Genre

John Candy has always been one of my favorite movie comedians. Something about Candy, regardless of whether he was doing a sketch in SCTV, playing Uncle Buck, or a private investigator in Who’s Harry Crumb, he just seems like a guy that is the friendly uncle everybody loves. It could be the meanest character on paper but he comes across as a big teddy bear. Today, we explore a title called Planes, Trains and Automobiles. He plays a Shower Ring salesman, that sounds like a teddy bear to me.

New York City, two days before Thanksgiving. Neal Page (played by Steve Martin) is busy waiting on his boss to make a decision about which cosmetics ad to go with. The guy just can’t make up his mind and Neal has a 6:00 plane ride to Chicago to catch. Finally Neal is able to leave and runs out the door and goes down the elevator out to the street. There is a very long line to deal with to get a cab and it looks like Mr. Page is going nowhere fast.

Leslie Nielsen was once a serious actor. He starred in one of the most important science fiction films ever made, Forbidden Planet. He was a staple on the 1950’s television dramas. His unique features and voice made him a busy character actor all the way until the 1980’s. That’s when the cornball kings Jim Abrahams, David Zucker, and Jerry Zucker cast him as the “don’t call me Shirley” Dr. Rumack in Airplane. From that moment on Nielsen went from being a serious actor to becoming the face of an entire comedy genre of corny films. If there was a subject to spoof throughout the 80’s and 90’s, you could count on Leslie Nielsen having a prominent role. Two years after Airplane he had a television series, for all of 6 episodes. It was a cop show spoof called Police Squad. In the show he stared as Detective Frank Drebin, a modern day Inspector Clouseau. He would bumble his way through the show’s unique cases, always finding a way to stumble on the solution. The only case he couldn’t crack was how to get people to watch the show. The brand of humor that Nielsen is now famous for has a very narrow niche. You either get it or you don’t. You either like it or you don’t, and most of America decidedly didn’t.

So what do you do with a miserably failed television show that ran just 6 episodes? You make it into a series of major motion pictures, that’s what you do. Six years after the series was gone and forgotten, the Abrahams/Zucker team decided to take it to the medium they’ve had so much success in already. What didn’t work at all on television appeared to have new life at the box office. The film brought in an impressive $79 million, which was a phenomenal number for a comedy in 1988. It went on to become the 8th highest grossing film of 1988. With a production budget of only about $20 million, this was a cash cow Paramount couldn’t afford not to milk. They did indeed go to the well twice more, with the bottom falling out on the third try. The audiences loved it, but they could only take so much.

The spoof film means something different to audiences today than it did in the early 80s. Anything, if done enough times over, starts to become stale. For instance, the first Scary Movie, while having a couple of really lame scenes, was actually pretty funny overall. With each sequel, however, came diminished returns. At this point, I wouldn’t be surprised to see a film that spoofs spoof films (though I’m not sure how one would do that).

Airplane!, however, was the first of the genre. Not only that, but the argument could also be made that it is the best. This film, from the people responsible for the hilarious Kentucky Fried Movie, was a send-up of the popular airplane disaster films of the 60s and 70s. At the time, nobody really knew how to do a film like this, or even how to describe it. In fact, it was pitched to the studio as “Animal House on an airplane”, which of course it was not. However, the studio bought in to the idea, and a comedy classic was born.

The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also, the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.

The show does share some of the qualities that have become traditional essentials for the CSI franchise. Each opens with a song from The Who. I was bummed to hear that the original selection for New York was Behind Blue Eyes, one of my favorite Townsend compositions. It would have been a far better selection. New York has the same narrative style, which usually allows for an “A” crime and a “B” crime. The mandatory lab montages are intact, as are the CGI recreations of some of the internal body demonstrations. The show, like the others, focuses on the CSI team. Gone this season is Detective Stella Bonasara (Kanakaredes). In her place Sela Ward joins the cast as former FBI Agent Jo Danville. She specializes in the mental aspects of the crime. She's the team's answer to a behavior science unit and works closely with Mac. Detective Danny Messer (Giovinazzo) is all New York from the accent to his habits. He’s the kind of tough no nonsense New Yorker from an ethnic Italian hood who, you get a sense, could have just as easily gone the other way in the world of real-life cops and robbers. He's married to Detective Lindsay Monroe (Belknap), often called Montana, a country girl adjusting to the big city. Messer often looks after her like a sister, and these two have developed another of the show’s good character chemistries together. Now they have a kid and the relationship has taken another step in its evolution. Dr. Hawkes (Harper) started the series as the medical examiner, but now works as a CSI detective. Dr. Sid Hammerback (Joy) took over the medical examiner duties when Hawkes left. He's a thorough doctor who is always looking that one step farther than usual and often discovers what another medical examiner might have missed. Detective Don Flack (Cahill) is the beat detective that most often works with the team.

