Sci-Fi / Fantasy

I don’t particularly care how many times filmmakers recycle old tales, so long as they produce enjoyable films. The Invasion revisits sci-fi scribe Jack Finney’s “The Body Snatchers” for the fourth time on film, following in the steps of the original 1956 film and the ’78 and ’93 remakes. Dave Kajganich wrote the screenplay, and Oliver Hirschbiegel (The Downfall) directed. Then Warner hired the Wachowski brothers (The Matrix) to rewrite some scenes and inject more action into the film, and James McTeigue (V for Vendetta) to direct the re-shoots.

So is The Invasion a case of too many cooks in the kitchen, or just the right creative balance to bring Finney’s classic horror tale to life in the new millennium?

Imagine a world where William Shakespeare is being controlled by creatures akin to witches, a place where Santa is a deadly menace, and a rather eccentric fellow travels about in a police call box with a rather deceptively spacious interior. To Dr. Who fans of all ages, this is all very familiar territory. I fell in love with Dr. Who as played by Tom Baker from 1974 – 1981. He was the fourth actor to portray the Doctor and arguably the most popular. With a pocket full of jelly babies and a trusty sonic screwdriver,

When Close Encounters of the Third Kind came out in 1977, a young Steven Spielberg was coming off of the unexpectedly phenomenal success of Jaws. This was the director's chance to solidify his career as a well-respected filmmaker, and build a lifelong career. While most directors would have either gone the route of making Jaws II or picking up a no-brainer script from a proven scriptwriter, Spielberg wagered his success on the odd tale of a possibly mentally deranged individual's belief in extra-terrestrial life. What he came away with was a film that won an Academy Award for Best Cinematography, was nominated for four Golden Globes (including Best Picture and Best Director), and has become synonymous with the legacy of the famed director.

Robert Morgan (Vincent Price) is the lone human survivor in an LA devastated by a worldwide plague that killed most of the global population and turned the rest into vampires. For three years he has survived on his own, mourning his lost family and systematically staking every vampire he can find, working his way block by block through the city. Then, one day, he sees what appears to be another survivor...

In 1959 Rod Serling changed the face of television. This unimposing thin man stepped in front of a camera and told us we were entering a world of shadow… the Twilight Zone. The anthology series ran for 5 years and included some of the best genre tales ever told. We all have our favorites, and my list is too long to go into here. Even years after when Serling himself had passed it never truly died.

TV reporter Jason Behr is the reincarnation of warrior from 500 years ago, charged with protecting a woman (Amanda Brooks, also a reincarnation) whose destiny is to sacrifice herself so that a mystical giant serpent (an Imoogi) can become a dragon. Unfortunately, an evil Imoogi named Buraki wants the power for itself, and summons a giant reptilian army that lays waste to LA in the search for Brooks.

Belgian filmmaker Olivier Smolders, after a successful run of gorgeous and disturbing shorts, here makes a feature debut that is just as gorgeous and disturbing. Strongly reminiscent of the works of David Lynch, but far darker overall, the film is set at a time when the world is shrouded in the night of a perpetual eclipse. Day only comes for 15 seconds at 12:23 pm each day. Oscar (Fabrice Rodriguez) is a museum entomologist haunted by traumatic dreams involving the death of a sister who might or might not have every existed. He returns home one night to find a dying and pregnant African woman in his bed, a woman who is somehow linked to his father’s colonial past.

Avast ye mates, Jack’s back, and did ye ever doubt the return of Cap’n Jack Sparrow? Johnny Depp once again transforms himself like no other actor in Hollywood can. It doesn’t hurt that he wears the persona of Jack Sparrow with the ease of a well worn favorite hat. In this case it be the unmistakable chapeau of Disney’s favorite pirate. At World’s End is the third and final entry in the Pirates Of The Caribbean trilogy. If and when we’ll ever see Sparrow again is anybody’s guess, but I’d lean toward the likelihood that he will return, albeit not that soon and with an almost completely new supporting cast.

A friend that I work with said that if Hollywood ever ran out of creative and original ideas, and that if a studio managed to make a sequel about pirate zombies that lasted three hours long, it would clean up at the box office. But the fact of the matter is that if we survived a nuclear winter, we would be well prepared about what to do when zombies took over the land, because of the prep we had from guys like George Romero. So even though Danny Boyle’s 28 Days Later might have presumably sealed the deal when it came to this particular interpretation, someone decided to dredge it up for whatever reason.

This box set of three movies tries to take advantage of a college course theme to generate interest for films already available in these same editions. This collection uses Astronomy to bunch together three lighthearted science fiction adventures. The films are Killer Klowns From Outer Space, Spaceballs, and The Adventures of Buckaroo Banzai Across The Eighth Dimension. The lesson we’re really learning here is how corporate quests for profits can reach almost ridiculous proportions. Many studios are running low on the films in their libraries that have yet to be released but still have a market to sustain a DVD title. The obvious answer to this dilemma is double, triple, and beyond dipping.