Posted in: Disc Reviews by Gino Sassani on May 17th, 2011
There were a lot of changes in store for the Bunkers in the 9th and final season. The biggest change was the addition of Stephanie played by Danielle Brisebois. She was the daughter of one of Edith's cousins. The girl was originally left with the Bunkers for what was supposed to be a temporary situation. Of course, the couple gets stuck with the 9-year-old girl and have to raise her. The matter is made worse when Archie discovers she's Jewish. Mike and Gloria have moved out to California but are not completely out of Archie's life. Archie and Edith make a trip out to see them and their grandson in a three-part episode, only to discover they have split up. This would lead to yet another All In The Family spin-off called Gloria. The release includes the three-part All In The Family Retrospective hosted by Norman Lear.
The series was first released through Fox for three seasons. Sony took over the releases for the next three seasons. Finally Shout Factory has stepped up and has taken over the release chores for this classic comedy.
Posted in: Disc Reviews by David Annandale on May 17th, 2011
Clowns have been a recurring obsession for Fellini, by the director's own admission, and after having been memorable presences in his films (perhaps most notably in La Strada), here they have an entire film devoted to them. Fellini here offers a mixture of biography, documentary and comedy. The film opens with a young boy (meant to be Fellini) first encountering (and being frightened by) clowns at the circus. Fellini's narration recounts how the clowns reminded him of real characters from the village of his youth, which cues recreations of those people, their actions essentially circus clown routines transposed to world outside the circus tent. Fellini then heads off to Paris in search of clowns and their history.
Fellini incorporates many clowning routines, and how well the gags work will, of course, depend on the individual viewer. But the value here is less that gags than the history and broader meaning of the circus itself. What clowns mean, what we take from them, what the different figures represent – these are the kinds of meditations the film engages in, and there is a great deal of melancholy and poignancy to go along with the broad slapstick. A fascinating piece then, originally done for Italian television.
Posted in: Disc Reviews by Michael Durr on May 16th, 2011
Recently, I saw the brand new live-action film of Thor in 3d on a giant IMAX screen with some close friends (watch for the Hawkeye cameo!). All of us thought the movie was pretty good (though we really didn’t see the point of 3d, big shock). As to be expected, I knew (and hoped) an animated feature of Thor with his big hammer was right around the corner. However, when I received said feature, Thor was right on it, but he was holding a sword? This requires some further analysis.
We open the film to somewhere in Asgard, Thor is fighting a bunch of warriors, armed with swords. The shot suddenly pans up to an appreciative crowd. This would be what one would call a spectator sport. Thor goes back to playing for the crowd and even loses his sword in the process. But one of the combatants lets him pick back up his sword and continue the fight. This is also the time when Sif, a female who is handy with any weapon, shakes her head and walks out of the arena.
Posted in: Disc Reviews by William O'Donnell on May 16th, 2011
LXD is a two seasons of collected web shorts, originally appearing on 'Hulu.' A secret society is recruiting dancers and each short reveals prospects who demonstrate masterful performances of different, modern dance techniques.
At first glance, the concept seems to be a bit hammy and contrived. A random, elderly black man (Morgan Freeman must have been out of their price range) narrates in a almost broken hearted yet ever-wise tone, speaking in fortune cookie sayings with promises of mystical yet adventurous things to come. Thankfully, less time is spent on this and more time spent on profiling each dancing character.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2011
"Once upon a time in the projects..."
Eddie Murphy co-created this controversial situation comedy that aired first on Fox and was later picked up by the WB. It was quite an original undertaking. The show was made using stop-motion. The process was very much like the traditional claymation process that brought such classic favorites like Gumby to life. But since the models were made of foam instead of clay, the process was dubbed foamation. There's a bit of a coincidence at play here since Eddie Murphy often played a version of the Gumby character on a regular basis during his stint with Saturday Night Live.
