Posted in: Disc Reviews by David Annandale on May 9th, 2010
During the chaos of a mutiny, three British officers in India get their hands on a great treasure. They do not do so honorably, however, and, mistrustful of each other, make a blood pact, which cannot be broken without suffering a terrible curse. Decades later, the three have experienced very different fortunes, and vengeance has come to call. Irene (Susannah Harker), the daughter of one of these men, seeks the help of Sherlock Holmes (Charlton Heston!) and Dr. Watson (Richard Johnson). There are many dark deeds to unravel, and along the way, Watson and Irene fall in love.
The reason for this obscurity's arrival on home video is obvious, what with the Guy Ritchie movie doing the same. While this effort is far less problematically revisionist than Ritchie's, it still presents much for the Holmes fan to struggle past. Apart from the squirm-inducing age difference between Johnson and Harker, there is, of course, the supremely odd casting of Heston as Holmes. In fact, Heston had played the part in the stage version of this story, and to his credit, he does have a solid grasp on the character, and his English accent is serviceable. His angular features are also right for the part, though there is also a muscular physicality to Heston that makes his Holmes seem just as likely to punch through a wall as solve a mystery. And Heston is one of those stars who never disappears into a role, and so one is always conscious of watching Heston, not Holmes, on the screen. As for the film itself, its stage origins remain obvious, despite the many locations. This is an entertaining enough oddity, but no more.
Posted in: Disc Reviews by David Annandale on May 9th, 2010
Having accidentally blinded a singer during a contract killing, hit man extraordinaire Chow Yun-Fat, consumed with guilt, becomes the woman's protector, and seeks redemption by finding some way to restore her sight. Meanwhile, Danny Lee is the plays-by-his-own-rules cop on his trail, and inevitably the two men will find themselves as unlikely allies in gigantically operatic gunfights.
I can remember when John Woo was still a name whispered with reverence by cult film fans, and his films were only available on grey market VHS or import laser disc. In fact, I first saw The Killer on one such disc, in Cantonese with Mandarin subtitles, reading a transcription of a translation, desperately trying to grasp the gist of the action. It was worth the effort, though, for I had never seen action sequences like these. Today, of course, the situation is very different. Woo's films are readily available, Hard-Boiled's sequel is a video game (Stranglehold), and his stylistic characteristics have become clichés. The passage of time and over-familiarity have arguably robbed the film of some of its power, while making the OTT sentimentality harder to take, but the fact remains that this is still a seminal moment in action filmmaking.
Posted in: Disc Reviews by David Annandale on May 9th, 2010
We are in the midst of the Great War. Michael Dunne (Paul Gross) is a Canadian solider recovering from physical and psychological wounds. He falls in love with his nurse (Carline Dhavernas), and when her asthmatic brother enlists, Dunne heads back to the trenches to protect him, and the two men wind up at the gigantic, murderous battle that gives the film its name.
Writer/director/star Gross has an almost messianic commitment to Canadian film and Canadian history, and here he combines his obsessions in a 20-million-dollar effort that is, by the standards of the Canadian film industry, nothing short of gargantuan. And to his credit, the battle scenes are impressive. The editing is frequently startling and brutal, in keeping with the events themselves. On the other hand, the romance is painfully hackneyed, and the naked appeals to national pride can be rather wince-inducing.
Posted in: Disc Reviews by Michael Durr on May 8th, 2010
Volume Five of the Animated Series known as X-Men is now upon us. Included here are the last fourteen episodes that haven't been put on disc for the masses. There is a lot going on in these twenty one minute chunks. There are some good things, bad things, funny things and more confusing things than probably should be in a children's animated show. So let us spend some time, the final time with our beloved mutant friendly superhero group.
