Music / Concert

Somewhere between Iron Maiden and Pink Floyd lies Queensryche's concept albums Operation Mindcrime parts one and two. Part One was released in 1988 and has since been heralded by many as one of the finest heavy metal albums (concept or otherwise) of all time. The sequel arrived in 2006. This concert film is from the subsequent tour that featured the band playing both albums in their entirety, back to back, with actors, animations, and an elaborate stage setup to perform this rock opera.

The plot follows a man who has been coerced into become an assassin of political figures. The sequel is a revenge story after he is jailed for his actions. A small team of actors fill in the roles that lead singer Geoff Tate does not.

Here are four evenings music fans did not anticipate coming, yet anyways hoped for. In 2005 Cream reunited for the first time since their breakup (save for one performance when they were inducted into the Rock n Roll Hall of Fame in 1993) for four concerts at the legendary Royal Albert Hall. The bad blood between the members of Cream was almost as famous as their influential music. With that in mind, it is wonderful to see these extremely talented men play just as tightly as they did in the 1960s, and some might argue that they've never played better than at these shows.

The set list is a rich mixture of chart topping originals (White Room, Sunshine of your Love...), classic covers (Born under a bad Sign, Crossroads...) and even some songs that the band had never played live before, such as 'Pressed Rat and Warthog.' The set that appears in this film is cobbled together with clips from each of the evenings, most likely to give us the best possible concert experience. As well, along with the songs, Ginger Baker gets a lengthy drum solo and, of course, Eric Clapton is alloted many opportunities to demonstrate some of the smoothest Blues guitar playing that has ever blessed our listening ears.

Bubokan is one of those venues that has become a goal for any major band. Dream Theater had toured Japan numerous times over the course of 12 years but never yet rocked this venue. Japan is, and has been, one of those markets that tends to embrace things differently than North America or Europe; and Progressive Metal is not exactly rocking the Top 40 stations (at least, not since RUSH were in their prime...and even then...). It was only a matter of time that the most relevant “Prog” band playing today would make it to Budokan, and they celebrated by making it into a concert film.

Each member of this group is a virtuoso at their instrument. Taking time for instrumentals or solos are rather commonplace for arena concerts. Instead of the standard guitar or drum solo, all but the lead singer of the group would flex their progressive metal playing muscles while putting on a clinic of just how flashy a musical education can be when the most technically impressive of scales and rhythms are played at breakneck paces and mixed with very strange time signature changes.

Yes formed in 1968 and instantly became a pioneer in the area of progressive rock. The band utilized classical trends and ideas to create epic musical pieces that were often over 10 minutes in length. While that made AM radio success more fleeting, the band was huge at its peak, joining the ranks of Emerson, Lake and Palmer in the genre as one of the most endearing and enduring bands of the era. While there have been many musicians to come and go over the years, the most popular lineup includes Jon Anderson on vocals, Steve Howe on lead guitar, Chris Squire on bass, Alan White on drums and Geoff Downs on keyboards. Certainly, they haven't enjoyed the same amount of success in recent years, yet the band manages to survive in one form or another to this very day.

Eagle Rock Entertainment has given us a chance to drop in on our old friends and see how the last 43 years have treated the band in their Blu-ray release of Yes Symphonic Live. The concert takes place in Amsterdam in 2001 and is part of the band's triumphant tour with a full orchestra. It's something they hadn't really done quite like this before. The tour was intended to promote their latest release Magnification which features the return to the long-form songs and classical roots. It's likely the biggest concert tour the band has given in respect to arrangements and stage presence. They still appear to have a spark even if you won't find Howe or Squire moving about as frantically as they once did. Of all of the band members Anderson appears the least worse for wear and has incredible energy and a voice as strong as you remember from the glory days.

It is concert time folks and I got another good from the folks at Eagle Rock Entertainment. Hope my audience today likes the Eighties rock and roll because we got a doozie of a band tonight. They are The Pretenders famous for such songs as Message of Love and Back on the Chain Gang. Like many bands of their time, they are formed from the heart of England but they have fully embraced the American way. But without further adieu, let's go to the Wiltern Theatre in Los Angeles. Maybe they can “Bring out the Biker” in all of us (once I figure out what that means).

The Pretenders were formed in 1978 out of Hereford, England. The original lineup consisted of Chrissie Hynde as lead singer and on rhythm guitar, James Honeyman-Scott on lead guitar, Pete Farndon on bass and Martin Chambers on drums. They were named after the Platter's song The Great Pretender and would go on to release their first album (self-titled) in the beginning of 1980. It would eventually reach platinum but take over two years to do so.

