Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
“In a time before many can remember, our planet faced its greatest challenge. A warlord named Piccolo came from beyond the stars, bringing darkness and chaos to our once peaceful world. Aided by his disciple Oozaru, the evil pair brought the human race to the brink of annihilation. Cities and countries crumbled beneath them. Countless lives were lost, but finally a group of brave warriors created the Ma Fu Ba, a powerful enchantment that imprisoned Piccolo deep with in the Earth. With his master captured, Oozaru disappeared and balance was slowly restored to our world. And so it has remained for thousands of years…until now.”
Let me begin by stating that I have not had more than a passing exposure to the hugely popular Dragonball anime works. I suspect that this film bears little resemblance to that material, again from what little I had seen of it. That likely means there are more than a few angry fans out there. I won’t be offering any comparisons. I will merely review this film as a standalone production, as it was apparently intended to be, which in itself might have been a mistake.
Posted in: Disc Reviews by David Annandale on August 6th, 2009
Daisato (director/co-writer Hitosi Matumoto) is having his daily life filmed by a TV crew. This life is pretty depressing. He doesn't make much money, his wife has left him, and his neighbours hate him. His job isn't exactly low-stress, either: he is Big Man Japan, a hereditary job that involves defending Japan against monster attacks. So whenever he gets the call, he has to run to the nearest power plant, get himself zapped until he grows into a 50-foot giant, and do battle with various bizarre creatures (one looks like a plucked chicken with a huge eyeball/penis appendage). But though he does his best, his ratings are down, his show is broadcast in the dead hours of the morning, his agent appears to be taking advantage of him, and there's a new monster in town that mops the floor with him on their first encounter.
Posted in: Disc Reviews by William O'Donnell on August 6th, 2009
This is a 6-part series presented by the Discovery Channel, documenting the different devices created so that America could reach the moon by a deadline that then US president Kennedy had promised the nation.
Posted in: Disc Reviews by William O'Donnell on August 6th, 2009
The story originally seems to set itself up to be that of redemption for a young man who is fresh out of jail. While this story is around, there seems to be parallel stories that arise as subplot but soon race alongside the original tale like proverbial track horses (and horses also just so happen to be the nexus for said plots). Just as one seems to buck into the lead, another comes along to grab the focus.
Posted in: Disc Reviews by Gino Sassani on August 6th, 2009
“Nobody has everything they want. It’s a survival pattern. You get what you want, you want something else, something more extreme, something more specific, something perfect….”
A Joss Whedon universe is always a strange and fantastical place to visit. It doesn’t matter if it’s populated by vampires and demons or space cowboys. If Whedon’s name appears anywhere on the credits, you know you’re going to be in for one hell of a ride. It’s been a little while since Whedon’s been back in the saddle. His most recent series, Firefly, was fraught with problems with the network. It was very badly handled, and the show died an undeserved swift death after just a few episodes. Whedon appeared somewhat bitter after all of that and disappeared from the television radar for a few years. They say you can’t keep a good man down, and now Whedon is back with his latest mythology heavy series, Dollhouse.
Posted in: Disc Reviews by David Annandale on August 5th, 2009
I, of all people, should know that one person's cultural detritus is another's fond nostalgia, and what better example of that can there be than this release. A strange mix of athletic contest, pro-wrestling posturing and silly gimmick game show, this series (which has recently been reborn) pitted hard-bodied contestants against the even-more-hard-bodied (at least in appearance) Gladiators of the title. Some contests involve knocking each off a beam, or dodging tennis balls fired from a gun while trying to get in a shot of one's own. Or then there's swinging in on a rope in the attempt to knock the Gladiator off a pedestal. It's all pretty silly, made even more so by the straight-faced colour commentary. If the intent was to satirize sports broadcast generally, then this is quite brilliantly funny, at least at first, but the joke can't sustain itself over multiple seasons. Basically, it is what it is. If you enjoyed the show when it first ran, then perhaps you'll enjoy it again (but is there anything less intended for multiple viewings than a game show?). If you are unfamiliar with the concept, probably best to stay that way. For the benefit of the completists out there, it should be noted that this set begins halfway through Season 1.
