Posted in: Disc Reviews by Gino Sassani on June 30th, 2010
"Cursed (kur'sid) adj. To be afflicted with, suffer from the calling down of calamity on someone by a spirit, deity, demon, or one of the dead, esp. from a desire for revenge, resulting in an evil, malevolent being."
I'm well aware of the popularity of the Twilight series. I have to admit that I've pretty much avoided the films, mostly because after 7 years of teaching high school I've had more than my fair share of teenage angst. Let's face it. These films are not really for the die-hard vampire, werewolf, or horror fans. They're genre chick flicks full of all of that overflowing romance and adolescent hormones. While I've been successful at avoiding that particular series, I have now finally succumbed to one of the inevitable copies. When something is as profitable as the Twilight books and movies certainly have become, there will be attempts at imitation. It's a Hollywood law, chiseled into the unwritten statutes that all filmmakers pledge their allegiance to. Wolf Moon, also known as Bad Moon Rising, appears to be one of the first.
Posted in: Disc Reviews by Michael Durr on June 30th, 2010
Some of my longtime readers might remember my review of The Game Season One. I found it to be rather slow at first but once they fleshed out the characters, it became a likeable show with decent characters. But unfortunately, I was not able to review the second season and was a little surprised that the third season showed up on my doorstep. Hopefully, I would be able to jump right back in and still enjoy the show. As long as it still has the qualities I enjoyed before.
Let’s spend some time catching up from the second season as we dive into the third season. Since I didn’t get a chance to watch the second season, it will help us to set the story. Melanie Barnett (played by Tia Mowry Hardrict) is still having problems with Derwin Davis (played by Pooch Hall). She confessed in the season two finale that she still loves Derwin and is bent on getting him back. There is just one problem.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2010
"The Earth has immense power, and yet that's rarely mentioned in our history books. I'm here to change all that."
The BBC has a reputation of putting out some very high quality documentaries, particularly recently in the high-definition age. Planet Earth became an award winning series lauded all over the globe for its stunning photography and epic tales. Most recently I watched and reviewed their Life series. Once again the series was dominated by startling images, many never before captured on film, all in wonderful high definition. Now I have a chance to visit yet another recent BBC project: How The Earth Changed History.
Posted in: Disc Reviews by Michael Durr on June 28th, 2010
Most people associate the book, War and Peace in the same respects as they do torture. A one thousand, two hundred and twenty five page book that is regarded as one of the most brilliant pieces of historical fiction is a nightmare to most advanced high school and college kids. However, perhaps more fascinating than any single piece of work by Leo Tolstoy is the life in which he lead. Last Station attempts to give us the last few years of the Count’s life in film form.
It is the last year of Leo Tolstoy (played by Christopher Plummer)’s long and prosperous life. He has developed principles that reject private property and advocates passive resistance. Those same principles have led to the birth of the Tolstoyan movement, championed by his disciple, Vladimir Chertkov (played by Paul Giamatti). Chertkov has unfortunately also been placed under house arrest and has no way to keep regular ties with Tolstoy who is in failing health.
Posted in: Disc Reviews by David Annandale on June 28th, 2010
Bob (Bryan Callen) and Cheryl (Alexie Gilmore) are about to be married. Bob already can't win with his in-laws-to-be, and his latest mistake is to forget to arrange for pre-marriage counseling, which must be undergone or the church won't allow the ceremony to take place. There is only one couple available at the last minute, and it turns out to be the massively dysfunctional set of overbearingly enthusiastic Dick (Matt Servitto) and cynical and rapacious Nora (Jane Lynch). The counseling sessions become a series of disasters.
Callen comes across as a poor-man's Ben Stiller, essaying different variations of baffled panic and pained humiliation through events that feel like deleted scenes from Meet the Parents. Jane Lynch turns in yet another of her trademarked hard-boiled characterizations. She's good at this, but she could also do this part in her sleep. The script gives the cast very little to work with, and the direction is utterly flat. Scenes that should be frantic are merely dull, and there's a fight scene between Gilmore and Lynch that is one of the most badly choreographed I have ever seen. Painful stuff all around.
Hmm. I'm looking at the back of the case. What exactly does “16:9 (1.78) Full Screen” mean? Seems to be a rather contradictory set of specs. In fact, what we have is 1.78:1 non-anamorphic. The picture is decent enough, but a bit on the soft side, and the reds are a little strong. Contrasts are okay, but the picture, like the movie itself, lacks energy.
Posted in: Disc Reviews by William O'Donnell on June 27th, 2010
There is a “Convenience Store Killer” running amok in Los Angeles, killing patrons and shop owners and stealing the security camera footage for his own collection. Our heroes are a misfit band of workers who are having a poker night while locked inside their damaged store (the damage being on the door...so they are stuck until morning...see what they did there?) and soon the killer targets them.
Posted in: Disc Reviews by David Annandale on June 24th, 2010
Bill Williamson (Brendan Fletcher) is an angry young man. His boss treats him badly, he can't get good service at the local coffee shop, and his parents are trying, none too subtly or smartly, to get him to move out. He hangs out with a friend who talks a big talk about changing the world, but does nothing. Bill, by contrast, is about to do something: gearing up with so much body armor he becomes a walking tank, he begins a gigantic massacre in town, beginning by blowing up a police station, and going on to gun down anyone who crosses his path. There is, however, rather more method to his madness than might appear.
