Posted in: Disc Reviews by Gino Sassani on October 11th, 2011
It's hard to believe that one of the most popular comedy shows of the 1950's was not really a show at all, at least not in the way that we think of a television series today. The show began its life in 1951 as a segment on the popular Cavalcade of Stars. At that time only Jackie Gleason and Art Carney starred in their familiar roles. Alice was played by Pert Kelton. The series took its more recognizable look when it became part of The Jackie Gleason Show in 1955. That's also when Joyce Randolph joined the series as Trixie Norton. The series would take up a half hour of the slot. The second half was taken up by a larger variety of pieces, usually a series called Stage Show. The show would come and go, with other cast members coming and going over time. Even Art Carney had left The Jackie Gleason Show at one time, only to return in 1957 to the role. The show's history is a complicated one to which entire books have been devoted over the years. It wasn't until syndication that the series was really a show unto itself. The original 39 episodes were joined with nearly 70 re-edited versions of the other various incarnations of the show have made up what most of us today think of as The Honeymooners. The final original versions of the show ended in 1971; both Audrey Meadows and Joyce Randolph were gone by then, replaced by Sheila MacRae and Jane Kean respectively.
But this show that wasn't really a show had legs. The syndicated versions became hugely popular, and new generations of fans were being indoctrinated with each new package. The show even survived on pay television at Showtime for a while in the 1990's when the 70 newly-formed "Lost Episodes" first aired. But the fever just never died. The show would influence a large number of series that would follow. Even the animated world of cartoons wasn't safe. The Flintstones would come along and become a prehistoric cartoon show that was basically the same down to the characters. Fred and Barney couldn't have been closer to Ralph and Norton if their names had been the same. Today, comedians constantly recall The Honeymooners and Jackie Gleason as their inspiration. To more than one generation of television viewers, Gleason really was "The Great One".
Posted in: Disc Reviews by Michael Durr on October 9th, 2011
Upcomingdisc's 31 Nights of Terror is a favorite of many here at the website. I have been through a few now and have always tried to bring something unique to the table. Whether it be Top 10 Lists, special movie essays, or games of a forgotten lore, I always want this time of the year to be different and wonderful. Well today, to start off my month of oddball terror off right, I am given a rare scary (well somewhat anyway) animation title. One of my favorites from the mid 90's, Aaahh!! Real Monsters, Season 1 from our friends at Shout Factory.
In the mid nineties, there were a lot of animation delights to feast our eyes upon when it came to Nickelodeon. You had Rugrats, Doug, Hey Arnold, Rocko's Modern Life, and a bunch of other shows that were staples of the network and known to kids everywhere. But Nickelodeon as a network was not afraid to explore new ideas, cartoons that were perhaps a little different. *caugh* Ren & Stimpy. There was also another show called Aaahh!! Real Monsters which explored the idea of monsters being trained to perform their jobs, scaring the pants off of humans. Long before Monsters Inc copied the concept.
Posted in: Disc Reviews by William O'Donnell on October 8th, 2011
Two young filmmakers from New York city, Ariel Schulman and Henry Joost, start documenting the burgeoning relationship between their roommate (and brother in the case of Ariel) Nev and a family from Michigan. Said relationship exists only through online correspondence and phone calls. As a romance seems to be arising between Nev and Meghan, who is oldest daughter in the family, the filmmakers decide to make a trip to meet the family in person.
As the months pass, the story becomes so elaborate and strange that many critics have questioned the authenticity of this film as a documentary. I personally find it is worth looking past any doubt or beliefs and simply enjoy the mystery bubbling under the surface of the romance plot, as well as surprising level of pathos and intriguing character drama one receives from this story.
Posted in: Disc Reviews by David Annandale on October 7th, 2011
A few years back, Paramount released all eight of the studio’s Friday the 13th films in a so-called “Ultimate Edition.” With cut versions of the films and no 3D, it wasn’t really that ultimate. So here we are again, with another Ultimate Edition (also Limited!) and this time, the package is much more worthy of the name, bringing together all the deluxe versions of the series.
As those deluxe editions have previously been reviewed on this site, I am now going to surrender the floor for a while. The comments below on Part 1 are by Aric Mitchell, and on Parts 2-6 are by Gino Sassani. I’ll come back for 7 and 8.
