Posted in: Disc Reviews by Gino Sassani on October 12th, 2011
"From the day we arrive on the planet and blinking, step into the sun, there's more to see than can ever be seen. More to do than can ever be done. There's far too much to take in here. More to find than can ever be found..."
There's a period in the 1990's that has often been referred to as the second golden age of Disney animation. The studio had fallen from its once mighty perch, and most film historians tend to agree there was a creative dark ages through the 1980's. But the renaissance of the studio began with Aladdin in 1992 would go on to include such tremendous classics as Beauty And The Beast and The Little Mermaid. None of these films speak to the resurgence of the animated feature like The Lion King. The film set every animated record there was and holds some of those box office records today. It can be safely stated that the great flood of animated projects that followed can be traced to the impact of The Lion King. In 1996 Simba was the most popular name chosen for new housecats. Elton John saw his appeal extend to children, and there could be no mistake that the animated feature was back.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2011
Stop me if you've heard any of this before. Peter Jackson directs a horror film that has an expedition going to Skull Island to retrieve a horrific primate. Of course, you might now be expecting a review of Jackson's remake of King Kong. But the primate here is something called a rat monkey, and it only figures into the film's early moments. Long before Jackson achieved household name status by taking us on a journey to Middle Earth, he was a small filmmaker with no less grand designs.
Dead Alive has become one of those cult films that has managed to keep strong legs for many years, long after the director has gone on to far more successful projects. One of the things that has made Peter Jackson as good as he's been even on big-budget films is the fact that he's like a kid in a candy store. He appears to absolutely love making films, and that's certainly evident on the Rings films. But it's also very evident here as well. Jackson demonstrates his love for such greats as Ray Harryhausen with some rather nice stop-motion work here and a few direct nods to the master. The stop-motion effects are quite obvious, but they are also quite fun and entertaining. Dead Alive is a bloody good time...literally.
Posted in: Disc Reviews by Michael Durr on October 11th, 2011
The more I get into this review writing gig (I say this like I just started writing movie reviews last week when it’s been half a dozen years), the more I appreciate foreign films. I am no longer afraid of subtitles, culturally sensitive sub-plots, or the use of specific foreign mythological creatures as supporting characters. I am not even sure what I just said. Anyway, we have an interesting foreign film to review today entitled “Sin Yan” or more commonly known by the American title as Stool Pigeon.
We are in Hong Kong, manufacturing side of town. A couple of vans pull up along with a Jeep. Inside the Jeep is Inspector Don Lee (played by Nick Cheung) awaiting to make an arrest. Meanwhile, in a nearby warehouse we lay witness to a drug deal masterminded by mob boss Marco (played by Vincent Wan Yeung-Ming). Lee’s informant, Jabber (played by Liu Kai-chi) is on the inside and waits patiently for the police to make their move.
Posted in: Disc Reviews by William O'Donnell on October 11th, 2011
For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. His adventures have been well-reviewed by my compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason) so I shall do my best to avoid redundancies while I speak of Season 6.
The formula (for lack of a better term) of each episode maintains in the sixth season. The primary suspect is profiled, caught and examined in the first half of each story. When things do to trial, the true guilty party is found out, often on the witness stand, as Perry's uncanny winning streak gets the best of those who try to hide the truth from him. Said winning streak might spoil one's enjoyment of the show since the outcomes can be predicted during the opening titles screen, but the crimes (murders) are elaborate enough to maintain interest for the most part. At the same time, I feel it should be noted that the pacing of the show can often be slow. Think of it being a closer relation to Matlock than the sexier modern Legal dramas like The Practice. Not to say that it is better to have attorneys with chiseled jaws or short skirts versus methodical investigation and character development, but you had better prepare yourself for a lot of men in suits standing in one spot speaking their thoughts aloud.
Posted in: Disc Reviews by William O'Donnell on October 11th, 2011
An aging soap opera starred, played by Sally Field, is the target of a jealous supporting cast and a conniving producer (Robert Downey Jr.). The head writer of her show (Whoopi Goldberg) seems to be the only ally she has as a former love's character (Kevin Kline) is recast to throw her off her game, along with a mysterious family member barging into her world and work life.
Soapdish relishes in Soap Opera story tactics just as much as it wishes to lampoon them. Twists, secrets, romance, backstabbing, tears, sex changes, melodramatic speeches...all of these elements are parodied in the show within the film, but also work their way into the real-life drama of these characters. The success of this film relies on being able to display how ridiculous soap operas can be while still selling the audience a complete (and often over-the-top) soap opera tale. This is truly a soap opera world as nothing is grounded in reality (Abandon all hope, Vittorio De Sica fans who enter here). The plot twists are painted in broad strokes and the physical comedy bits are motivated by pure nonsense. That considered, it is a truly funny journey peppered with some outstanding yet subtle visual gags (constantly panning past beefcake actors in the production hallways for example).
Posted in: Disc Reviews by Gino Sassani on October 11th, 2011
"Cal Lightman sees the truth. It's written all over your face. It's also in your voice, your posture, the words you choose. Give him five minutes and 20 questions and he'll know whether you went off to Argentina to cheat on your wife, lied about a well-timed stock sale, or murdered a one-night stand."
