Genre

In the 1970's the critically acclaimed Upstairs Downstairs was a television mainstay in England. American audiences were soon introduced to the series through PBS broadcasts in the late 1970's and beyond. It was a unique kind of drama that served both as a period piece and an examination of the class lifestyles. The series began at the turn of the century and led up to the events of World War I and the period that soon followed. We were witness to the wealthy Bellamy family who occupied the estate at 165 Eaton Place. The family lived in the upstairs rooms, while the servants who kept the place in order occupied the rooms downstairs. Each episode would bring the dramatic events of the world to the doorstep of the home and we would see how they affected the two classes. We got to know members of both classes, and as the series progressed, observed the stark differences while also seeing the common humanity the two worlds shared. It was a huge hit and has lived on in syndication in all of the years since. The original series ran from 1971 until 1975 and covered the years of 1903 until the market crash of 1929 and the death of the patron of the estate. The whole thing had to be sold and the characters dispersed to their own lives from there.

Enter Heidi Thomas, who was eleven when the original series ended. The show stuck with her, and she made it a sort of life mission to bring the series back. In 2010 that's exactly what she did. The result is the three episode run that we have in this release.

"Only one creature has carved out a life for itself in every habitat on Earth. That creature is us. All over the world we still use our ingenuity to survive the wild places, far from the city lights, face to face with raw nature. This is the Human Planet."

I suppose there is something to be said about shows where we literally watch the main characters grow up. This season of Boy Meets World sees Cory Matthews (played by Ben Savage) and his cohorts enter their final year of high school. In some fashion, this is the season where the boy really is about to “meet the world,” but perhaps that is just a little too much poetry smeared onto this season of family friendly prose.

If you can somehow crawl past the horrendous theme song and opening title sequence, you will witness an acceptable Disney comedy, filled with cheesy smiles, over-acting supporting cast, madcap scenarios that have no edge whatsoever, and hearty doses of family oriented life lessons.

There are a lot of films that I never expected to see on Blu-ray, at least not for many years. With so many blockbusters still not available in high definition, it's not reasonable to expect that some of the gems you've loved for years, but with limited marketability, would soon find their way to your home theater in HD. If you had asked me a short time ago to list some of those treasures, I think that The Terror would have easily made the list. This is one of those times that it feels good to be wrong, and The Terror might end up being the best surprise release of the year.

Lt. Andre Duvalier (Nicholson) has been separated from his regiment in Napoleon's French army. He finds himself somewhere in The Baltics on the coast. He's tired and near exhaustion when he spots an attractive young woman named Helene (Knight). She leads him to fresh water and a chance to rest. But when she leads him into the surf and disappears, the young soldier is nearly killed. He's rescued by an old woman named Katrina (Neumann). When he tells her about the girl, he's admonished that there is no such person in the area. But he sees her again, and once again is nearly led to his death. Finally a servant of Katrina's tells him he will find the girl at the castle of Baron Von Leppe (Karloff).

The movie to introduce Thor to the motion picture audience is set to open this Friday. Captain America isn’t too far behind that and opens up in July. Most movie goers have also seen one or both of the Iron Man and Hulk films. But all of those characters will soon be assembled into a mighty team called the Avengers. But before that mammoth movie, first we have to get the kiddies involved with a new cartoon series. Enter Avengers: Earth’s Mightiest Heroes.

Iron Man has a problem. The name of this problem: Hydra. Hydra has apparently obtained the much desired Stark technology and is using it against the world including Iron Man and SHIELD (ran by Nick Fury). Before we know it, Tony Stark will come face to face with the Dreadnaughts and Nick Fury will have to take on the Grim Reaper. If Grim Reaper is allowed to take out Nick Fury, then he would be able to free Baron Strucker from the Vault.

"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Now, see further than we've ever imagined. Beyond the limits of our existence. In a place we call The Universe."

