2011
"We skipped the light fandango, turned cartwheels 'cross the floor. I was feeling kinda seasick but the crowd called out for more. The room was humming harder as the ceiling flew away. When we called out for another drink the waiter brought a tray."
The lyrics are about as familiar as any that have been written in the last 60 years of rock music. Whiter Shade Of Pale is one of the most covered songs in history. From The Box Tops to Joe Cocker. The list includes such bands as ASA, The Dells, Willie Nelson and reggae artist Marlene Webber. But the lyrics belong to Keith Reid, and the original version belongs to the band Procol Harum.