I spent quite a few years as a detective. My specialty turned out to be in the interview room. When some of my fellow detectives had a suspect they couldn't break, they often called me in. It was my job to get the person talking. You see, the company’s insurance recovery from the theft was based on how much I could get the thief to admit they had taken over and above whatever they just got busted for. I have to admit that I rather enjoyed the job. I was able to read the person's emotions well enough to gauge how my approaches were making the suspect feel. The key was to be able to separate the truth from the deception. Well, it turns out there's a science behind what I just took as instinct. Apparently, our faces and body language are almost impossible to control, and anyone who could read and translate that language would be nearly impossible to deceive. I don't recall consciously looking for any of these things. I could just tell. After watching a season of Lie To Me, I'm not so sure that there wasn't more to it than just instinct.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2011
It's hard to believe that one of the most popular comedy shows of the 1950's was not really a show at all, at least not in the way that we think of a television series today. The show began its life in 1951 as a segment on the popular Cavalcade of Stars. At that time only Jackie Gleason and Art Carney starred in their familiar roles. Alice was played by Pert Kelton. The series took its more recognizable look when it became part of The Jackie Gleason Show in 1955. That's also when Joyce Randolph joined the series as Trixie Norton. The series would take up a half hour of the slot. The second half was taken up by a larger variety of pieces, usually a series called Stage Show. The show would come and go, with other cast members coming and going over time. Even Art Carney had left The Jackie Gleason Show at one time, only to return in 1957 to the role. The show's history is a complicated one to which entire books have been devoted over the years. It wasn't until syndication that the series was really a show unto itself. The original 39 episodes were joined with nearly 70 re-edited versions of the other various incarnations of the show have made up what most of us today think of as The Honeymooners. The final original versions of the show ended in 1971; both Audrey Meadows and Joyce Randolph were gone by then, replaced by Sheila MacRae and Jane Kean respectively.
But this show that wasn't really a show had legs. The syndicated versions became hugely popular, and new generations of fans were being indoctrinated with each new package. The show even survived on pay television at Showtime for a while in the 1990's when the 70 newly-formed "Lost Episodes" first aired. But the fever just never died. The show would influence a large number of series that would follow. Even the animated world of cartoons wasn't safe. The Flintstones would come along and become a prehistoric cartoon show that was basically the same down to the characters. Fred and Barney couldn't have been closer to Ralph and Norton if their names had been the same. Today, comedians constantly recall The Honeymooners and Jackie Gleason as their inspiration. To more than one generation of television viewers, Gleason really was "The Great One".
Posted in: Disc Reviews by Michael Durr on October 9th, 2011
Upcomingdisc's 31 Nights of Terror is a favorite of many here at the website. I have been through a few now and have always tried to bring something unique to the table. Whether it be Top 10 Lists, special movie essays, or games of a forgotten lore, I always want this time of the year to be different and wonderful. Well today, to start off my month of oddball terror off right, I am given a rare scary (well somewhat anyway) animation title. One of my favorites from the mid 90's, Aaahh!! Real Monsters, Season 1 from our friends at Shout Factory.
In the mid nineties, there were a lot of animation delights to feast our eyes upon when it came to Nickelodeon. You had Rugrats, Doug, Hey Arnold, Rocko's Modern Life, and a bunch of other shows that were staples of the network and known to kids everywhere. But Nickelodeon as a network was not afraid to explore new ideas, cartoons that were perhaps a little different. *caugh* Ren & Stimpy. There was also another show called Aaahh!! Real Monsters which explored the idea of monsters being trained to perform their jobs, scaring the pants off of humans. Long before Monsters Inc copied the concept.
Posted in: Disc Reviews by William O'Donnell on October 8th, 2011
Two young filmmakers from New York city, Ariel Schulman and Henry Joost, start documenting the burgeoning relationship between their roommate (and brother in the case of Ariel) Nev and a family from Michigan. Said relationship exists only through online correspondence and phone calls. As a romance seems to be arising between Nev and Meghan, who is oldest daughter in the family, the filmmakers decide to make a trip to meet the family in person.
As the months pass, the story becomes so elaborate and strange that many critics have questioned the authenticity of this film as a documentary. I personally find it is worth looking past any doubt or beliefs and simply enjoy the mystery bubbling under the surface of the romance plot, as well as surprising level of pathos and intriguing character drama one receives from this story.
Posted in: Disc Reviews by David Annandale on October 7th, 2011
A few years back, Paramount released all eight of the studio’s Friday the 13th films in a so-called “Ultimate Edition.” With cut versions of the films and no 3D, it wasn’t really that ultimate. So here we are again, with another Ultimate Edition (also Limited!) and this time, the package is much more worthy of the name, bringing together all the deluxe versions of the series.
As those deluxe editions have previously been reviewed on this site, I am now going to surrender the floor for a while. The comments below on Part 1 are by Aric Mitchell, and on Parts 2-6 are by Gino Sassani. I’ll come back for 7 and 8.
![Dead Alive [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dead-alive-blu-ray-large.jpg)
![The Stool Pigeon [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-stool-pigeon-blu-ray-large.jpg)