Posted in: Disc Reviews by Archive Authors on October 6th, 2011
Written by John Delia
I don’t know if you recently had the opportunity to see The Lion King in 3D at your local theater or the original version in 1994 when it came out, but I had the opportunity to see the film in the 3D Blu-ray disc version and it’s amazing. The film will probably never be replaced as the all time animated entertainment event for me because it has all the action, drama, comedy and values that make it the best for family viewing, and now in 3D Blu-ray.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2011
"I guess if this is the first you're hearing about it, I know how this must all sound."
Unless you've been in a coma like the lead character of The Walking Dead, you've been hearing a lot about this AMC television series of late. It's no wonder. I'm amazed that it's taken so long to see a zombie television series. The show has incredible visuals. There's a courtyard scene at the beginning of the pilot that is as impressive as anything you've seen in a movie. And when a character has to shoot a 6-year-old girl in the head, you understand instantly that this is going to be something unique.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2011
We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold.Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy any more, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.
I have become somewhat frustrated over the television comedy genre for a lot of years. It seems that they all take the same path no matter what the show's actual concept might be. It's usually the same jokes, just in a different environment. I don't have children, but I expect that it must be near impossible to sit down and watch a comedy with your family any more. If I were a stranger visiting this planet for the first time, I would quickly come to the conclusion that sex is about the only thing that's funny here. Thank God that once in a while something fresh comes along and swims against the current tide of innuendo and toilet humor. Modern Family is the kind of show you can enjoy with the entire family. And guess what? It's pretty darn funny on top of it all.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2011
Yes formed in 1968 and instantly became a pioneer in the area of progressive rock. The band utilized classical trends and ideas to create epic musical pieces that were often over 10 minutes in length. While that made AM radio success more fleeting, the band was huge at its peak, joining the ranks of Emerson, Lake and Palmer in the genre as one of the most endearing and enduring bands of the era. While there have been many musicians to come and go over the years, the most popular lineup includes Jon Anderson on vocals, Steve Howe on lead guitar, Chris Squire on bass, Alan White on drums and Geoff Downs on keyboards. Certainly, they haven't enjoyed the same amount of success in recent years, yet the band manages to survive in one form or another to this very day.
Eagle Rock Entertainment has given us a chance to drop in on our old friends and see how the last 43 years have treated the band in their Blu-ray release of Yes Symphonic Live. The concert takes place in Amsterdam in 2001 and is part of the band's triumphant tour with a full orchestra. It's something they hadn't really done quite like this before. The tour was intended to promote their latest release Magnification which features the return to the long-form songs and classical roots. It's likely the biggest concert tour the band has given in respect to arrangements and stage presence. They still appear to have a spark even if you won't find Howe or Squire moving about as frantically as they once did. Of all of the band members Anderson appears the least worse for wear and has incredible energy and a voice as strong as you remember from the glory days.
Posted in: Disc Reviews by William O'Donnell on October 5th, 2011
Previously on this site I had reviewed Season 4 of this legendary program (https://upcomingdiscs.com/2010/10/15/gunsmoke-season-4-volume-1/) and Season 5 still predates the major changes that occurred over this show's 20 year run, primarily consisting of supporting cast changes so that review can just about double as fair coverage of this season as well; which I hope conveys a testament to this show's consistency of quality and not to my personal laziness as a writer. Indeed, this season continues to provide entertaining evidence as to why this show lasted so long and remains beloved to this day.
James Arness' Marshall Matt Dillon keeps a stern, watchful eye on the city of Dodge. The stakes were always high in each episode's adventure, and any slip up, be you a hero or villain, could cost you your life. Being a production from the late 1950s we do deal with more than a few character stereotypes. The gypsies are devious, the natives are primitive, and the white yokels are frighteningly ignorant and violent. Dillon, as the final word of the law in all situations, makes a decent mediator and remains without prejudice so long as you keep on the happy side of his law...or you end up on the business end of his gun in many cases
Posted in: Disc Reviews by M. W. Phillips on October 5th, 2011
“It's worse than I thought, but it's even worse upstairs… It’s dangerous. Do not go there.”
Uruguayan director Gustavo Hernández claims to have shot the first 78 minutes of The Silent House in one continuous unbroken take. Personally, I don’t believe that to be true, as there are plenty of times the camera goes to black passing furniture or into shadows which could hide a cut, but he does pull off the illusion with some incredibly long uninterrupted shots, and that is very impressive indeed.