The fourth season had left us on a climatic showdown. The four parter: Beyond Good and Evil had showed us some strange alliances as well as X-Men fighting together to save the day. Apocalypse was put away for another day as he could not defeat the mutant superheroes. Peace had come to the planet Earth even though we all the knew that it could not last. So we dive right into the final Volume of the X-Men.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2010
Most people don't know or remember that Andy Griffith had a career before his television classic reached the airwaves. He had a pretty distinctive stand-up routine going for many years that included recordings like most stand-ups of the day. He had quite a famous bit about a country farm boy seeing his very first football game. It was called “I Think They Call It Football”, and it's a priceless classic. Andy also found his way into a couple of movies in the days before he became Sheriff Andy Taylor. One of those movies was No Time For Sergeants. It wasn't a stretch for this country boy, and fans of the rural years of Andy Griffith will find about everything they're looking for here.
Will Stockdale (Griffith) is down on the farm with his Pop enjoying the slow life when they are visited by an officer from the draft board. It appears that Will has been getting draft letters, but his Pop keeps throwing them away. Now Will is considered a draft dodger and is taken away in cuffs to be inducted into the Air Force. Along the way he befriends Ben Whitledge (Adams) who comes from six generations of infantry. His mother has sent a letter asking that the military honor the tradition by giving Ben a transfer to the infantry in the Army. Will, a naive rural boy, just wants to help. So he goes directly to the company leader, Sergeant King (McCormick) and tries to help out his new pal. What he ends up with is the assignment as PLO, Permanent Latrine Orderly, a post Will thinks is intended as an honor. But when the Captain discovers the "honor", he puts King in charge of Will's classification. If Will isn't classified in one week, King will be the next PLO. The film follows the antics of getting Will classified before the three (King, Will, and Ben) are assigned to gunnery training. With Ben and Will on a training flight, their plane ends up in the middle of Yucca Flats during a nuclear test. Presumed dead, the "heroes" are to receive posthumous medals at a gathering in their honor. It's all a nice fitting tribute until the boys show up at their own memorial service.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2010
"Most of the world's population has been wiped out by a virus. Civilization, as we know it, has come to an end. For the few survivors, every day is a fight for life. But sinister forces threaten their future."
Right from the opening credits, you can see that a lot has changed since 1975 and the original series. I'm guessing that my watching them back to back allows for even more dramatic notice of the changes. Everything is cleaner here. The production values are light-years away from what they were. Even the disc menus reflect the higher-tech edge of the 21st century production values. The credits claim that this series is not really based on the original show, but more on Terry Nation's novel. I never read the novel, but it appears there is some truth to that statement. The episode titles no longer have individual titles. They are merely listed as Episode One, Two... and so on. Once you begin to watch the show, you will find that you recognize many of the characters by name and, at times, circumstance, but these are not the same people at all. More on that later.
Posted in: Disc Reviews by Michael Durr on May 6th, 2010
Iron Man 2 comes out this week and is set to do fantastic business. Usually I’m a person who waits for movies to hit dvd and blu-ray and I’m already planning to when I can go see this movie. But one of the things I’ve come to appreciate over the years is when a big movie such as Iron Man 2 comes out, there are disc releases that dip into yesteryear and help to get you in the mood. Imagine my surprise when I was asked to review Iron Man: The Complete 1994 Animated Series.
To do this correctly, I really have to break up this synopsis into two parts. There is the first season and the second season. Trust me, they are so different from each other, I’m surprised they were released together. Everything from drawing style to the characters to the way they craft stories is different. It’s a fun ride either way but you’ll certainly prefer one over the other.
Posted in: Disc Reviews by Gino Sassani on May 5th, 2010
"You know, I never thought what happens to a city ... well ... if it breaks down, all at the same time. There's no power. There's no lighting, or cooking. And food, even if you can get it into the city, you can't distribute it. Then there's water and sewage, things like that. You know, it just never occurred to me when I lived in London. The city's like a great big pampered baby, with thousands of people feeding it and cleaning it, making sure it's all right."