Posted in: No Huddle Reviews by Michael Durr on August 5th, 2009
This week we get a little more mayhem from those great people at Smithsonian Networks: Pandas Gone Wild. Witness the spectacle of Pandas flashing tourists for just a few shoots of bamboo. Okay, that isn’t what this is about. It’s much more tranquil and peaceful than that and takes place in the mountains of China in a secluded sanctuary. The next forty five minutes will produce a lot of oooo and even more awwww moments than I can write about in the next several paragraphs.
Deep in the Shaanxi region (pronounced “Shensi”) along the Qinling Mountains of China is a wondrous sanctuary of wildlife including rare plants and even rarer animals. There is the majestic Golden Monkey, an endangered species that is a glimpse into the old world. There is the Crested Ibis which is so rare that only 70 are still thought to be in existence. Other creatures exist solely because of the dense bamboo that covers the region such as the Golden Pheasant, the Golden Takin and the namesake Bamboo Rat.
Posted in: Disc Reviews by David Annandale on August 5th, 2009
Foreseeing his own assassination, Harvey Milk (Sean Penn), America's first openly gay elected politician, records his memoirs. The film flashes back to follow his narration, tracking his transformation from don't-make-waves semi-closeted New Yorker to activist San Franciscan. In his new home, he decides to run for City Supervisor, and after numerous failed attempts, which take a toll on his personal relationships, he finally wins. The battles are only just beginning, however, as he must now wage war against the intolerant laws being pushed by California Governor Briggs and anti-gay crusader Anita Bryant. Meanwhile, a prickly professional relationship with fellow Supervisor Dan White (Josh Brolin) is sowing the seeds of tragedy.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
“There’s one thing I always wanted to ask Jack back in the old days. I wanted to know about that Doctor of his, the man who appears out of nowhere and saves the world, except sometimes he doesn’t. All those times in history where there was no sign of him, I wanted to know why not. But I don’t need to ask anymore. I know the answer now. Sometimes The Doctor must look at this planet and turn away in shame.”
It all started some decades ago with the BBC’s immensely popular television series, Dr. Who. The show was a national phenomenon in Great Britain, but in the 1970’s PBS stations here in the States started to pick up the show. Tom Baker was the Doctor at the time, and it became a huge hit, particularly across college campuses. Eventually, like all good things, the series wound down and disappeared from the airwaves. But in 2005 the BBC decided to resurrect the Doctor once again, and lightening did indeed strike twice. The show’s new format and style appeared to pick up right where the old show left off.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
Imagine waking up one morning to find a newspaper on your front porch. Here in Tampa, the fact that the paper is actually on your front porch is miracle enough. Imagine further that this ordinary looking paper isn’t today’s paper at all, but rather tomorrow’s edition. If you could trust that what you held was the genuine article, so to speak, just think of the possibilities. For most of us our thoughts turn to the myriad ways in which we could enrich ourselves: sports scores, lottery numbers, even stock tips. If, however, you’re less selfish, there is an equally endless number of ways in which you could help your fellow man, or woman as the case may be. You would have advance knowledge of tragic accidents, crimes, and other unfortunate events about to befall your fellow human travelers. That’s the essence of Early Edition.
Gary Hobson (Chandler) is having some bad luck. His wife kicks him out of the house, on their wedding anniversary, no less. He ends up forced to live in a cheap hotel room. One morning he discovers that a mysterious orange tabby has left a gift by his door. Instead of the usual rodent surprise, Gary finds a copy of the local newspaper. This paper happens to be dated tomorrow. At first Gary doesn’t even notice the odd date as he attempts to go about his busy stockbroker life. It isn’t until Gary’s attempt to follow the price of wheat that he is finally alerted to his special edition of the paper. His buddy Chuck (Stevens) wants to use the paper to check out a few sports results. Gary avoids the temptation and refuses to allow his friend to have the paper. Instead he uses the information to assist another friend, Marissa (Davis – Williams), who’s in desperate need of a windfall. Together they become a team. As the event repeats itself, the three work to find ways to help others with their advance knowledge. There’s a little comedic tension, as Chuck is always trying to get his own taste out of the information. Marissa, grateful for the help she received, is far more keen on passing the good deed along.
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