Posted in: Disc Reviews by William O'Donnell on June 20th, 2011
Brendan Fraser plays Mo, a man who has the special power of a “silver tongue” which means he has the ability to bring characters and elements from books into the real world by reading their stories out loud. There is a serious catch to this power. Someone from the real world must go into the book in exchange. Mo discovered this by accidentally reading his wife into a story called Inkheart while pulling three of its characters out. Nine years after this event, and with his daughter and a couple of heroic literary characters at his side, he finally tracks down a copy of the rare book to try and bring her back.
The mashing of literary references does not get its legs until the monstrous climax of the film. Until then, the adventure seems a bit light and lacking in the essential energy to gain our full interest. There are also issues with establishing the mood of the film. The disappearance of Mo's wife seems tragic at times, as indeed the loss of a loved one should be, but at other s\times it simply seems like a reference in their fantastic quest amongst outrageous characters of fiction. No character seems to get enough times to dwell on the uncanny, such as an author meeting one of his characters face to face, or the heartbreaking, such as the aforementioned disappearance.
Posted in: Disc Reviews by Michael Durr on June 19th, 2011
More often than not, I don’t listen to too many female musicians. Most of them fall into the hard rock (Lita Ford, Donnas) or 80’s/90’s pop dance (Taylor Dayne, Sheena Easton). Occasionally, I will be wowed by good looks and a magical voice. I am a man after all. But when I received Sheryl Crow: Miles from Memphis – Live at the Pantages Theatre, on Blu-Ray, I was not sure what to think. Sure, she had looks but Crow’s music is ever-changing. However, I am certainly willing to give it a listen.
Most people know Sheryl Crow from her multi platinum albums, and selling well over fifteen million records domestically and probably a good thirty five million records worldwide. However, her start was kinda ominous. When she left college, she was teaching music to elementary school kids in Fenton, Missouri. Then came a couple of McDonald’s and Toyota commercial jingles. Before she knew it, she was a backup vocalist for Michael Jackson during his Bad tour.
Posted in: Disc Reviews by Michael Durr on June 16th, 2011
It is that time again boys and girls for the movie of the week. This week, we visit a genre that is staler than your grandmother Edna’s cookies: the romantic comedy. *boo* *hiss*. Okay, okay before you start throwing those almond cookies, I think I need to let you know that there is a $5 bill in it for each of you. *whisper from editor* “Do we have that in our budget?” “No silly, just go with it.”. Audience – “What was that?” Why, our movie today is the Adam Sandler and Jennifer Aniston picture: Just Go With It. Roll the film!
Twenty years ago, Danny Maccabee (played by Adam Sandler) ended his wedding day with a big broken heart and an even bigger nose. Man, was that thing huge. Be sure to never invite him to a coke party. Coke party? Yes, this review is brought to you by Cherry Coca-cola. No, you can’t have any because I drank it all. Anyway, Danny goes off to a local bar to drink the night away (not Cherry Coca-Cola) and strikes up a conversation with a hot girl who notices his wedding ring.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2011
On first glance it might seem like a rather odd choice to have the likes of Billy Crystal direct a movie about the 1961 drive to beat Babe Ruth's sacred homerun record by teammates and friends Roger Maris and Mickey Mantle. When the film first aired on HBO,,I recall doing a bit of a double take myself. But, once you've seen the man talk about his memories of the game and the absolute reverence and respect he has for its history you begin to understand why he was the perfect choice to direct 61*
The film begins in more recent times. We are placed in the heat of the 1998 baseball season when Mark McGuire and Sammy Sosa were engaged in an eerily similar race to break Maris's 61 homerun mark. McGuire was the first to do it, coincidentally in a game against Sosa's Chicago team. Of course, at the time we didn't know that McGuire was juicing up and Sosa had a thing for corked bats. The Maris family was there to watch the record be broken, at least his children were. His widow had to watch from a hospital bed after having a health episode that very day. The family was gracious, and of course, it brought back memories of the 1961 season. It is here where the real story begins. The film recounts the friendship between Mantle and Maris, known as the M&M boys, and the film carries us through one of baseball's most tumultuous season.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2011
"Some say I don't play well with others. I was a damn good detective in Chicago until a disagreement with my boss encouraged me to pack it up and make a change. So I put The Windy City in my rearview and headed to the Sunshine State. Kick back. Play some golf. Work on my tan. Maybe write the occasional speeding ticket. Yeah... Well... that didn't work out."
Posted in: No Huddle Reviews by Gino Sassani on June 16th, 2011
"Look sharp, act sharp, be sharp. These guys coming out of prison? They're buff, been on drugs. You do what they teach you in the academy, you will die. Knucklehead wants to take your gun. So if it's you or some 300-pound naked guy on PCP, you take his ass down any way you can. You ride with me, you back your badge."