The series follows the CSI model set forth in the original Vegas version of the franchise. The lead CSI here is Horatio Caine played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off the reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. If I have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season was Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead.

The 9th season sees a few big storylines develop. This version of CSI has always been the more explosive action version of the franchise. That usually played out mostly with Caine and Delko. A big improvement to this season is that everyone gets to do a lot more running and jumping this year. The season begins with a full out assault on the lab and the action never really lets up for one episode. Emily Procter had a baby this season so the Calleigh character doesn't get near as much to do as all of the others. The lab rats had to step up and I even found myself enjoying Eva LaRue a bit more that usual. She's still annoying but a little less so when she's running for her life.

For the two or three people on the planet that don’t know, the idea is actually quite a simple one. The CSI night shift crime scene investigators utilize all of the latest science to solve often brutal crimes. Instead of guns, these detectives come packing microscopes and test tubes. The most senior member of the team is former Vegas showgirl Catherine Willows (Helgenberger) who juggles her long hours with raising a daughter. She usually provides the more clear-headed perspective. Grissom’s mild love interest is feisty Sarah Sidle (Fox). Promoted from the DNA lab is Greg Sanders (Szmanda). Sanders is often the comic relief, and while a solid team member, often gets into a spot of trouble. He’s the fresh eyes on the team, likely to be most identified with by the audience. Nick Stokes (Eads) is the macho man in the group. The newest member of the team is Dr. Raymond Langston (Fishburne) who came in last season after Grissom left to study bugs in South America.  Hodges (Langham) looked up to Grissom and has had to step up his game in the lab since his mentor left. He's the guy that takes some getting used to and not the most respected in the lab. It's a tough year for him because lab partner and girlfriend Wendy (Vassey) leaves as the 11th season opens. The team often works with Lt. Brass (Guilfoyle) and medical examiner Robbins (Hall). Together they follow the evidence wherever it might take them.

Things are still changing in this 11th year, and the show has never really had a chance to settle since the departure of Grissom. Katherine is having to go up against the lab brass and Detective Brass this season and feels on the outs more than she feels like a part of the team. We're also about to lose the new character played by Lawrence Fishburne as he ends the season by killing a serial killer, but it wasn't a clean shoot. Even with the lab trying to protect him he's gone, and Ted Danson will replace him in the next season. Sarah is married to Grissom now but is here at the lab instead of in South America with him. It's an awkward situation for her and for us in the audience. It's hard for us to get past his exit because they keep talking about him. It's also never seemed very realistic to me that he could fall for Sarah. She's about the most aggravating character in the entire franchise.

In the wake of the financially successful but critically drubbed Transformers: Revenge of the Fallen, Michael Bay and company return to the fray with this considerably more coherent exercise. Given that this movie committed to advancing the cause of 3D like no other film since Avatar, the question arises as to how well its visual splendour and over-the-top technological extravagance will translate to home video. The answer is: pretty damn well.

Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.

One of the best highlights of the 6th season include an episode where the boys get shoved into a reality where they are two actors playing in a television series called Supernatural. Yeah, they did it in Eerie Indiana, but it works just the same here. For so many fans the show has built an enormous reality of its own. This one just gives fans a chance to look at their own world for a few minutes through the eyes of Supernatural.

If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us the show has not only survived, but it has thrived, looking to be around for quite a while yet.

Ever wonder what the kids of South Park might be like if they ever made it to adulthood? While I’ve not seen that many episodes of the FX series It’s Always Sunny In Philadelphia, that was the first observation that came to mind. These are the South Park kids all grown up. They’re crude, raunchy, mean, and most importantly, they are as politically incorrect as ever. If you need an example, I can offer one right from one episode. The guys have a Christmas tradition that dates back to their childhood of throwing rocks at moving trains. An episode I caught a while back had two of the guys going to an abortion rally because they suspected that pro-choice chicks gotta be easy. Sound like anyone we know? If you love irreverent humor that’s not afraid to cross over the line, this F/X series has everything you’re looking for, and without those silly construction paper animation limitations. These are real dudes.

The best way to introduce you to the world here is through the characters. The Philadelphia setting and all of the other trappings really don’t matter. You could put these characters any place, doing almost any jobs, and the series would pretty much be the same. The actors and some cleverly written dialog really make the show.

“There’s always a story. You just have to find it.”

What happens when you’re a popular murder-mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self-centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do? You sign on as a consultant for the special crimes squad of the police department, and you help catch the real killer. Only instead of looking for him O.J. style on golf courses and in steakhouses, you team up with the cops and nab that good-for-nothing plagiarist. The problem with that is you might just find that you like it. Even worse, it might end up curing that writer’s block you got after killing off your lead character and proverbial golden goose, much to the chagrin of your publisher who also happens to be your ex-wife. Follow any of that? If you did, you now have the setup for one of the better premiere series from last season, Castle.