The indefatigable Uwe Boll here brings us a film that echoes the likes of Falling Down, Targets and Elephant. (And in typically modest fashion, on the commentary track he feels he has improved on Falling Down.) This is one of Boll's better films, blessed by an excellent lead performance by Fletcher, convincing improvised dialogue (which does produce a couple of grammatical howlers, but hey, so does real-life dialogue), and intense hand-held camerawork. There are some genuinely witty moments, too, such as the scene where Bill enters a bingo hall, and is completely ignored by its denizens. Even at a brisk 85 minutes, however, the film doesn't have quite enough plot, and thus the rampage itself feels a bit too long. There is also too much reliance on flash-forwards, which ultimately telegraph the resolution too far ahead. As for that resolution, it isn't without a certain cleverness, but it does tend to muddy the film's social commentary. But social commentary there is, and there is quite a bit to admire about this effort.
Some of the reds are bit too strong, but otherwise the colors are excellent, as are the contrasts, blacks and flesh tones. There are moments where the film shifts to webcam footage, and the difference is clear and convincing. The overall look of the film is rich without venturing too far outside of a realist aesthetic (the exception being a gigantic explosion early on, but as far as the transfer goes, everything still looks very nice). The aspect ratio is the original 2.35:1 anamorphic widescreen.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2010
Whenever there is a disaster, there are always the inevitable questions that follow. Where did it all begin? Could it have been avoided? What can we learn from this? No, I'm not talking about the oil leak in the Gulf. Hollywood is no exception. You have your disaster movies like Earthquake, and you have your movies that are disasters like Waterworld. Of course there are even disaster movies that are also disasters like the recent 2012. Some disasters you never see coming. But, many such events could have been predicted and possibly avoided if only the right folks had been paying attention. This is the story of one such event: Showgirls.
I guess you could say that it all started with Basic Instinct. The film was directed by Paul Verhoeven and scripted by Joe Eszterhas. You remember the movie. It starred an as yet unknown Sharon Stone as the girl who dared Michael Douglas to arrest her for smoking in the interrogation room. There were ice picks, torrid sex scenes, and a few gender- bender moments. The film was a small affair with a budget under $50 million. It took the world by storm and raked in almost $400 million in the worldwide box office. It became that film that everyone talks about. Water cooler conversations were dominated by the thing. It quickly invaded the pop culture, and even if you'd never seen the movie you knew the common references. So, three years later when the same director and writer team decided to take on the Vegas showgirl world, expectations were high indeed. If Basic Instinct got them talking, Showgirls is going to have them screaming, and so it did ... only not quite in the way everyone had expected. The end result? A mere $20 million at the box office. In less than a few weeks Showgirls had become one of the most disappointing movies in the history of the industry.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2010
The Griffins, residents of Quahog, Rhode Island, aren’t the standard sitcom familial unit. The patriarch, Peter, a thick-necked, thicker-accented simpleton, has a wonderful grip on eighties television shows and bad musical groups, but lacks in social graces (soiling oneself at a neighbor’s funeral?). His wife, the animated-hot and ever-loving Lois, seems hell-bent on keeping some semblance of normalcy in the household, even if it means burying her feelings and ignoring reality a bit. Their oldest child, Meg, is the very definition of unpopular, but trying. Chris, her thirteen-year-old brother, is a dense lug who fears the evil monkey only he can see. Baby Stewie is a two year old with Rex Harrison’s voice, Howard Cosell’s vocabulary, and Napoleon’s lust for world domination, but his family treats him just like any other two year old. Finally, their dog, Brian, is a well-read, well-spoken hound who’s trusted enough to babysit, even if he’s known to take a martini or two. Family Guy is the almost always hilarious story of their lives and their struggles.
Fox never really knew what to do with Family Guy, even though it premiered right after the Super Bowl. It moved around the schedule like a cartoon Bedouin, never getting a chance to claim a timeslot for its own. Its fans followed it, but newcomers never knew where to find the show after its initial viewing. Its humor also didn’t make it a very easy sell to advertisers; it’s a more gruff version of The Simpsons, with far “bluer” material (sort of like if Homer and Marge were involved in an S&M episode). As a result of these obstacles, and in spite of serious protestations from a very large fan base, Family Guy only lasted three seasons. But never count a good series out for the count. Three years after it left the airwaves, Family Guy was back. Now the show is going into its 9th season. Quite a success story.
Posted in: Disc Reviews by BABY on June 22nd, 2010
Hey everybody. Baby, back again to bring you yet another dog movie from a dog's point of view, which is the floor, in case anybody out there really wants to know. You see, Gino won't let me on the furniture in the theater. He says that just because the seats look like chew toys, and smell like chew toys, doesn't mean they actually are chew toys. I mean, really, people. You wanna talk about your special effects, which reminds me of something else I'm not supposed to do in the theater, but let's not talk about that right now.
I wanna play a game we like to call Baby Says. OK, I like to call Baby Says. Baby says take two steps backward. Baby says get back in that delivery truck. Deliver some more DVD's or Blu-rays. Oh-Oh, I didn't say Baby Says, and that spells B A R K. Baby Says send me some treats, and that spells W A G. The truth is no matter how loud I yell, and no matter how loud Gino yells at me, these movies keep showing up on our doorstep. And the latest of these movies is called Air Bud: World Pup. So I guess I better stop talkin' about me and tell you something about the movie.
![How the Earth Changed History [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/how-the-earth-changed-history-blu--large.jpg)
![The Last Station [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-last-station-blu-ray-large.jpg)
![Showgirls (15th Anniversary Sinsational Edition) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/showgirls-15th-anniversary-sinsati-large.jpg)