There probably isn't a group of people who have been profiled more than the men and women serving in the LAPD. It doesn't take a rocket scientist to figure out why. It's a large city with an incredibly diverse population. Oh, and it doesn't hurt any that Hollywood's a part of this particular asphalt jungle. So we get to see a lot of L.A. or New York cops on television. Even long before Jack Webb was asking for the facts and only the facts, the cops of L.A. have had more than their fair share of screen time in film and television. With that in mind, it is awfully difficult to do anything new with the LAPD.
Posted in: Disc Reviews by Gino Sassani on June 14th, 2011
If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us, the show has not only survived, but it has thrived, looking to be around for quite a while yet.
In season 1 Sam Winchester (Padalecki) was in college. His fiancée was attacked by a creature that had once also taken his mother. Enter brother Dean (Ackles) who arrives to take the mourning Sam on a cross-country search for their missing father. It turns out that Daddy Winchester has been on a self-imposed crusade to find the monster that took his wife and any other demon or creature he might be able to hunt along the way. We also find out he’s trained the boys to be quite capable monster hunters themselves. Most of the first year dealt with the brothers fighting their way to their dad. It ended in a hell of a cliffhanger. Season 2 didn’t waste anytime picking up the action. The action picks up the moment we were left waiting last May. If the first year gave the boys their mission, the second is about consequences. All of the expected monsters are there for the hunt, and year two turned out twice as good as the first. If you didn’t think that was possible, check out this second-year DVD set.
Posted in: Disc Reviews by Gino Sassani on June 14th, 2011
For ten years we watched Jack O'Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff'a Tealc' enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old-fashioned telephone. For another five years we traveled not only to another planet, but to the Pegasus Galaxy itself to the Atlantis Base, a bright floating city left behind by the ancients, the people who created the Stargate system millions of years before. On this show we met new friends, new bad guys, and had new adventures. The location might have changed. The faces might have, at first, been unfamiliar, but the missions and the entertainment value didn't let us down. For 15 seasons we enjoyed a spectacular tale to rival the myths of the Greeks and Romans themselves.
I'm told that all good things must come to an end. When Atlantis was finally cancelled, I was made almost immediately aware of the plans to continue the franchise. First reports started coming out that the show was going to be called Stargate Universe. Soon my inside contacts started giving me tidbits about the story. Details began to emerge about the Destiny, an ancient ship abandoned in another universe far away. The ship was on some kind of predetermined course and would sport an unsuspecting crew of humans that would be left stranded on the ship for an indeterminate amount of time. It was starting to sound a lot like Star Trek: Voyager to me. Of course, this is Stargate, so there has to be some gate travel, one would assume. The ship would come with a gate, and the vessel would come out of faster-than-light travel from time to time and dial up a local planet for exploration. The ship was ancient not only in its origin but in its duration in space. There were going to be a lot of system failures, as the equipment was long past its expiration date. The ship itself would know what resources it needed to continue to operate. Searching its vast planetary database, the ship would locate planets with the essential resources, allowing away teams to get such vital raw materials. Unfortunately, the ship didn't always give a good indication of what to find or where on the planet it might happen to be. Oh, and did I mention the countdown? The ship would decide how much time it would allot for each mission, instituting a countdown. When the clock reaches zero, the ship goes back to FTL, and whoever's not back in time gets left behind.
Posted in: Disc Reviews by Gino Sassani on June 14th, 2011
“Corporations… They have all the money. They have all the power, and they use it to make people like you go away. Right now you’re suffering under an enormous weight. We provide the Leverage.”
The series centers on Nathan Ford (Hutton), an ex-insurance investigator. His life was turned around when the very insurance company he recovered millions for turned down his child for treatment to keep her alive. He quits his lucrative job and forms a team to help people who are backed against the wall by large corporations. Cases include: a soldier looking to get medical care, a family ripped off by a mob boss, a company that has allowed dangerous chemicals to harm children, and a real estate mogul trying to take a church away from its congregation.
Posted in: Disc Reviews by David Annandale on June 13th, 2011
Jean-Hugues Anglade plays Zorg (yup, that's his name), a handyman living in a beach-front house, scribbling away quietly in his spare time. Not so quiet is his tempestuous affair with Betty (Béatrice Dalle in her debut), whose passions overwhelm both of them. First, she moves in on him with no warning. Then, when she discovers his writing, she decides they must move to Paris so he can have a career as a writer. To make sure Zorg complies, she burns his house to the ground. Once in Paris, her plans for him fall apart, and so, bit by bit, does she.
Writer/director Jean-Jacques Beineix has both audience and characters sweltering from the get-go, setting the tone for another French tale of amour fou. Angalde and Dalle inhabit their characters perfectly (though one might be forgive for wondering what exactly Zorg sees in Betty, beyond the physically obvious). The film is stylish and dramatic, and if, at 185 minutes, it outstays its welcomd, it doesn't do so by much.
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