Posted in: 2.35:1 Widescreen, Disc Reviews, Dolby Digital 2.0 (English), Dolby Digital 5.1 (English), Drama, DVD, New Line by Archive Authors on May 19th, 2006
Synopsis
Virginia, 1607. English ships arrive and a colony is set up, but with considerable difficulty. Famine and disease take their toll. Captain John Smith (Colin Farrell) heads off to seek help from the Powhatan. He is captured, sentenced to death, but saved by Pocahontas (Q’orianka Kilcher, whose character is never actually given that name). So begins a fateful relationship.
Terence Malick has something of the Stanley Kubrick around him: he only puts out a movie about once a decade, hi...
Posted in: Disc Reviews by Archive Authors on May 19th, 2006
The world of politically charged films has certainly grown in the past few years. Films like Farhenheit 911 have seen big success, while other films like Rupert Murdoch’s OutFoxed have seen more of a critical success. Both of these films had extreme media attention, one obviously more than the other, prior and after their releases. Both asked questions and demanded answers to topics and issues we, as people, wondered about but never really asked about as a simple person can’t really enact a high success...
Posted in: Disc Reviews by Archive Authors on May 18th, 2006
Synopsis
Adam Sandler plays Robbie Hart, wedding singer in 1985, making a living covering other people’s songs, but happy with his life, until he is dumped at the altar. Total professional meltdown then ensues (in the big money scene that everyone saw in the trailers). Hope for romance still exists, however, in the person of Drew Barrymore, a waitress about to be married to a total jerk.
This is the film that demonstrated that Sandler was more than a one-trick pony, that the man could act i...
Posted in: Disc Reviews by David Annandale on May 18th, 2006
Carla (Yuliya Myarchuk) is a Venetian in London, looking for a flat in which she and her boyfriend Matteo can live once he actually arrives there. In the meantime, she has been in London for a month, and he is in Rome, pining for her. Both of them are getting a bit sexually frustrated, but Carla works that issue out with a series of affairs, and for some reason, Matteo seems to have a problem with this.We are once again in the of Tinto Brass' ass-worship and cheerful infedelity. The tone is established by Carla's opening credit stroll through Hyde Park (a walk which Matteo will recreate later to transformative effect), which is depicted as a carnal wonderland.
Posted in: Disc Reviews by Archive Authors on May 17th, 2006
One reviewer accurately described The White Countess as having "echoes of Casablanca." More than that, this last production from Merchant-Ivory seems like it lifted its premise entirely from the classic Bogart film. But at the same time, there is enough different about this colorful and mesmerizing piece to distinguish it as something original - or original enough. With murmurings about that Hollywood may one day remake Casablanca (as it seems they have everything else), I hope and pray the gods ...
Posted in: Disc Reviews by Archive Authors on May 17th, 2006
Kim Cattrall has had a long and storied career in both television and movies. In the 80's she hit a streak of cult comedies with parts in such as Porky's, Police Academy, Big Trouble in Little China and even Turk 182. Of course, even with a resume like that, we would never be talking about her today were it not for her work as Samantha on Sex and the City. In 2005, Cattrall wrote a book Called Sexual Intelligence that explores various areas of sex, such as arousal, desire and...
Posted in: Disc Reviews by Gino Sassani on May 17th, 2006
The Producers has taken an almost cinematic storyline of its own. In 1967 Mel Brooks filmed this tale with one of his mainstays, Gene Wilder. The film was a modest success. It was as a Broadway production that this material reached a wide audience. The play has been a hit for decades now. It only seems inevitable that a new film would surface. This 2005 version of the story is closer to the stage production than the original film. There are quite a few more musical numbers, and that’s essentially where this film goes wrong.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
Are we that jaded a country when a movie like Cinderella Man can be somewhat ignored during its theatrical run, and yet when it still garners the occasional award nomination as it did last winter, people snort, "Well, it's just your usual manipulative dramatic crap". Yeah? So what? For god's sake, take a look at what plays during the summer. Did we honestly need a remake of When a Stranger Calls?
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
To say that director Danny Boyle has quite an eclectic resume for his directing filmography may be a bit of an understatement. After an impressive first feature in Shallow Grave, he moved on to the cult classic film about heroin addiction called Trainspotting. From there he took an interesting part for a film called A Life Less Ordinary, followed by directing a hot commodity named Leonardo DiCaprio in The Beach. He took on an interesting zombie film called 28 Days Later, and that brings him up to the children's film(?) called Millions.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
What's a boy to do when he is called into work and has to work a graveyard shift and is virtually disallowed to access the internet? Why, watch the first and second seasons of Wings of course, and thoroughly enjoy the wild antics of the folks in an airport on Nantucket Island. You have Joe (Tim Daly, Return to Sender), the uptight anal retentive serious one, along with his younger brother (and general goofball) Brian (Steven Weber, At First Sight). Together they own and operate Sandpiper Air, a sleepy small airline with one plane.