The History series lasted for five seasons. The show used modern space photography, computer-generated images, and demonstrations along with respected scientists to explore the various aspects of our universe. While more time is spent in our own back yard exploring our solar system, the series did take us to the outer reaches of space, going back about 13 billion years. That's as far as we're able to see. The show was narrated by Erik Thompson. Of course, there is plenty of narration by the scientists.

Ever since the second National Treasure film came out, there has been speculation that there might really be a Book Of Secrets that is passed down from president to president, perhaps since Washington himself. It is true that each president does traditionally leave a sealed note to his predecessor on the desk in the Oval Office. Still, there is no documentation that a special book exists, but then again there hardly would be, would there?

If you are expecting this special to talk about the existence of such a book, you are in for a disappointment. In fact, the title is quite misleading and obviously intended to take advantage of the film buzz. Instead, this special talks about the kinds of things that might/would be in such a book, if it existed. The show really talks about the office of the presidency and some of the traditions and precautions that are taken for the holder of the office. There's a lot of talk about the security details made for the office. You get a look at the "football", which is the briefcase that follows the president everywhere he goes. It contains emergency protocols and the launch codes for our nuclear arsenal. The episode explores secret societies like the Masons and Skull & Bones which have produced a large number of presidents as well as other powerful positions.

Sometimes you walk into a movie simply knowing that you are about to watch a train wreck. I am not talking about Unstoppable or Under Siege 2 (though the latter was arguably a train wreck in its own right) either. It is the kind of movie where you hope there is enough action and some mindless t&a to get you through the ninety minutes. Then maybe at the end of it all, one can forget about it and move on. Let us move on to the dinner course this evening, Blood Out.

It is just another day in Anytown, USA (this movie was filmed in Baton Rouge, Louisiana but you would never know it). Drugs are all over the streets and the sides break down between those who deal the dope and those who try to deal the justice. On a bust, Sergeant Michael Savion (played by Luke Goss) chases after a drug dealer and lays him out with two bullets to the back. But unfortunately before he falls dead, the thug shoots a little girl beside him, killing her instantly. Michael blames himself as he goes back to the station.

When you want to get the most bang for your buck in a low-budget 1980's slasher film, you could do a lot worse than The Dorm That Dripped Blood. It's an elusive film that has never really enjoyed much of any kind of wide release even in the video market. It was really nothing more than a student film put together as a thesis for UCLA students Stephen Carpenter and Jeffrey Obrow. Like most student films, the piece utilizes locations on the UCLA campus and makes use of local talent both in front of the camera and behind. But this movie doesn't look like any student film you've ever seen before. With almost no budget, the team managed to make a film that was remarkably professional in the way it looked. The cinematography showed style that usually takes years or decades to develop. There's none of the usual amateur mistakes, and you'd be hard pressed to find it not worthy of the rest of the films coming out of that genre and that time. The film went through various name changes and has been seen in many forms over the years. You might know it as The Prank or Death Dorm. Whatever you might call it, I call it one of the best slasher films that you probably never heard of.

The story is simple. There are no complicated set-ups. There's no convoluted back story or supernatural urban legend to kick things off. Don't worry about getting to know the characters very well. It doesn't matter. They're merely killer fodder, and we'll get to know them about as well as we need.

Craig, played by Keor Gilchrist, is facing a lot of stress in his sixteenth year on this planet and he becomes convinced that he wants to kill himself and checks himself into a psych ward. During his mandatory 5 day trial stay he undergoes a less-than common journey of self-discovery with the aid of his fellow patients.

What could have easily been a very contrived teen comedy turns out to be a refreshing coming-of-age tale that does not need to pander to the audience with an over-abundance of lowbrow humour and/or romance drama. Mind you, it is not that this film is lacking in either of those departments completely as we do get a couple naughty jokes snuck in, and our protagonist does find himself in a “girl trouble” dilemma that motivated his self-institutionalizing. Thankfully the focus continuously draws back to Craig and his attempts to heal, making him the ever present nucleus of the film for interesting character subplots to float around him.