Genre

The death of a celebrity usually brings sadness to many of their fans. However, whenever a celebrity does die, you can definitely expect a best of or some type of collection to find its‘ way to your video store shelves as soon as possible. After Richard Pryor died in December, Universal decided to wait one short month before releasing this four disc movie collection which features four of Pryor’s films that he either starred in or had something to do with. While the film’s contained her are not the best work of Pryor...s (other studios have rights to those particular works), the film’s Universal chose are pretty entertaining and remind us of the genius that Pryor was.

First up is the film Which Way is Up? which is re-make of the 1972 Italian comedy The Seduction of Mimi. The Italian version concerns the mob, but this version concerns Corporations and Labor Unions, where the workers at an orange-picking field want to form a union to ensure better and less-dangerous working conditions. Pryor steps up the plate when he falls off his ladder one day. Pryor is asked to leave the town by the big bosses at the orange corporation. This causes him to move to the city, fall in love with a union supporter, and funny comedy simply ensues. While the comedy presented is nothing that will have you laughing on the floor, it did have me similing many times simply because the type of comedy is something we can all relate to. The comedy is about human beings and their life lessons through family and work.

My name's trouble... and you got some of it lady.

I admit, I wasn't even a big fan of The A-Team back in the day. I mean, I was a boy, and Mr. T was cool and all, but the show itself never really grabbed my attention. Even at a young age, the whole thing just felt a little too unbelievable. I mean, if these guys are a group of deserters and felons who are wanted by the government, then how is it that everybody knows who they are? Plus, Mr. T isn't exactly inconspicuous wearing 832 gold ...hains around his neck everywhere he goes. Then, of course, there is the fact that they frequently open fire with fully-automatic weapons in public places (and nobody gets hurt). Apparently the government hasn't made finding The A-Team priority one.

Synopsis

When he was a teenager, firefighter Tony Comes was sexually abused by a Catholic priest. When he and his family move to their new home, and he discovers that his victimizer lives just down the street, the shock forces him to come to terms with his past, and to seek redress. The documentary follows what happens, detailing, among other things, the way the Church circled its institutional wagons, and the terrible emotional cost to Comes and his family as the court battle drags on.

Synopsis

What distinguishes Nicolas Cage from other more mainstream actors is that his choices of independent films, providing him the opportunity to take on a wide variety of roles that broaden his range, while periodically taking on the occasional Jerry Bruckheimer production to maintain his box office gravitas and make some money to allow him to work the indie films. It’s a circuitous route that helps to benefit the viewer. Sometimes those lower-level films are hits, while others miss.

Synopsis

What bothers me about music, aside from the sanitized, overmarketing of a band or artist, is the way that those who play it for its enjoyment are cast aside so rudely and without thought. In Frank Zappa’s outstanding “The Real Frank Zappa Book”, he talks about appearing at a jazz festival with his group the Mothers of Invention, and witnessing the legendary Duke Ellington pleading for a $10 advance on his appearance fee. Quoting Zappa’s response; "We’d been together in one configuration or another ...or about five years at that point, and suddenly EVERYTHING looked utterly hopeless to me. If Duke Ellington had to beg some assistant backstage for ten bucks, what the fuck was I doing with a ten-piece band, trying to play rock and roll - or something that was almost rock and roll?"

Synopsis

Documentary makers Patrick Farrelly and Kate O’Callaghan followed the creation of the liberal Air America Radio, a deliberate attempt to create an alternative to the all-encompassing right wing dominance of the talk radio airwaves. The making of the film took an unexpected turn when the newly born network suddenly fell into serious financial difficulty, and all sorts of stories of impropriety involving its founder circulated.

The 1970’s was the decade of the muscle car. Films like Smokey and the Bandit and Cannonball Run raced into theatres, riding on the thrills of speed. If you were a young man, then you were right there ridin’ shotgun. Kicking butt and takin’ names. The Last American Hero makes the unfortunate attempt to combine this “need for speed” with a typical “against all odds” story. The result is a dead end street.

Junior Jackson (Bridges) is the son of a bootlegger with a real talent for running roadblocks. Wh...n his booze-making father finally takes a fall with the law, Junior turns his talents to the racing circuit. Stop me if you’ve heard this one before. Faced with corrupt promoters and unsportsmanlike fellow drivers, Junior must climb a mountain of adversity and finally win the big one. While the cast features some fine performances, the film just never delivers on all cylinders.

The film’s prologue informs us that the sport of sculling captured the nation’s attention long before baseball or football came along. We’re told that this activity created a national obsession with much the same pitfalls of modern sports. Somehow I can’t imagine, in this age of sports bars and ESPN, that rowing would demand the attention this boast assumes. I don’t remember my grandfather or great grandfather for that matter reminiscing about some great rowing move he witnessed with his dad as a child. The film al...o reports that the events are based on the true story of rowing legend Ned Hanlon. If any of this is true, it appears the more things change the more they truly do remain the same. The same slimy agents and event fixing have been represented as well as the heroes who came from nothing.

The film is an obscure 1986 effort, notable only as an early role for Nicolas Cage. He wears the part well. In fact, the film features a rather fine cast that includes Christopher Plummer and David Naughton in fitting roles. The real problem is, there isn’t all that much to work with here. None of the parts allows the fine acting to be showcased. The film uses too much time with rowing scenes that offer no variety from one to another. There’s a reason rowing doesn’t command huge network contracts or even much cable coverage. It might be very exciting to participate in these events, but there is nothing at all engaging as an observer. The plot is familiar: Unlikely hero battles incredible odds and triumphs in the big event. Still there is no eye of the tiger here. More like eye of the tiger beetle. An inspiring story with no inspiration.

Synopsis

In Spain of the early 70s, Javier Cámara is Alfredo, an unsuccessful door-to-door encyclopedia salesman. His wife, Carmen (Candela Peña), desperately wants a baby, but he refuses because of their dire financial straits. The publishing house he works for decides to move into making sex films, and its remaining door-to-door men must film themselves having sex with their wives or lose their jobs. Carmen sees this as a good opportunity to get pregnant, and convinces Alfredo to give it a try. The...two turn out to be very good at making these films. Bitten by the cinema bug, Alfredo has ambitions of making a feature film in the vein of his idol, Ingmar Bergman. Will his artistic dreams be realized? Will Carmen become a mother? And what to do about Alfredo’s non-existent sperm count?

The longest running show in prime time doesn’t feature cops, doctors, or lawyers. It’s hard to believe that The Simpsons have existed as long as the Fox network. While the series didn’t really begin until Fox’s second year, the characters were part of The Tracey Ullman Show, which did start the first year of Fox. Who could have guessed that an animated short from an otherwise horrible and doomed variety show would explode into such a phenomenon. The Simpsons have not only dominated the pop culture; they have placed...everything else into context with their show. Like Doonesbury, it could be said that the only thing worse than being made fun of on The Simpsons is not being made fun of on The Simpsons. With that said, you’ll understand my warm feelings and appreciation for this show.

Now let’s talk about this particular release. To say that it is a forced marketing scam would be going easy. This is the kind of gimmick the show itself would have a field day with. Whatever the genius behind the Simpsons might be, it rarely shows in this Valentine themed 4 disc DVD. In each episode, often through flashbacks, we see the love story of Marge and Homer Simpson, and it’s not a pretty sight. The Simpsons are at their best when the characters have society’s foibles to play against. The heart warming stuff just isn’t the peak of Simpsons lore. The highlight of the entire set is the Three Stooges bit using Clinton, Bush, and Carter. Wait for the season sets to arrive to get these episodes.