Posted in: Disc Reviews by Gino Sassani on May 4th, 2010
In many ways the epic story and film Doctor Zhivago echoes the real-life story of Boris Pasternak, who penned the original novel. Pasternak was a firsthand witness to the events that led to and became the Russian Revolution. He collected 50 years of memories that began with the early days before the revolution and ended with his own confrontations with the USSR government. Like Zhivago in the story, Pasternak's work was banned in his own country. The manuscript had to be smuggled out of Russia and found its way first to Italy, where it was finally published for the first time. But it didn't stop there. The book quickly found its way to countries all over the globe. It was translated into several languages in a very short time. In 1957 Pasternak was honored with the Nobel Peace Prize for literature. Alas, that was not meant to be. He was confronted with the Party Government and warned he would not be permitted to return home should he go to Sweden to accept the prestigious award. And while that might not have appeared to have been much of a threat when you consider Pasternak's harsh observations, this was his homeland, and he did have family there who would have most assuredly paid a price for his actions. He declined the award, begging the committee to not "judge him too harshly". It would be Pasternak's last stand. He would never see the complete success of the novel or the impact it made on the world stage. He died just three years after turning down the award. He was never to see David Lean's epic interpretation of his work. He never saw the film Doctor Zhivago.
I must confess that I too had never seen the movie. I had certainly seen many clips of the film. It was impossible to follow films, in general and not be aware of the film and its impact. Of course, I had heard much of the music. The Love Theme, also called Lara's Theme, has become one of the most recognizable movie themes in the history of the industry. The movie was quite popular, but circumstances just never presented themselves for me to have the opportunity to see this movie, at least in a manner worthy of its reputation. Certainly, there were television showings, but I could never bring myself to experience such an iconic film in a cut-up fashion with likely an inferior print. Even DVD kept me at a distance. Did I really want to watch this movie with a 3-4 mbps bit rate? Certainly not. I suspect there is perhaps an entire generation of film fans out there that found themselves in the same situation. We've been asking ourselves: will there ever be any chance of seeing the movie in a format that preserves its splendor? I guess I was holding out for a nostalgic screening at a local at house theatre. And then came Blu-ray, with its limitless possibilities, and finally a copy of Doctor Zhivago would arrive on my doorstop. My dog barked ceaselessly at the UPS man who delivers these goodies on an almost daily basis. This time there was an extra snarl in that growl, I was sure of it. Could she have known that this particular delivery was going to find me and my wife locked away for nearly 4 hours (in my case more like 6) in our, closed to dogs, little theater? She knew. She knew.
Posted in: Disc Reviews by Gino Sassani on May 4th, 2010
These last couple of years have seen a resurgence of a particular kind of character study. For me I think it started with The Wrestler. For Mickey Rourke, it was a powerful comeback and led to an example of grand theft at that year's Oscar celebration. Now, I wouldn't exactly say that Jeff Bridges was in any particular need of a comeback. He's had some pretty steady work over the years. Still, you just can't watch Crazy Heart and not be reminded of The Wrestler. These characters could not be more different in a lot of ways. But they are also cut from the same cloth. Both have already seen their glory days behind them. They've each indulged in some pretty self-destructive behavior. In The Wrestler, it could be argued that the abuse he put on his body was a necessary part of the life he chose. With Crazy Heart, we're talking alcoholism, pure and simple. Still, any of those old cowboys might make the argument that booze is as much a part of the life they choose as the drugs and physical punishment are for a wrestler. It's a pretty good point. Both characters are looking for some kind of redemption with a past child. In this case it's a son. Both are attempting to find healthy relationships, perhaps for the first time in their lives, with single moms who have had some bad luck in the romance department. Finally, both characters are looking for a comeback. Here is where the stories truly diverge. For Mickey Rourke's Ram, he returns because it's the only thing he knows. His job defined him. His comeback will likely mean the end of his life. For Bad Blake, the new career in music could well be his salvation and a chance at a longer life. Whatever the comparisons, both are strong character-driven pieces.
Bad Blake (Bridges) was once on the top of the country charts. But that was a long time ago. Today, he's driving around in his Suburban from gig to gig with about 10 bucks to his name. He's gone from great arenas to bowling allies and small-town dives. He still has a small core group of fans that make even this life possible. The trouble is that Bad chain smokes and drinks his health away. He can barely stand for one gig. His old guitar player Tommy Sweet (Farrell) has offered him the chance to open for his act. More important, Sweet wants him to write some new songs for him, and is willing to pay well for them.