Posted in: Disc Reviews by Michael Durr on May 12th, 2011
Sometimes I miss the days of my youth. Huddled in front of a thirteen inch color television set with the knobs you had to turn but not too quickly (or else you were forced to break out the pliers) to your desired channel. It seems like I watched so many sitcoms back then. Silver Spoons, Different Strokes, Facts of Life, etc. But I do seem to remember a show about a small child named Emmanuel Lewis who would play Webster. It was awfully cute back in the mid eighties, I wonder if it holds up today.
If you missed the first season of Webster, well all came to know Emmanuel Lewis as the little boy with a big heart that everybody loves. His original parents get killed in a car accident and then he is taken in by the Papadapolis’. The new parents are made up of George (played by Alex Karras), an ex-football player and Katherine (played by Susan Clark) who is just your average high maintenance socialite.
Posted in: Disc Reviews by Michael Durr on May 11th, 2011
The real world will try to teach us many things. It teaches us that only two things are certain, death and taxes. Unfortunately, one of the things that is not always certain is the wonderful mystery of love. Sometimes, it lasts for a lifetime but more often than not it can be a cruel device and become fleeting. The movie, Blue Valentine deals with this difficult subject and explores one such relationship that is clearly on the ropes.
Frankie (played by Faith Wladyka) screams for her daddy. She yells again. The girl makes her way back to the house and crawls inside using the window. She finds her dad, Dean (played by Ryan Gosling) asleep on the couch. Frankie wakes him and they go outside and we realize that their dog, Meagan is gone. They go back inside and try to wake the mother, Cindy (played by Michelle Williams). She resists but eventually stirs.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2011
Of all the straight-to-video titles I didn't expect to see, Street Kings 2 would be high on the list. The original film was a predictable film with bad pacing. The box office was no better. That film pulled in about $26 million and quickly faded into obscurity. But here we are two years later and the title has been attached to a direct-to-video release from Fox. None of the original characters or actors are found here. The title merely suggests a similar story, this time in the Motor City, Detroit.
The film opens with a drug bust gone horribly wrong. Detective Marty Kingston (Liotta) is injured in the violence and spends his recovery at a desk and playing a department crime dog mascot at elementary schools. When his partner turns up shot and killed, Kingston injects himself into the investigation led by a green detective Sullivan (Hatosy). At each turn the investigation appears to paint an ugly picture of the deceased detective. He was as dirty as they come and mixed up in all sorts of seedy deals. It seems hard to believe that Kingston wasn't aware of his partner's dirt. Then other cops implicated in the corruption end up killed, and soon we understand Kingston's motives for being a part of the case.
Posted in: Disc Reviews by William O'Donnell on May 11th, 2011
Lesser know than the Loch Ness Monster, Chupacabra and many other crypotzoilogical monsters is the Mongolian Death Worm. This SyFy production gives the mythological beast the Tremors “graboid” treatment and makes them desert prowling beasts with extending tongues/second mouths. Being compared to Tremors is a high summit to reach., as this film is outclassed by that film in all aspects.
Things are shaky right off the hop. The opening title has the same size and font as the text used to detail the characters' location, making it seem as if Mongolian Death Worm is the name of the setting. Such things are not monumental problems, but there are enough of these lofty mistake to mark sloppy composition and lack of care by the filmmakers.
Posted in: Disc Reviews by William O'Donnell on May 11th, 2011
Based on actual Old Bailey court records from the 18th Century, Garrow's law tells the true story of William Garrow, a young barrister you revolutionized the legal system. This first series may only be 4 episodes long, but with each clocking it an an hour long a piece, this series offers plenty of drama to invest in.
The first episode kicks off with Garrow's earliest attempt to be a proper defense attorney, with the mindset to stop “blood money” from influencing convictions, and to cease the casual executions and/or barbaric treatments of innocent people. The proceeding episodes each contain a highly tense adventure, as Garrow has to not only prove his clients' innocence, but must also fend off bounty hunters, judges and other callous opponents of what he views as true justice.
![Blue Valentine [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/blue-valentine-blu-ray-large.jpg)
![Street Kings 2: Motor City (Unrated) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/street-kings-2-motor-city-unrated-large.jpg)