If left to my own devices, I would probably have dismissed Jeff Dunham as nothing more than a novelty act. He’s a ventriloquist and most of their profession relies on the fact that they can throw their voice and perform various parlor tricks with their dummies. However, my wife and others have turned me on to the fact that Jeff is more than a novelty act. He’s a comedian and a darn good one at that. He just happens to employ characters (certainly not dummies) to help him.

Jeff Dunham was born in Dallas, Texas in the early 60’s. Early on, actually as early as eight years old he was already looking into ventriloquism. Influences included legendary performer, Edgar Bergen. At a young age, he was already attending conventions and competitions. He did so well that eventually organizers of the Vent Haven ConVENTion actually declared him a retired champion since other performers were afraid to compete against him.

Somehow in addition to my love for bad action movies and cartoons, I have developed another feather in my cap as being one of the people on this site that regularly reviews concerts and musical documentaries on dvd or blu-ray. This is despite the fact that about the only musical talent I possess is the ability to sing glam metal or hair band rock. Okay, perhaps I can sing some other rock songs too but I would not consider myself a musical aficionado. So today’s musical act to review? That would be the Counting Crows.

Most people when they hear the band name Counting Crows think of the song, Mr. Jones, a very curious alternative rock hit that blew up the radio rock airwaves in late 93 and early 94. The truth is that song was an unexpected hit for the band who sang the song out of fun and fantasy. Lead singer Adam Duritz ’s childhood friend, Marty Jones (Himalayans bassist) was one of the inspirations for that song that spoke of the desire of musicians who wanted it to make it big.

Hard-rock guru of the seven seas (as long as you count the porta-johns) here with another musical review courtesy of Eagle Rock Entertainment. This one is entitled: Bad Co.: Live at Wembley. The concert played on April of 2010 to a packed house. As the booklet inside the package indicates, “...for a band to achieve this level of brilliance is extremely rare, to capture it on film, nearly impossible.” Well that is exactly what they did and it is my pleasure to bring that review home to you.

Bad Company (or Bad Co. to their fans) was actually a supergroup that formed in 1973. The original line-up consisted of Free former members: singer Paul Rodgers and drummer Simon Kirke. It also included former Matt the Hoople guitarist Mick Ralphs and King Crimson bassist, Boz Burrell. Their first album sharing the same name as the band would go on to sell 5 million copies in the US alone and have three hot singles.

Bands tend to change members about as often as I change my disposable razor. Heck, in some cases perhaps more often. (I really need to get a new razor) Whether it is a lead singer or perhaps a drummer, in some cases nobody is safe when people start arguing (ask Michael Anthony of Van Halen). But for this review, I was presented with a band that had changed members quite a few times. In fact, only one of the original members remains and he is the drummer. Meet Deep Purple.

Deep Purple was formed in the late 1960’s. The original lineup included Jon Lord, Ritchie Blackmore, Nick Simper, Rod Evans, and Ian Paice. The band was originally called Roundabout but after their first tour quickly changed their name to Deep Purple after Blackmore grandmother’s favorite song. They broke thru the rock world after and released three albums numbers that would do quite well in the US as well as abroad in the UK.

A good friend of mine and I have had long-standing difference of opinion about Black Sabbath. He has no interest in anything post-Ozzy. I continued to buy Sabbath albums though all the band’s different incarnations, and while some releases did, I confess, require a greater degree of loyalty than others, the Ronnie James Dio studio albums (Heaven & Hell, Mob Rules, Dehumanizer) have always been favorites of mine. So the events of the last few years were something of a roller coaster ride for fans of my ilk, the joy of a new album (The Devil You Know, with this configuration of the band rechristened Heaven & Hell), followed by the shock and sadness following Dio’s untimely death. This release, a record of a 2007 concert, is a fitting valediction to a great band.

The fifteen songs are a fine selection. Doubtless, each of us will miss one favorite or another. I’m sorry that “Turn Up the Night” and “Buried Alive” were left off the playlist. But I can’t complain about any of the songs that are included. All three albums are well represented, and the absolutely necessary pieces – “Mob Rules,” “Children of the Sea,” “Die Young,” “Heaven and Hell,” “Neon Knights” – are all present and correct. Also performed are two songs – “The Devil Cried,” “Shadow of the Wind” – that were (along with “Ear in the Wall”) included on the Dio Years collection and heralded the band’s return to active songwriting.