Posted in: Disc Reviews by Michael Durr on October 4th, 2011
It is concert time folks and I got another good from the folks at Eagle Rock Entertainment. Hope my audience today likes the Eighties rock and roll because we got a doozie of a band tonight. They are The Pretenders famous for such songs as Message of Love and Back on the Chain Gang. Like many bands of their time, they are formed from the heart of England but they have fully embraced the American way. But without further adieu, let's go to the Wiltern Theatre in Los Angeles. Maybe they can “Bring out the Biker” in all of us (once I figure out what that means).
The Pretenders were formed in 1978 out of Hereford, England. The original lineup consisted of Chrissie Hynde as lead singer and on rhythm guitar, James Honeyman-Scott on lead guitar, Pete Farndon on bass and Martin Chambers on drums. They were named after the Platter's song The Great Pretender and would go on to release their first album (self-titled) in the beginning of 1980. It would eventually reach platinum but take over two years to do so.
Posted in: Disc Reviews by Archive Authors on October 4th, 2011
Written by John Delia
The action thriller Fast Five with its hot rod theme leaves the past four episodes of Fast & Furious in the dust. Now on Blu-ray the high-on-energy, exhilarating plot and amazing chase scenes make this a must-see adrenaline pumper. Within the opening 20 minutes it gets so wild it took my breath away.
Posted in: Disc Reviews by M. W. Phillips on October 4th, 2011
“I am in the oldest profession in the world.”
Ray (Thomas Jane) is a middle-aged divorcee knocked to his knees by the recession. His home is fire-damaged, he lives in a tent in his backyard, the school he works for as a coach keeps slashing his department’s funding and threatening layoffs, he’s still in love with his neurotic ex-wife, Jessica (Anne Heche) and is struggling as a single father to raise social-misfit teen twins, Damon (Charlie Saxton) and Darby (Sianoa Smit-McPhee). In Season One, he met Tanya (Jane Adams) and she convinced him to use his natural gifts (read well-endowed penis) as a male prostitute with her and her sociopathic frenemy, Lenore (Rebecca Creskoff) as his pimps. Together they would be “Happiness Consultants”, bringing joy to lonely, middle-aged women around Detroit.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2011
"New York City 1958: In these concrete canyons, everybody's got an angle. The beauty with the sob story who killed her old man. The harmless geezer who's in bed with the mob. The kidnapped broad who's really a fraud. When a case gets too twisted for the cops, only one man can straighten it out: two-fisted gumshoe Mike Hammer."
My earliest memories of Darren McGavin are the tough reporter that stumbled upon supernatural creatures in Kolchak: The Night Stalker. That short-lived series had a huge impact on the likes of Chris Carter and would inspire shows like The X-Files and Supernatural. But Darren McGavin was already a steady veteran of television screens long before his Chicago reporter staked his first vampire. He first came into American living rooms in the 1950's as Mickey Spillane's fast-talking film noir detective Mike Hammer. As Mike Hammer he would influence another entirely different genre of television shows. There would be no James Rockford or Magnum PI without him. The character would reappear decades later with Stacey Keach in the title role, but if you want to know what makes the classic television detective tick, you have to go back to the source. A&E just made that possible, and you won't need a Delorean equipped with the optional flux capacitor to do it.
Posted in: Disc Reviews by Michael Durr on September 30th, 2011
John Candy has always been one of my favorite movie comedians. Something about Candy, regardless of whether he was doing a sketch in SCTV, playing Uncle Buck, or a private investigator in Who’s Harry Crumb, he just seems like a guy that is the friendly uncle everybody loves. It could be the meanest character on paper but he comes across as a big teddy bear. Today, we explore a title called Planes, Trains and Automobiles. He plays a Shower Ring salesman, that sounds like a teddy bear to me.
New York City, two days before Thanksgiving. Neal Page (played by Steve Martin) is busy waiting on his boss to make a decision about which cosmetics ad to go with. The guy just can’t make up his mind and Neal has a 6:00 plane ride to Chicago to catch. Finally Neal is able to leave and runs out the door and goes down the elevator out to the street. There is a very long line to deal with to get a cab and it looks like Mr. Page is going nowhere fast.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2011
Leslie Nielsen was once a serious actor. He starred in one of the most important science fiction films ever made, Forbidden Planet. He was a staple on the 1950’s television dramas. His unique features and voice made him a busy character actor all the way until the 1980’s. That’s when the cornball kings Jim Abrahams, David Zucker, and Jerry Zucker cast him as the “don’t call me Shirley” Dr. Rumack in Airplane. From that moment on Nielsen went from being a serious actor to becoming the face of an entire comedy genre of corny films. If there was a subject to spoof throughout the 80’s and 90’s, you could count on Leslie Nielsen having a prominent role. Two years after Airplane he had a television series, for all of 6 episodes. It was a cop show spoof called Police Squad. In the show he stared as Detective Frank Drebin, a modern day Inspector Clouseau. He would bumble his way through the show’s unique cases, always finding a way to stumble on the solution. The only case he couldn’t crack was how to get people to watch the show. The brand of humor that Nielsen is now famous for has a very narrow niche. You either get it or you don’t. You either like it or you don’t, and most of America decidedly didn’t.
