Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"No young man, no matter how great, can know his destiny. He cannot glimpse his part in the great story that is about to unfold. Like everyone, he must live and learn. And so it will be for the young warlock arriving at the gates of Camelot. A boy that will, in time, father a legend. His name ... Merlin."
Merlin. You know the name. It conjures up images of a white-haired old man with a long gray beard and a long pointed hat. His story is indeed legend. In the myths of Arthur and his Knights of the Round Table, he is destined to be the mentor to the King of Camelot. We've all heard the stories of the Sword in the Stone and the Age of Chivalry. Perhaps it is totally appropriate that this telling of Merlin come from British television. England is, after all, the origin of the fanciful legends.
Posted in: Disc Reviews by Michael Durr on January 29th, 2011
Westerns are fun movies to typically review because they usually don't deviate much from a basic formula. There is usually a criminal and there is usually a good guy out there to shoot that varmint. Technically, that is all there is to it. Furthermore, the budget (unless big stars are involved) is small, making for some creative storytelling. Today, we get to review an Australian western: Red Hill. Let's see if it differs from the typical American one.
We overlook a lush Australian landscape (aren't they all this way?) and pause to look at some horses. Suddenly, there is a disturbance in the distance and the horses run. Dun dun dun. Scene shift. Shane Cooper (played by Ryan Kwanten) is up and getting ready for first day of work. His wife, Alice (yes...Alice Cooper, played by Claire van der Boom) who apparently got her Frankenstein fed is very pregnant. They talk about his first day and soon he goes off to work.
Posted in: Disc Reviews by Michael Durr on January 27th, 2011
As most fans of this site know, I’m the resident video game expert on the site. Which means? I play lots of video games. So by default, whenever something video game related comes to this site, it goes to me. Good, bad or indifferent. Many video games these days do the cross-promotion thing whether it would be books, movies or even games before the actual game. One of these I received recently was Dead Space: Aftermath on Blu-ray to promote the launch of Dead Space 2.
Space. We enter to see the USG O’Bannon come into view. Suddenly we see a bunch of dead bodies all around the ship. Something is very wrong. Soon, the scene shifts to inside the ship where there is a rescue crew investigating for life signs. They find four blips on their equipment and then the engine starts up without warning. The crew rushes and finds the four life beings.
Posted in: Disc Reviews by William O'Donnell on January 27th, 2011
A young man wants to stimulate the economy of his tiny community, mostly for the sake of his parents struggling motel, and inadvertently welcomes what would become the original Woodstock festival into his back yard (literally).
Based on the true origins of this music festival that changed the world, we do not see the happenings of the stars onstage like other Woodstock films might. From beginning to the end, we only witness the muddy setup of the campsites and the infamously congested highway leading to the stage.
Posted in: Disc Reviews by William O'Donnell on January 25th, 2011
Not quite a concert film, not quite a drama. This film follows a young man named Bruno, who sleeps with his life long crush, the night before she moves from Toronto to Paris. On this final night, Broken Social Scene are playing a free show and Bruno uses a connection to get backstage passes as a last ditch effort to win over his crush. All the while, we are treated to a multi camera view of that very same concert, running the duration of the entire film.
Some concert films separate the songs with behind the scenes moments of the band leading up to that same show, but here we are separated from all that with the fictional romance plot. As things progresses, the music does what a soundtrack is supposed to do, and highlights the emotions of the scenes it accompanies, but since we are privy to the live performance of that same soundtrack, the passion of the musicians playing syncs up with whatever the actors are doing or feeling. There is a symbioses between the concert and the drama, making each better than they ever would have been simply on their own.
Posted in: Disc Reviews by Michael Durr on January 23rd, 2011
If one were to look at my media collection, one would probably assume in advance that I have a lot of stand-up comedians. On the contrary, I have only a few stand-up discs because I tend to be critical of their replay value. I have the classics such as Richard Pryor, Robin Williams, George Carlin as well as a couple of more recent acts such as Joe Rogan and Lewis Black. However, my curiosity was peaked when I heard about Louis C.K. He has been called the George Carlin of today, a very tall order. Well here is hoping that he lives up to most recent special: Hilarious.
The Pabst Theater in Milwaukee, Wisconsin was home to a Louis C.K. performance in April of 2009. For about 79 minutes he entertained a packed house of people with jokes on a variety of topics including the single life, misused words and being a divorced dad with a couple of children. The show did so well that it was even made into movie theaters across the country as a limited engagement. Eventually it found its way into our homes for everybody to enjoy.
Posted in: Disc Reviews by William O'Donnell on January 22nd, 2011
A young Cambodian boy, named Sokvannara “Sy” Sar, is spotted performing a traditional dance by the film's director and American Dance patron Anne Bass. She immediately takes note of his smooth talent and figures he has massive potential as a classical ballet dancer. Sy is given a rare chance to audition at the School of American Ballet in New York and then proceeds on a unique and fast-paced journey through a new world of dance, in a nation that is completely alien to his homeland.
This film would be interesting simply for the fact that it displays many parts of what it means to train as a professional ballet dancer and student, but is all the more engaging because of S's situation; that being the lone Cambodian to take on such a quest. Sy may come from poor roots, but his is by no means a sob story of an underdog, but that does not make it any less special or rare an opportunity. This film gives us the chance to see more than just his home, family and friends, as well as the many stages he earns a spot performing on, but we are privy to what can happen when chance falls upon the sort of person who has the passion to take hold of it and elevate themselves in something that was a total unknown to himself and his fellow countrymen.
Posted in: Disc Reviews by Michael Durr on January 22nd, 2011
Allen Ginsberg is often regarded as one of the most important poets of the 20th century. He is seen as a symbol of the Beat Generation and contributed to the San Francisco Renaissance. His most important work, Howl has created both worldwide controversy and praise. It escalated into a 1957 obscenity trial of the poet and Lawrence Ferlinghetti who had published Howl along with other selections from Ginsberg. The film is a celebration of Ginsberg’s life as well as the results of this trial.
In 1955, an unpublished 29 year old poet presented his vision of the world as a poem in four parts. His name was Allen Ginsberg (played by James Franco) and the poem was Howl. In 1957, Allen and his work would be put on trial for obscenity. The trial would be prosecuted by Ralph McIntosh (played by David Strathaim) and defended by the prominent Jake Ehrlich (played by Jon Hamm). Judge Clayton W. Horn (played by Bob Balaban) would preside over the proceedings and render judgment.
Posted in: Disc Reviews by Archive Authors on January 20th, 2011
The Freebie is a festival friendly drama-comedy about Darren (Dax Shepard) and Annie (Katie Aselton) ailing sexual relationship. The film is interested with relationships after they pass the lust stage. How do couples maintain a healthy romantic relationship? Darren and Annie strive for ways to spice up their situation and the idea eventually becomes one night of freedom from each other to explore other options. The film is shot very intimately and the audience will be shocked at the warmth conveyed by direction. The tension explored in this film is not typically deployed in this genre. This film showcases a perspective that could surprise viewers, I know I was.
Both Dax Shepard and Katie Aselton are able to deliver solid performances. I have always been skeptical of Shepard’s acting chops given his track record. However, he delivers a subtle and strong performance. His scenes with Aselton always have naturalistic approach and the direction only amplifies this. The intimacy and warmth in scenes is overwhelming. Aselton also directs and she uses a variety of tight portrait shots to convey emotion. I commend the effort and was surprised at how invested I found myself in the characters.
![Dead Space: Aftermath [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dead-space-aftermath-blu-ray-large.jpg)
![Howl [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/howl-blu-ray-large.jpg)