So what do you do with a miserably failed television show that ran just 6 episodes? You make it into a series of major motion pictures, that’s what you do. Six years after the series was gone and forgotten, the Abrahams/Zucker team decided to take it to the medium they’ve had so much success in already. What didn’t work at all on television appeared to have new life at the box office. The film brought in an impressive $79 million, which was a phenomenal number for a comedy in 1988. It went on to become the 8th highest grossing film of 1988. With a production budget of only about $20 million, this was a cash cow Paramount couldn’t afford not to milk. They did indeed go to the well twice more, with the bottom falling out on the third try. The audiences loved it, but they could only take so much.
Posted in: Disc Reviews by Archive Authors on September 30th, 2011
The spoof film means something different to audiences today than it did in the early 80s. Anything, if done enough times over, starts to become stale. For instance, the first Scary Movie, while having a couple of really lame scenes, was actually pretty funny overall. With each sequel, however, came diminished returns. At this point, I wouldn’t be surprised to see a film that spoofs spoof films (though I’m not sure how one would do that).
Airplane!, however, was the first of the genre. Not only that, but the argument could also be made that it is the best. This film, from the people responsible for the hilarious Kentucky Fried Movie, was a send-up of the popular airplane disaster films of the 60s and 70s. At the time, nobody really knew how to do a film like this, or even how to describe it. In fact, it was pitched to the studio as “Animal House on an airplane”, which of course it was not. However, the studio bought in to the idea, and a comedy classic was born.
Posted in: Disc Reviews by Gino Sassani on September 29th, 2011
The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also, the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.
The show does share some of the qualities that have become traditional essentials for the CSI franchise. Each opens with a song from The Who. I was bummed to hear that the original selection for New York was Behind Blue Eyes, one of my favorite Townsend compositions. It would have been a far better selection. New York has the same narrative style, which usually allows for an “A” crime and a “B” crime. The mandatory lab montages are intact, as are the CGI recreations of some of the internal body demonstrations. The show, like the others, focuses on the CSI team. Gone this season is Detective Stella Bonasara (Kanakaredes). In her place Sela Ward joins the cast as former FBI Agent Jo Danville. She specializes in the mental aspects of the crime. She's the team's answer to a behavior science unit and works closely with Mac. Detective Danny Messer (Giovinazzo) is all New York from the accent to his habits. He’s the kind of tough no nonsense New Yorker from an ethnic Italian hood who, you get a sense, could have just as easily gone the other way in the world of real-life cops and robbers. He's married to Detective Lindsay Monroe (Belknap), often called Montana, a country girl adjusting to the big city. Messer often looks after her like a sister, and these two have developed another of the show’s good character chemistries together. Now they have a kid and the relationship has taken another step in its evolution. Dr. Hawkes (Harper) started the series as the medical examiner, but now works as a CSI detective. Dr. Sid Hammerback (Joy) took over the medical examiner duties when Hawkes left. He's a thorough doctor who is always looking that one step farther than usual and often discovers what another medical examiner might have missed. Detective Don Flack (Cahill) is the beat detective that most often works with the team.
Posted in: Disc Reviews by Gino Sassani on September 29th, 2011
The series follows the CSI model set forth in the original Vegas version of the franchise. The lead CSI here is Horatio Caine played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off the reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. If I have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season was Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead.
The 9th season sees a few big storylines develop. This version of CSI has always been the more explosive action version of the franchise. That usually played out mostly with Caine and Delko. A big improvement to this season is that everyone gets to do a lot more running and jumping this year. The season begins with a full out assault on the lab and the action never really lets up for one episode. Emily Procter had a baby this season so the Calleigh character doesn't get near as much to do as all of the others. The lab rats had to step up and I even found myself enjoying Eva LaRue a bit more that usual. She's still annoying but a little less so when she's running for her life.
Posted in: Disc Reviews by Gino Sassani on September 28th, 2011
For the two or three people on the planet that don’t know, the idea is actually quite a simple one. The CSI night shift crime scene investigators utilize all of the latest science to solve often brutal crimes. Instead of guns, these detectives come packing microscopes and test tubes. The most senior member of the team is former Vegas showgirl Catherine Willows (Helgenberger) who juggles her long hours with raising a daughter. She usually provides the more clear-headed perspective. Grissom’s mild love interest is feisty Sarah Sidle (Fox). Promoted from the DNA lab is Greg Sanders (Szmanda). Sanders is often the comic relief, and while a solid team member, often gets into a spot of trouble. He’s the fresh eyes on the team, likely to be most identified with by the audience. Nick Stokes (Eads) is the macho man in the group. The newest member of the team is Dr. Raymond Langston (Fishburne) who came in last season after Grissom left to study bugs in South America. Hodges (Langham) looked up to Grissom and has had to step up his game in the lab since his mentor left. He's the guy that takes some getting used to and not the most respected in the lab. It's a tough year for him because lab partner and girlfriend Wendy (Vassey) leaves as the 11th season opens. The team often works with Lt. Brass (Guilfoyle) and medical examiner Robbins (Hall). Together they follow the evidence wherever it might take them.
Things are still changing in this 11th year, and the show has never really had a chance to settle since the departure of Grissom. Katherine is having to go up against the lab brass and Detective Brass this season and feels on the outs more than she feels like a part of the team. We're also about to lose the new character played by Lawrence Fishburne as he ends the season by killing a serial killer, but it wasn't a clean shoot. Even with the lab trying to protect him he's gone, and Ted Danson will replace him in the next season. Sarah is married to Grissom now but is here at the lab instead of in South America with him. It's an awkward situation for her and for us in the audience. It's hard for us to get past his exit because they keep talking about him. It's also never seemed very realistic to me that he could fall for Sarah. She's about the most aggravating character in the entire franchise.